Faster Than a Speeding Bullet

When James Gunn was placed in charge of rebooting the ailing DC cinematic universe the move came with a declaration, from now on the focus would be on creating great individual movies with loose connections, rather than to obsessively cram everything into a convoluted cinematic continuity. With that in mind, here is the first of their new films, DCU : Phase 1 : Gods and Monsters : Superman.

Glibness aside, it is just called Superman, and while there is certainly some filling out of the world going on, it does all seem to be in service of telling the story. A brief bit of text fills us in on Gunn's world, letting us know super powered people are fairly common place and Superman is the strongest of them all, before we are introduced to a bloodied Supes, his dog Krypto and his robot staffed Fortress of Solitude. The plot has plenty going on, with a potential war, revelations about Superman's parents, citizen's mistrust of the Man of Steel and interactions with "The Justice Gang", but it mostly all boils down to Lex Luthor desperately wanting to put big blue in the ground.

There was some concern about James Gunn being the man to deliver a lighter version of a character that has been cinematically stuck in morose mode for the past decade or so. He has a reputation as a bit of mean filmmaker, someone who prefers harder edged characters and isn't above putting them through the wringer in service of pathos, or even just for a joke. Turns out he knows when to reign those sensibilities in and focus on silliness. There are some tonal clashes and attempts at emotion are thoroughly undercut by jokes, but focusing on the humorous side is the right call. There are plenty of nods to our world with advanced militaries prepared to gun down unarmed civilians and call it "war", billionaires pulling the strings of politicians and angry online (literal) monkeys spreading toxicity, but tonally, plot wise and in terms of visual aesthetic, this is probably the closest to just picking up a Superman comic that any live action film has come.

Pretty much all the casting choices prove to be inspired. David Corenswet certainly looks the part and he brings a disarming, naive charm to the role, playing him less stoic and more human than previous incarnations. He spends the vast majority of time in the suit, which is great, but it would have been nice to see a little more of Clark and Lois (Rachel Brosnahan) together as they have a great dynamic and chemistry. Nichola Hoult gives a more manic, and flat out evil version of Lex Luthor and is entertaining every time he is on screen, whether posing in sunglasses, berating employees or having a full on meltdown. The other heroes that show up in the film (the "Justice Gang") are pretty funny, with Nathan Fillion's obnoxious Green Lantern looking ridiculous and Eli Gathegi almost stealing the movie as genius Mr Terrific. Third member, Hawkgirl (Isabela Merced) makes the most of what she is given but has the least to do.

The film certainly delivers on fun action and realises the spectacle of Superman pretty well, although arguable the best action sequence belongs to Mr Terrific. Things do move briskly, meaning that for a film dealing with the impact Superman has on the world, we don't get much time to take in the repercussions of what is going on. The only outright disappointment is the score which lacks any impact when not riffing on the iconic original theme.

Superman is a film that does indeed strip the character back to his fundamentals, never giving up and choosing to do the right thing. There is a lot of noise in the film, both in terms of plot and visuals, but if you can somehow get on board with the idea that a guy who flies around in a cape shooting lasers out his eyes shouldn't be taken too seriously, then you'll find an action packed, fun blockbuster to enjoy.

7 monkeys furiously typing out of 10.

Comments

2025 Halfway Ranking

2025 is halfway done so its time to get ranking. Only films I've seen for the first time in the cinema are eligible and we are talking UK releases from 1st January to 30th of June. If your favourite film of the year isn't here, I didn't see it on the big screen. If it is here but low, feel free to tell me how wrong I am. 39. Hurry Up Tomorrow When a musician decides to write and star in their own movie the results are often pompus nonsense, so the problem with this effort from Abel "The Weeknd" Tesfaye isn't that its ridiculously self-aggrandizing (although it very much is), its that its unrelentingly dull, hideous to look at and worse to listen to. The star should have just made a concert movie. 38. A Working Man Jason Statham is the perfect Hollywood action man, able to look cool shooting guns, punching peoples lights out or driving fast cars. Sadly, the meandering script and piss poor production values on display here give him no chance to shine and leav...

The Brothers Grim

The Iron Claw is a heavy film. Zac Efron's body is heavy with muscle. His character, Kevin Von Elrich, is heavy with the weight of family expectations. Come the end of the film his heart is heavy with loss. A jolly couple of hours in the cinema this is not but it is very watchable and notable as an eye catching debut from writer/director Sean Durkin and for some top notch performances. The film is based on the true story of the Von Elrich brothers. In addition to Kevin there's Kerry (Jeremy Allen White), David (Harris Dickinson) and Mike (Stanley Simmons). Their father Fritz took wrestling so seriously that he changed his family name to that of his character but was never able to capture the most coveted titles and demands that his sons either finish what he started or achieve sporting excellence in some other way. He holds no truck with the old adage that you shouldn't play favourites with your kids, happily telling them what order he ranks them in, with potential Olym...

Mind The Gap

The Phoenician Scheme is a Wes Anderson film. Some people will say that is all the review that is required as all his films are the same. That's a pretty reductive view, not to mention ironic when, in an age of movies becoming increasingly uniform, Anderson is one of precious few filmmakers whose work is wholly distinct from the pack. The fact nobody else can make things look and feel the way he does should be a massive compliment, not a knock. He is revisiting familiar themes here but in a slightly more plot focused way (its certainly more accessible than the meta stylings of previous film, Asteroid City) and while there is the usual galaxy of star names in the cast the story is focused mainly on three characters and one central relationship. Anatole "Zsa-Zsa" Korda (Benicio del Toro) is a wealthy industrialist, enemy of major Western governments and the target of never ending assignation attempts. Determined to see his most ambitious scheme yet through to completion, ...

Dance of Death

John Wick spin off, Ballerina , swaps out Keanu Reaves (mostly) for Ana de Armas but almost everything else remains pretty similar. We still have the intricately choreographed fighting in a dark gloss colour palette, minimal plot propped up by ridiculous lore and the same waffling dialogue. Series die hards rejoice, but for someone who zoned out somewhere during Chapter 3 and was distinctly unimpressed with John Wick 4, these films are becoming something of a chore. Eve Macarro (de Armas) is orphaned at a young age when assassins break into her home in an attempt to abduct her and her father (also an assassin) dies fighting them off. She is then raised by the "Ruska Roma" (more assassins, roughly 40% of the worlds population are assassins in the world of John Wick), who train her in the arts of both ballet and murder. After somebody from the faction that killed her dad attempts to off her, she embarks on a revenge quest, despite being explicitly forbidden from doing so by R...

Maybe Shark

Before you watch Meg 2 : The Trench you need to ask yourself one question, do I like giant sharks tearing stuff up? If the answer is yes then this might not be the film for you. The first Meg film was something of a sleeper hit, suggesting people quite like watching giant sharks. The marketing for this film suggests the studio know people quite like giant sharks but they don't seem to have passed that information along to the people actually making the film since, after a brief introduction, the megs (and the cool giant octopus from the trailer) are mostly relagated to final part of the movie. Instead what you get is a series of bland, human focused, action set pieces. There's some dimly lit plodding through the titular trench, like a less good version of 2020 's Underwater. Then there's some guys with guns running around a research station like a really crap Die Hard. Even the creature focused final act focuses as much on some dog sized land lizards (evolution has ...

Guardians of the Dungeon

"The Marvel Formula" has become something of a derogatory term in recent years. However, there is a reason glib, self-aware, banter loving heroes embarking on straight forward quests that juggle grand stakes with humour has been the dominant box office flavour for over a decade. Done well it works, and Dungeons and Dragons : Honour Among Theives does it better than the mouse house has in years. The story is a simple one, a rag tag bunch of thinly drawn but likeable miss fits must pull of a heist to rescue the estranged daughter of their (by default) leader. Chris Pine shows he can do the humorous action lead as well as either of the Marvel Chris' and Michelle Rodriguez does stoic warrior as well as you would expect with the two having good chemistry as long time friends/partners in crime. They are joined by Justice Smith's mediocre magician and Sophiia Lillis as a human sceptic shape shifter, the two also making up the obligatory romance story. The main antagonist is...

Can't Surf On Our Turf

The Surfer is a 70's style, psychedelic, psychological thriller set entirely on a beach and adjoining car park. Nicholas Cage is the eponymous character who may or may not be losing (or already have lost) his mind. It is simultaneously playfully fun and ickily unpleasant. Cage (his character is not named) takes his teenage son surfing, his plan being to show off the fancy clifftop pad he is in the process of buying, which also happens to be the house he grew up in. He doesn't get the chance however, as a group of alpha male surf bros have taken over the beach and declared it for local use only. His son returns to school, but Cage stays in the car park, determined to finalise his house deal and find out what is going on with Julian McMahon and his cult like band of beach thugs. Suffering a series of mishaps, he ends up stranded in the car park, and the baking heat, for days and begins to resemble the local hobo more than the successful businessman he began as. Two thin...

2022 So Far

Halfway through the year and it's time to have look back and rank the movies of the year so far. To keep the list manageable I'm only including films I've seen in the cinema. If it ain't here I didn't see it on the big screen. 19. 355 Too stupid to be a serious spy thriller, too boring to be a fun romp. Also, for a film that is supposed to be about agents from different countries coming together, an abundance of lazy stereotypes give it a low key racist vibe. If you are looking for a fun female ensemble action movie check out 2019's Charlies Angels reboot instead. 18. The Matrix Reserection Empty follow up starts out like it might have something interesting to say but soon settles into the cynical, corporate mandated sequel it mocks in its first act. You'll be begging for it to end long before the drawn out finale reaches its conclusion. 17. Jurassic World Dominion A plodding script and phoned in performances from the returning cast make this a limp end...

Nightmare Allley is Quality Street

A hard film to talk about given the trailer gives so little away. It's essentially a tale of grifters and how far you can take a con wrapped in Del Toro trappings that make it feel like a horror. The story itself isn't anything particularly new and could be forgetable in lesser hands. Fortunately there is no danger of that happening here, with the talent behind the camera you know its going to look great and the quality and confidence of the script means everything unfolds at just the right pace. When you have actors the calibre of Toni Colette and Willem Defoe filling relatively small roles you know your cast is of the highest calibre. Bradley Cooper is probably too old to play the ambitious young upstart but he's so committed and charismatic that it doesn't matter and Cate Blanchett is perfect as his final accomplice come nemesis, glamorous/alluring and cold/menacing in equal measure. Doesn't reinvent the wheel but when the wheel turns this smoothly why would you...

Dan Says its Alright

Search This Blog