Skip to main content

2022 So Far

 Halfway through the year and it's time to have look back and rank the movies of the year so far. To keep the list manageable I'm only including films I've seen in the cinema. If it ain't here I didn't see it on the big screen.


19.  355

Too stupid to be a serious spy thriller, too boring to be a fun romp. Also, for a film that is supposed to be about agents from different countries coming together, an abundance of lazy stereotypes give it a low key racist vibe. If you are looking for a fun female ensemble action movie check out 2019's Charlies Angels reboot instead. 


18. The Matrix Reserection

Empty follow up starts out like it might have something interesting to say but soon settles into the cynical, corporate mandated sequel it mocks in its first act. You'll be begging for it to end long before the drawn out finale reaches its conclusion. 


17. Jurassic World Dominion 

A plodding script and phoned in performances from the returning cast make this a limp end (please) to the franchise. Had it trimmed down its unnecessary length it might have been worth checking out, for dino fans at least, but at two and a half hours plus there is zero chance you can't find something better to do with your time. 


16. Morbius 

The good thing about Morbius is that Sony know its a waste of your time so have hacked it down to a slim ninety minutes. The bad thing is they forgot to leave in any character, worthwhile stakes or anything else to care about. Shame as the superhero/horror combo had potential. 


15. Scream 

Nowhere near enough new ideas to justify dusting off this usually inventive film series. Has a couple of fun moments but making fun of bad modern movie tropes doesn't give you a pass to put them in your movie, it just makes it seem you are making fun of me for watching. 


14.  Death on the Nile

Once Brannagh's Poirot gets into mystery solving mode it's pretty entertaining but some distracting casting choices and crap CGI representations of places they could have just filmed at for real detract from the atmosphere. Doesn't reach the heights of 2017's Murder on the Orient Express 


13. Moonfall

Roland Emmerich, the king of over the top 90's disaster movies, returns with basically an over the top 90's disaster movie. Science and logic go out the window in favour of spectacle and melodrama. Dumb fun if you don't mind you ability to suspend disbelief being stretched to the limit. 


12. The Black Phone

Decent thriller that manages to take its time without dragging on and has some excellent performances. Unfortunately, if you have seen the trailer you know pretty much everything the film has in store. Still worth checking out for a couple of breakout child actor performances and Ethan Hawk's creepy serial killer. 


11. Dr Strange in the Multiverse of Madness

Marvel continue the post Endgame trait of seemingly giving their directors more freedom and Sam Rami's signature is all over this sequel. Plays out more like a Terminator film as the heros are perused by an unstoppable force. Wastes some time trying to build sympathy for a villain that really doesn't deserve any but one of the more interesting Marvel films. 


10. Ambulance

Two brothers trapped in an ambulance after a heist gone wrong sounds like the set up for a tight low key thriller. For Michael Bay it's a signal to blow more stuff up. It's one of his most entertaining films in years even though it misses about three opertunities to end better than it does.


9. Uncharted

First of two decent video game adaptations this year, who'd have thought. Tom Holland continues his journey to full on leading man status and Mark Wahlberg is a good foil as his older, more cynical mentor. It might be an inferior Indiana Jones knock off but there isn't much wrong with that. 


8. Sonic the Hedgehog 2

Goofy humour for the kids, old video game references for the adults, Jim Carrey for everybody. Not every gag or story beat lands but its refreshing to see an action film aimed squarely at kids with none of the snark and cynicism of a Marvel movie. You'd need to be pretty miserable not to find any of this fun. 


7. X

Essentially a 70's grindhouse flick with arthouse sensibilities. Might be a bit slow to get going for some fright fans and too gruesome for those who like more subtle horror but if you stick with it you'll see one of the best and most unique slasher films of recent years. 


6. The Batman 

By not shying away from the problems posed by a rich guy who thinks beating up the desperate is the best way to stop crime Matt Reeves and Robert Pattinson manage to find a new take on the titular character, an impressive feat in 2022. Its long but unlike most lengthy blockbusters the third act doesn't suck so you don't feel your time has been wasted. 


5. Top Gun Maverick 

80's classics getting dusted off for a modern retread don't have a great record and the chest thumping triumphalism of Top Gun should make it one of the hardest to bring up to date. Incredibly Maverick manages to nail the spirit of the original while adding just enough modern sensibilities and the necessary drop of melancholy. Better than it has any right to be. 


4. The Unbearable Weight of Massive Talent 

An absolute must watch for Nicolas Cage fans but we'll worth checking out for everybody. You get several different flavours of Cage as he both pays homage to and pokes fun at his legend. A weak action ending is a slight letdown after the masterful character work that has gone before but it scarcely matters when Nic is on top form. 


3. The Northman 

What do you get when you give $90 million to a history and folklore obsessed autuer indy director? Apparently the answer is a blood soaked epic revenge tale based on a pre-Shakespearian Norse legend. It can be grim at times but is outstandingly shot and acted by people at the top of their game. Director River Eggers apparently disliked how much the studio interfered but the result is his most accessible (although not best) film to date. 


2. Nightmare Alley

Bradley Cooper should be too old to play an upstart con man just beginning to try his luck as a carny but he has enough charisma that it doesn't matter and turns in his best ever performance. Del Toro's vision turns what could almost be a TV movie plot into an atmospheric must see. When you have the like of Toni Collette ane Willem Dafoe in supporting roles you know you have quality on your hands. 


1. Everything Everywhere All at Once

Michelle Yeoh must deal with a tax inspection, build bridges with family members and save all of existence. You don't want to know any more than that before you watch one of the outstanding cinematic achievements of recent years. You'll gasp, you'll laugh, you'll cry. If you only watch one multiverse movie this year (or possibly ever) make sure it's this one. 










Comments

Popular posts from this blog

Husband and Strife

If the purpose of cinema is to make the audience feel something, then few films succeed as completely as The Drama. The fact that said feeling is one of wanting to curl up and die of awkwardness shouldn't even be taken as a warning. Like a masochist munching down on a giant bowl of ghost peppers, you will likely find every bite delicious.  Robert Pattinson and Zendaya play soon to be married couple Charlie and Emma. They have the picture perfect relationship. They have successful jobs, a beautiful Boston apartment and look like Zendaya and Robert Pattinson. Little differences in their attitudes toward a wedding dance rehearsal and their potentially drug smoking DJ hint they may not be completely on the same page, and when a drunken game leads to Emma disclosing something from her past, their relationship experiences some severe turbulence.  It's tricky to fully discuss The Drama without spoiling Emma's revelation (and it absolutely should not be spoiled), but it points to ...

Hell to Pay

  They Will Kill You  begins with a soaking wet Zazie Beetz waiting to start her maid job at swanky apartment building, The Virgil. Her character Asia is a former convict who has no idea her new employers are devil worshipers who sacrifice their staff to Lucifer. The building residents have no idea that Asia is actually there for reasons other than a steady paycheque and is not about to go gently into that good night. The touch paper is soon lit on a relentless blend of slapstick horror action that leaves little room for you to catch your breath across its ninety minute odd runtime. The most obvious comparison here is to 2019's Ready or Not and its sequel (which coincidentally released one week before this film), where an unsuspecting bride is left fighting for her life when her wealthy in-laws opt to make her a human sacrifice. While They Will Kill You shares that movie's comedic spirit we are much deeper into supernatural territory here. The grand old building and seemingly ...

You Screen, I Scream

The worst thing about Scream 7 isn't actually the film itself. It's the at best cowardly, actions of production company Spyglass Media who fired the star of the previous two films, Melissa Barrera, for daring to have an opinion on genocide. In addition to leaving an icky taste in the mouth, this move cost them fellow star Jenna Ortega and the guy who was supposed to direct the seventh instalment Christopher Landon, resulting in a return to the drawing board to completely rework the film. The only actually good thing about Scream 7 is also nothing to do with the actual film. Series mainstay Neve Campbell missed the previous instalment after producers lowballed her, but the production chaos of their own making means they've had to go crawling back. So Neve returns with a reported $7 million payday, a producer credit and a story based solely around how legendary her character Sydney is. Go her. The actual film doesn't warrant much discussion at all, given it does little mo...

Fifty Shades of Chrononberg

 If you've been missing pure  David Chrononberg then Crimes of the Future has you covered. It has the lot; body mutilation, main character undergoing a metamorphosis, questions about what defines being human, integrity of the mind, the collision of different world views and pretty much every other recurring theme of his is present and correct. So needless to say, it isn't for everyone. The film takes place in the (possibly near) future, when most humans have evolved to no longer feel pain and in some cases grow mysterious new organs. Viggo Maortensen and Lea Seydoux play a pair of performance artists whose act revolves around removing Mortensen's excess organs in front of a live crowd. Fittingly, given its focus on artits, the film takes place in the orbit of the protagonists with little shown of the world at large. Everything is dingy and grimey, hinting things aren't going swimmingly, and there are vaugue hints at ecological disaster but the characters are all far mor...

There Can Only be One

Trailers for Him had Jordan Peele's name slapped all over them, which is understandable from a marketing point of view. In reality it is simply produced by the"Get Out" directors company, Monkeypaw Productions. It is actually directed by Justin Tipping, from a script he co-wrote with Skip Bronkie and Zak Akers. The prevalence of Peele's name in the advertising means the film is bound to draw unflattering comparisons with his own work, which is a shame as the film has its own merits. Cameron "Cam" Cade (Tyriq Withers) grew up idolising Isaiah White (Marlon Wayans), star quarterback of the San Antonio Saviours. When White suffers a grisly injury during the Super Bowl, Cade's father tells the young fan that real men like his idol make sacrifices for greatness. Fast forward about a decade and a half and Cam is about to be drafted to the NFL, where he is tipped as a potential challenger to White's "Greatest Of All Time" status. When a mascot in ...

Blow My Whistle

  Whistle is Corin Hardy's third movie, after his 2015 breakout The Hallow and 2018's Conjuring spin-off The Nun. This new horror flick sits halfway between the indie energy of his maiden effort and the box ticking boredom of his big studio follow-up, with self seriousness butting up against dumb fun. The set-up is most reminiscent of Final Destination, with added high school slasher vibes. Chrys (Dafne Keen) moves in with her cousin Rel's (Sky Yang) family following the death of her father. Within about ten minutes of attending her high school she becomes besotted with Sophie Nellisse's Ellie, ends up in detention after a confrontation with loudmouth basketball player Dean (Jhaleil Swaby) and finds an Aztec death whistle in her new locker. Naturally, the teens end up blowing the death whistle which causes them all to be stalked by their future deaths. This manifests as a ghostly apparition of your dead future self who causes you to suffer said death as soon as they to...

More Money More Killing

How to Make a Killing is loosely based on 1949 British crime comedy Kind Hearts and Cornets (which is in turn an adaptation of 1907 novel Israel Rank: The Autobiography of a Criminal). In a world of remakes, reboots and adaptations, that is pretty interesting source material and could almost qualify as an original idea. Unfortunately, the imagination mostly stops there and the film isn't funny or insightful enough to rise above "it's fine" territory. Glenn Powell is Becket Redfellow, a suit salesman who grew up largely in the foster care system as his mother died while he was young. He is heir to the fortune of his mother's estranged family and, in the unlikely event all the other senior Redfellows should perish, he would be a billionaire. A chance encounter with his status obsessed childhood crush Julia (Margaret Qualley) and an unjust demotion at work give him the notion to speed up his inheritance a little. As he arranges "accidents" for his fellow R...

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

Stars and Their Cars

Crime 101 is named for the California freeway one of the characters commits all his robberies along. It also doubles as describing his MO, he is successful because he makes sure he gets the fundamentals right every time.  It can also describe the film itself, which nails the basics of making a slick crime thriller better than just about any other movie has in quite some time. The professional thief is Mike Davis (Chris Hemsworth), a meticulous planner whose jobs never lead to anyone being hurt and are so well executed that nobody even has any idea they are all the work of one man. Nobody that is, except for Mark Ruffalo's Detective Lou Lubesnick, who is determined to catch the "101 Robber" even though his obsession is starting to lead to him being ostracised in the precinct. Both characters come into contact with high value insurance broker Sharon (Halle Berry) as Mike plans a big score and Lou joins the dots in an attempt to track him down. A potential fly in the ointmen...

Trouble in Paradise

Thanks to Evil Dead and Spider-Man, Sam Raimi will forever be associated with horror and superhero movies, but he has actually dipped his toe in many genres, from Westerns to sports movies. Send Help appears to be his twisted take on a rom-com. A good looking guy and an also good looking but awkward woman are stuck getting to know each other in a tropical paradise in a classic romance setup. In a slight break from tradition, proceedings are garnished with buckets of blood and puke and served with a side of black slapstick and maiming. Said couple is Rachel McAdams as super competent, but socially inept business strategist Linda, and Dylan O'Brien as Bradley, Linda's douchebag boss who passes her over for promotion as soon as he inherits daddy's company. When the private jet they are travelling in goes down they find themselves the only survivors as they await rescue from a remote island. Similarly to 2022's Triangle of Sadness, the power dynamics are completely shifted ...