Skip to main content

The Brothers Grim


 The Iron Claw is a heavy film. Zac Efron's body is heavy with muscle. His character, Kevin Von Elrich, is heavy with the weight of family expectations. Come the end of the film his heart is heavy with loss. A jolly couple of hours in the cinema this is not but it is very watchable and notable as an eye catching debut from writer/director Sean Durkin and for some top notch performances.

The film is based on the true story of the Von Elrich brothers. In addition to Kevin there's Kerry (Jeremy Allen White), David (Harris Dickinson) and Mike (Stanley Simmons).  Their father Fritz took wrestling so seriously that he changed his family name to that of his character but was never able to capture the most coveted titles and demands that his sons either finish what he started or achieve sporting excellence in some other way. He holds no truck with the old adage that you shouldn't play favourites with your kids, happily telling them what order he ranks them in, with potential Olympic discus contender Kerry occupying number one. If you think their religious mother Doris provides the unconditional warmth they don't get from daddy then think again, "that's what your brothers are for" Kevin is dismissively told when he asks to speak to her. The parents are no pantomime villains, they think pushing their kids and teaching them self-reliant toughness is setting them up for success, but throwing the kind hearted boys into the meat grinder of professional wrestling with no emotional support beyond "bring home the bacon son" has tragic consequences.

And boy are they tragic. Its worth baring in mind as the misery piles up that the real story is even worse. There is a whole brother left out of this retelling as Durkin (correctly) surmised the film just couldn't take more grief. Even as is it can be a bit of a stretch. There are moments of triumph and cosy togetherness but once the wheels come off the hits keep on coming at such a speed that they become routine and it is hard to feel their full impact. 

What keeps the film on track, no matter how close to Greek tragedy the events steer it, are the performances. Everyone is terrific but while its something of an ensemble piece the main focus is on Effron's Kevin and he uses his natural gifts to full effect. Not many people have the genetics to get as shredded as the former Disney kid is here and his physique really sells the idea that his character is the most dedicated of them all. All the muscle is in stark contrast to his puppy dog eyes, making Kevin look like an innocent child trapped inside his hulking body and forced to carry the weight of the world on his shoulders when all he wants is a quiet life with his family. Playing a man who doesn't have the tools to express his feelings, Efron shows it all with the most subtle face acting and the fact he's still seen as the High School Musical kid is probably the only reason he didn't get an Oscar nomination.

Fans of professional wrestling may find a couple of things distracting. Aaron Dean Eisenberg appears as Ric Flair and while he acts exactly how you would expect he doesn't really look, or more importantly sound, anything like him. Also, by focusing so hard on the family dynamic as the driving factor behind all the tragedy the film glosses over many of the other potential factors. A combination of head trauma, drug addiction, steroid abuse and general brutal lifestyle has taken a horrible toll on wrestlers (particularly of that era) and while you see a little of that here its very much all on the back burner in favour of a clear "sins of the father" storyline.

  Still, making a movie about this story and not only making it watchable, but actually managing to leave the audience feeling somewhat upbeat come the time the credits role is a great achievement and testament to the fact everyone here has brought something special to the production.

8 tap outs out of 10.       

Comments

Popular posts from this blog

2024 at the Cinema

Bye bye 2024, time to put your ducks in a row. If ducks are films I saw in the cinema. As ever, ranking is purely my opinion (although my opinion is obviously correct), a movie needs to have been released in the UK during calendar year 2024 and I have to have seen it on the big screen for it to be eligible.   60. The Strangers: Chapter 1 Unrelentingly tedious reboot of an already mediocre home invasion thriller that ramps up nothing but the banality. If your idea of entertainment is watching an insufferable couple hide while a man and a woman in stupid masks walk about slowly then this is the film for you. Otherwise the only scary thing here is the fact they have already filmed chapters two and three.  59. In a Violent Nature You don't need to make people drink curdled milk to know it would taste awful. Similarly, you shouldn't need to make people watch a slasher film that follows the killer for the whole runtime to know it's a terrible idea. Dialogue is replaced by endless...

Room With a Viewer

  Few directors can release films with same consistency as Steven Soderbergh (he averages over one a year this century), never mind in so many different genres. With Presence, he steps into the world of the supernatural. Don't be fooled by the "presence" of a spirit however, this is not a horror film, more a family drama infused with a sense of doom. The film begins with a family, consisting of domineering mother Rebecca (Lucy Liu), unhappy father Chris (Chris Sullivan), swimming star son Tyler (Eddy Maday) and troubled daughter Chloe (Colina Laing) moving into a new home. Things are far from rosy in the Sullivan household, Rebecca is involved in some unspecified shady work business and dotes on her athlete son (the whole reason for the move is to get him into a premium school) while showing little interest in her daughter, who's best friend recently died. Chris is fed up with his detached wife's favouritism and considering divorce while both the offspring are in ...

Econ Air

  Single location thriller Flight Risk is the latest film to suffer from an "over eager" trailer. That is to say, the trailer covers pretty much everything that happens in the movie, more or less in the exact order it occurs. On the plus side, it isn't a film that was ever going to keep any secrets so it doesn't suffer as much as some others have. FBI agent Madelyn Harris (Michelle Dockery) takes a flight with informant Winston (Topher Grace) but a short way into their journey they discover the pilot, played by Mark Wahlberg, is actually a mob hitman there to end them both before Winston can squeal. There is a brief opening at an Alaskan cabin and the finale is on a runway, but for the most part it's just the three of them in the cabin of a small plain. Events unfold almost like a theatrical play as the three talk and argue with intermittent attempts at murder.  The main thing to know about Flight Risk is that it is ridiculous. The decisions the characters make a...

My Girl 2025

  Companion opens with Iris (Sophie Thatcher) reminiscing on her meet cute with Jack Quaid's Josh before accompanying him to a secluded house for a weekend of partying with his friends. Everything is normal on the surface but there are hints that something else is going on as Iris appears insanely dedicated to her boyfriend's happiness and at least one of his friends are a little off with her. Sure enough, a reveal around a third of the way in switches things up and the film becomes a bungled heist movie leading to a chase through the woods with freedom and lives on the line. If you have seen the final trailer for Companion you already know what the reveal is. I won't spoil it here for those who want to go in blind but it is fair to say this is, partially at least, a sci fi film. You may well spot the twist (especially with the Stepford Wives nod kicking things off) but something so morally abhorrent and potentially dangerous being completely commonplace and having so littl...

Eyes, Eyes Baby

  You would be forgiven for thinking Heart Eyes is a simple holiday themed slasher movie riding the coattails of 2023's Thanksgiving. While it takes place on Valentine's Day and features a killer dispatching people with a cupid themed arsenal of weapons, that is only half the story. What Heart Eyes really is, is a full on rom com with a slasher slapped over the top of it. How does that work? Thanks to a heightened comic tone and some sharp writing, pretty bloody well. Olivia Holt plays Ally, a love cynic who stalks her ex online and whose bitterness has seeped into her work, endangering her job as a marketing agent for a jewellery company. She has a meet cute in a coffee shop with Mason Gooding's Jay, only to later find out he has been hired by her company to fix her campaign and may be a threat to her position. True love sceptic forced to work with a hot new guy (who happens to be a hopeless romantic) under tense circumstances is a classic rom com set up and there is even...