Skip to main content

The Fall and Get Back Up Guy


 The Fall Guy is a is hard movie to slap a genre on. It's an action film. It's a rom-com. It's an old fashioned star vehicle. The result is a very entertaining but niche $130 million love letter to the stunt community that leans hard on two insanely charismatic leads.

In fairness, calling  Ryan Gosling and Emily Blunt co leads is a bit of a stretch as it is really the story of Gosling's stunt man Colt Seavers. He begins the film loved up with camera women Jody Moreno (Blunt) before an accident at work causes him to lose confidence in himself and ghost her. Eighteen months later he gets a call asking him to come out of stunt exile to help on Jody's directorial debut but things don't work out as he hoped when Jody doesn't actually want him there and he is roped into tracking down the productions missing leading man, an ab flaunting, obnoxious idiot played by Aaron Taylor-Johnson.

Gosling is in full movie star mode here, buffed up and charismatic even though Colt is something of an idiot and clearly in way over his head. He is great in the action scenes as the stuntman uses his trade skills on instinct to, just about, stay one step ahead of villains trying to off him and his chemistry with Blunt really carries the movie. It's a pity the writers couldn't find a way for them to have more scenes together, or fit Blunt in more full stop. She is great every time she is on screen, levelling gosling with deadpan humour and effortlessly avoiding the frat bro lite or one note sarcasm vibe these type of characters are often saddled with.  There are also some fun side characters, including a dog called Jean Claude who, provided you can speak French, seems to have a human level understanding of everything that is said. 

A moderately remembered TV show from the eighties may seem a strange subject for a movie of this scale but it's clear director David Leitch is out to pay some respect to Hollywood's stunt performers. Himself a former stuntman, the Deadpool 2 and Bullet Train helmer puts together some great set pieces which are even more impressive once you've watched the on set footage of how they were done that runs alongside the credits. There are shots fired at actors who claim to do all their own stunts with Taylor-Johnson's braggart "world's biggest action star" terrified of doing stunts despite his boasts and multiple references to Tom Cruise. 

Impressive stunts, real laughs and star power mean The Fall Guy is a fun couple of hours but it isn't completely smooth sailing. The ending is a little drawn out and with Chekhov's Guns needing unloaded all over the place the self referential script can come across a little smug. Still, an original action movie this inventive and entertaining is always a welcome sight.

7 speedboats jumping over 10 explosions.  

Comments

Popular posts from this blog

Killing in the Name of

Mortal Kombat II is, unsurprisingly, a sequel to 2021's Mortal Kombat and the latest attempt to adapt the long running fighting game franchise for the big screen. There has been a bit of a shift in Hollywood over the five years since the last instalment and this film has a very different attitude. Gone is the attempt to "serious-up" the material as MKII fully embraces its dumb video game roots. It still isn't exactly good, but at least this time round it's bad in an enjoyable way. For those unfamiliar with the games, they are based around a fighting tournament that decides if an evil empire from another dimension, or "realm",  gets to take over Earth. Think "Enter the Dragon" with superpowers and a hefty dose of inspiration from "Big Trouble in Little China".  In terms of this movie, eight people from Earth take turns fighting eight people from "Outworld". Sounds simple enough but the script makes no attempt to create any s...

Star Scuffle

Star Wars: The Mandalorian and Grogu is perhaps the purest distillation of a problem the franchise has had ever since the end of the original trilogy. The inability to expand the scope of its story. Commercially, it became a world devouring behemoth, but in terms of narrative it has never moved past (on the big screen anyway) those first films. George Lucas delivered a prequel trilogy that showed us how we got to his 1977 original. Disney's new trio of movies ended up amounting to little more than bringing the gang back and adding some new faces to the hamster wheel. They also gave us a couple of spin-off films dedicated to filling in unimportant details of the classic adventures. Eventually, a sprawling galaxy far, far away starts to look pretty small. Now their return to cinemas after a (much needed) seven year break is a lengthened episode of a TV show that exists because one of the characters in the original films looked pretty cool.  With a laboured structure (there are three...

Tune In, Cop Out

Tuner lead character Nikki (Leo Woodall) hasn't had much luck. His parents aren't around and  H yperacusis (an extreme sensitivity to noise) put an end to his piano  playing days. Now he puts his enhanced sense to use as a piano tuner, working for mentor and father figure Harry (Dustin Hoffman). When Harry falls ill and into debt, Nikki takes on a sideline in safe cracking for shady security boss Uri (Lori Raz). All is well at first, but as time goes on it becomes increasingly hard for Nikki to juggle his day job, lucrative but dangerous side hustle and a blossoming romance with musical student Ruthie (Havana Rose Liu). The set up may make you think you are in for a slick crime caper, but that's not really what this film is. Director Daniel Roher made his name in documentaries and Tuner has a very naturalistic feel. The city is vibrant and busy while close up shots show the intricacy of the pianos and locks Nikki has mastery over. We are following characters (mainly Nikki)...

Listening to the Sounds in Silence

The tagline for breakout indie horror hit Undertone is, "The Scariest Movie You'll Ever Hear". This declaration sets out the film's stall as a uniquely audio based horror, and that is exactly what it delivers. The result is something that will chill some people to the bone and leave others falling asleep in their seats.  Originally made for a meagre $500,000, the film takes place entirely in one location (director Ian Tuason's childhood home) and centres on podcaster Ivy, played with impressive range by Nina Kiri. Ivy is caring for her dying mother (the only other person who appears onscreen) so has to wait until the early hours of the morning to record her paranormal podcast with friend Justin (the voice of Adam DiMarco). She plays the role of sceptic to Justin's believer but her rationality is tested when her cohost begins playing some eerie audio files he received from an anonymous listener. Although Undertone isn't a found footage film, it very much t...

Van Afterlife

Passenger  director Andrè Øverdal has some impressive credits under his belt, including his Norwegian language breakout hit Trollhunter and chilling haunted corpse movie The Autopsy of Jane Doe. That explains why this mediocre horror has a couple of well crafted set-piece scares, but he is saddled with a bland script that is content to tick familiar genre boxes. Things start promisingly with the titular "Passenger" (a highway stalking demonic entity) dispatching a pair of nighttime travellers. We are then introduced to young couple Maddie (Lou Llobell) and Tyler (Jacob Scipio) who are about to abandon the city for a life on the road in their swanky van. Tyler is all in (to an obnoxious degree) but Maddie is hiding some reservations and things get spooky when they are marked by the walking metaphor for the dangers of travel. The first issue the movie runs into is the confusing nature of the entity itself. Why does it mess around with our leads for days when it kills everyone ...

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

Talking 'Bout My Girl

In addition to already being the name of a dozen or so movies,  Obsession is a horrendously dull film title. It conjures up images of dated romantic thrillers or bargain basement serial killer flicks. This is a long-winded way of saying this darkly humorous relationship nightmare deserves a better name, as it's anything but stale. Barron "Bear" Bailey (Michael Johnston), Nikki (Inde Navarrette), Ian (Cooper Tomlinson) and Sarah (Megan Lawless) are longtime friends and work colleagues. Bear has long harboured feelings for Nikki and is determined to confess his love, despite warnings from Ian to bide his time and the fact Sarah might be the one who is actually interested in a romantic relationship. After chickening out of an ideal opportunity to tell Nikki how he feels he uses a cheap novelty collectible called a "One Wish Willow" to wish his crush was hopelessly in love with him. Turns out the tacky toy is legit and ties him into a "The Substance" styl...

Husband and Strife

If the purpose of cinema is to make the audience feel something, then few films succeed as completely as The Drama. The fact that said feeling is one of wanting to curl up and die of awkwardness shouldn't even be taken as a warning. Like a masochist munching down on a giant bowl of ghost peppers, you will likely find every bite delicious.  Robert Pattinson and Zendaya play soon to be married couple Charlie and Emma. They have the picture perfect relationship. They have successful jobs, a beautiful Boston apartment and look like Zendaya and Robert Pattinson. Little differences in their attitudes toward a wedding dance rehearsal and their potentially drug smoking DJ hint they may not be completely on the same page, and when a drunken game leads to Emma disclosing something from her past, their relationship experiences some severe turbulence.  It's tricky to fully discuss The Drama without spoiling Emma's revelation (and it absolutely should not be spoiled), but it points to ...

The Bourne IT

The set up for The Amateur is a well worn one, a man loses his wife in a terrorist attack and goes on a mission of revenge. The twist is, that while Rami Malek does play a man with a particular set of skills, they aren't the ones you would expect. Charlie Heller is a socially awkward CIA cryptographer with precisely zero fighting ability and no experience using firearms. He is though, a technological genious who invented half the agencies cyber security and can track and predict patterns like a computer. When his blatantly shady boss, played with smug glee by Holt Mccallany, refuses to act on Charlie's info about the killers he blackmails him for some training and the green light to pursue the perpetrators himself. The two main questions are, can the mild mannered tech guy thrive in the field and is this twist on the formulae enough to carry a fairly by the numbers espionage thriller? The answer to both is, pretty much, yes. Malek is tailor made for roles like this and it'...

Whisky in the Jar

Glenrothan has been sold as "a love letter to Scotland" and given that it features two of Scotland's most accomplished actors, whisky, folk music and stunning landscape shots, it's hard to argue. Is it anything more than that? Not really, but maybe that's OK.  Alan Cumming and Brian Cox (who also directs) are Donal and Sandy Nairn, estranged brothers and heirs to a beloved whisky distillery. Growing up, big brother Sandy was desperate to leave their idyllic village and its distillery behind, while Donal wanted to be nowhere else. Family issues resulted in them both leading the life that the other used to dream of, as Donal left for America and Sandy took over the family business when their father's health began to fail. When his blues bar burns down, Donal makes his first trip back to Scotland in forty years, accompanying his daughter and granddaughter to visit his ailing brother. A quick look at the trailer tells you everything you need to know about Glenroth...