Skip to main content

2022 So Far

 Halfway through the year and it's time to have look back and rank the movies of the year so far. To keep the list manageable I'm only including films I've seen in the cinema. If it ain't here I didn't see it on the big screen.


19.  355

Too stupid to be a serious spy thriller, too boring to be a fun romp. Also, for a film that is supposed to be about agents from different countries coming together, an abundance of lazy stereotypes give it a low key racist vibe. If you are looking for a fun female ensemble action movie check out 2019's Charlies Angels reboot instead. 


18. The Matrix Reserection

Empty follow up starts out like it might have something interesting to say but soon settles into the cynical, corporate mandated sequel it mocks in its first act. You'll be begging for it to end long before the drawn out finale reaches its conclusion. 


17. Jurassic World Dominion 

A plodding script and phoned in performances from the returning cast make this a limp end (please) to the franchise. Had it trimmed down its unnecessary length it might have been worth checking out, for dino fans at least, but at two and a half hours plus there is zero chance you can't find something better to do with your time. 


16. Morbius 

The good thing about Morbius is that Sony know its a waste of your time so have hacked it down to a slim ninety minutes. The bad thing is they forgot to leave in any character, worthwhile stakes or anything else to care about. Shame as the superhero/horror combo had potential. 


15. Scream 

Nowhere near enough new ideas to justify dusting off this usually inventive film series. Has a couple of fun moments but making fun of bad modern movie tropes doesn't give you a pass to put them in your movie, it just makes it seem you are making fun of me for watching. 


14.  Death on the Nile

Once Brannagh's Poirot gets into mystery solving mode it's pretty entertaining but some distracting casting choices and crap CGI representations of places they could have just filmed at for real detract from the atmosphere. Doesn't reach the heights of 2017's Murder on the Orient Express 


13. Moonfall

Roland Emmerich, the king of over the top 90's disaster movies, returns with basically an over the top 90's disaster movie. Science and logic go out the window in favour of spectacle and melodrama. Dumb fun if you don't mind you ability to suspend disbelief being stretched to the limit. 


12. The Black Phone

Decent thriller that manages to take its time without dragging on and has some excellent performances. Unfortunately, if you have seen the trailer you know pretty much everything the film has in store. Still worth checking out for a couple of breakout child actor performances and Ethan Hawk's creepy serial killer. 


11. Dr Strange in the Multiverse of Madness

Marvel continue the post Endgame trait of seemingly giving their directors more freedom and Sam Rami's signature is all over this sequel. Plays out more like a Terminator film as the heros are perused by an unstoppable force. Wastes some time trying to build sympathy for a villain that really doesn't deserve any but one of the more interesting Marvel films. 


10. Ambulance

Two brothers trapped in an ambulance after a heist gone wrong sounds like the set up for a tight low key thriller. For Michael Bay it's a signal to blow more stuff up. It's one of his most entertaining films in years even though it misses about three opertunities to end better than it does.


9. Uncharted

First of two decent video game adaptations this year, who'd have thought. Tom Holland continues his journey to full on leading man status and Mark Wahlberg is a good foil as his older, more cynical mentor. It might be an inferior Indiana Jones knock off but there isn't much wrong with that. 


8. Sonic the Hedgehog 2

Goofy humour for the kids, old video game references for the adults, Jim Carrey for everybody. Not every gag or story beat lands but its refreshing to see an action film aimed squarely at kids with none of the snark and cynicism of a Marvel movie. You'd need to be pretty miserable not to find any of this fun. 


7. X

Essentially a 70's grindhouse flick with arthouse sensibilities. Might be a bit slow to get going for some fright fans and too gruesome for those who like more subtle horror but if you stick with it you'll see one of the best and most unique slasher films of recent years. 


6. The Batman 

By not shying away from the problems posed by a rich guy who thinks beating up the desperate is the best way to stop crime Matt Reeves and Robert Pattinson manage to find a new take on the titular character, an impressive feat in 2022. Its long but unlike most lengthy blockbusters the third act doesn't suck so you don't feel your time has been wasted. 


5. Top Gun Maverick 

80's classics getting dusted off for a modern retread don't have a great record and the chest thumping triumphalism of Top Gun should make it one of the hardest to bring up to date. Incredibly Maverick manages to nail the spirit of the original while adding just enough modern sensibilities and the necessary drop of melancholy. Better than it has any right to be. 


4. The Unbearable Weight of Massive Talent 

An absolute must watch for Nicolas Cage fans but we'll worth checking out for everybody. You get several different flavours of Cage as he both pays homage to and pokes fun at his legend. A weak action ending is a slight letdown after the masterful character work that has gone before but it scarcely matters when Nic is on top form. 


3. The Northman 

What do you get when you give $90 million to a history and folklore obsessed autuer indy director? Apparently the answer is a blood soaked epic revenge tale based on a pre-Shakespearian Norse legend. It can be grim at times but is outstandingly shot and acted by people at the top of their game. Director River Eggers apparently disliked how much the studio interfered but the result is his most accessible (although not best) film to date. 


2. Nightmare Alley

Bradley Cooper should be too old to play an upstart con man just beginning to try his luck as a carny but he has enough charisma that it doesn't matter and turns in his best ever performance. Del Toro's vision turns what could almost be a TV movie plot into an atmospheric must see. When you have the like of Toni Collette ane Willem Dafoe in supporting roles you know you have quality on your hands. 


1. Everything Everywhere All at Once

Michelle Yeoh must deal with a tax inspection, build bridges with family members and save all of existence. You don't want to know any more than that before you watch one of the outstanding cinematic achievements of recent years. You'll gasp, you'll laugh, you'll cry. If you only watch one multiverse movie this year (or possibly ever) make sure it's this one. 










Comments

Popular posts from this blog

Let's Do The Timewarp

The plot of The End of Oak Street sees an early 80s suburban family, and their entire neighbourhood suddenly transported back to prehistoric times. There's some talk of solar flares and time bubbles by way of an explanation but it's all nonsense in service of one central idea: dinosaurs in suburbia. Turns out this idea is so good it not only sustains the film but leaves you wondering why nobody has done it before. The central family consists of Anne Hathaway's frustrated novelist Denise Platt and her pizza delivering husband Greg (Ewan McGregor), along with their children Audrey (Daisy Stella) and Brian (Christian Convery). While Dad and the kids are exactly the type of characters you would have expected to see in an 80s family adventure but Denise is a more modern female lead. She wants to achieve more than simply being a mother and is unhappy with her simple suburban life. Add in the fact she plays the realist when things kick off and her constant negative vibe can mean ...

Summer of 75

Tony opens with a quote from the late chef, and subject of this semi-biopic, Anthony Bourdain's memoir. It goes: "I was — to be frank — a spoiled, miserable, narcissistic, self-destructive and thoughtless young lout, and badly in need of a good ass-kicking." He's not wrong. The Tony (he's much too cool to let people call him Anthony) we meet at the beginning of the film is an insufferable blowhard. He tells anyone who'll listen about his great future as a writer, despite seemingly having an aversion to doing any actual writing. He assumes the panel awarding a prestigious scholarship is too stupid to see his pitch is nonsense bravado. He condescendingly explains the meaning of what he thinks are obscure words, despite not always knowing himself. While he does change over the course of the film, it's hard to map an actual character journey. That's because more than a biopic or chef's origin story, Tony is a summer vibes hangout movie. The story take...

That Wasn't All Folks

Coyote vs. Acme was originally scheduled for release way back in 2023 (in the theatrical slot that eventually went to Barbie, no less) but a change of leadership at Warner Bros led to them deciding to scrap the film, figuring a tax break was preferable to releasing a complete movie that hundreds of people had worked on. A combination of public outcry and tenacity from independent distributor Ketchup Entertainment has led to the film finally getting its day in cinemas. Congratulations are in order as the live-action/animated combination comedy is one of the most entertaining family movies of the year. After faulty ACME products foil yet another of his attempts to capture Roadrunner, Wile E. Coyote sees an advert on TV by Will Forte's lazy lawyer Kevin in which he promises a payout for faulty ACME goods. In reality Kevin is a bottom feeder who has made a career out of settling lawsuits against the corporate giants for peanuts, but Wile E. forces him to engage in the trial of the cen...

Icky Ice Cream

Note before the review: It has emerged that generative AI featured in the making of Ice Cream Man and the filmmakers appear to have been less than 100% honest with how much it was used. I have reviewed the film as I saw it and have not taken the way it was made into account. If you (understandably) want nothing to do with a movie that used generative AI then give this one a miss. "The kids have gone fucking insane" screams a father just before his son and daughter, having already mangled his hand in the garbage disposal, set fire to him. How you feel about the idea of that scene pretty much tells you what you will think about the whole of Ice Cream Man, the latest bloodstained offering from gore hound Eli Roth. The premise is a basic one: a quite overtly sinister ice cream man comes to town and, the day after he hands out his freezer based treats, any child who consumed them turns into little murder bots and begin dismembering the local adults. A couple of kids who didn...

The Menu Serves up a Macabre Treat

 The menu is a squid ink black culinary satire that skewers the sycophants and disrespectful tourists that steal the joy from being a high end chef (or any form of artist) while also being a three Michelin star dark comedy and acting as a power fantasy of sorts for those in the service industry. The film centres around Anya Taylor-Joy's Margot as she accompanies potential boyfriend Tyler (Nicholas Hoult) to an island to eat at the most exclusive of restraunts. The restraunt, and indeed whole island, are presided over by Chef Slowik who is idolised by his diners and inspires complete devotion from his cult-like staff. The customers comprise the worst, but all too familiar, "enjoyers" of fine dining. There's a hilariously self-indulgent critic, some wall street bro's there for the bragging rights, a washed up, name dropping celebrity and an ultra rich couple with no appreciation for the privilege they enjoy. Perhaps most ridiculous of all is Tyler himself, a gate ke...

Thunderbolts and Lightning, Mental Health is Frightening*

  Thunderbolts* takes a bunch of relatively minor MCU characters and scoops them up into a "Suicide Squad" type adventure where they face off against insurmountable odds. Given most of the characters have appeared in TV shows, there is a distinct whiff of Disney+ about proceedings but it is also one of the most solid films Marvel has put out in years. The execs must have known they had something decent on their hands as they waited until a whole weekend after release to spoil the end twist with marketing, as appose to doing it in the trailers.  The titular Thunderbolts are : New Black Widow, Yelena Belova (Florence Pugh), failed Captain America replacement John Walker (Wyatt Russell), former Winter Soldier turned congressman Bucky Barnes (Sebastian Stan), Russian super soldier and Yelena's adoptive father Red Guardian (David Harbour), Ant Man 2 alumni Ghost (Hannah John-Kamen) and maybe mysterious newcomer Bob (Lewis Pullman). If you follow MCU events you will recognise ...

Logan Hood?

Everybody has their own version of Robin Hood, whether it's Errol Flynn, Kevin Costner or a dashing cartoon fox. There have also been attempts at taking the tale in a more grounded direction, most notably from Ridley Scott and Russel Crowe in 2010, but nobody has shot an arrow through the neck of the legend quite like Michael Sarnoski does with The Death of Robin Hood.  The film begins with an ageing Robin (Hugh Jackman) tormented by false stories of his own making and filling up his own personal graveyard with the bodies of would be assassins. When the last surviving member of his outlaw band, Little John (a typically chameleonic Bill Skarsgard) asks for his help in reclaiming a stolen farm, he senses the chance to finally receive his "good" death. Instead, he ends up gravely injured and in the care of Jodie Comer's healing Prioress.  Many films have done "realistic" medical violence but the opening act here is on a whole other level. Within minutes of the ...

Can I Pet That Dog

  Good Boy sees a man called Todd move into his grandfather's old house in the woods to convalesce from a serious lung condition. Unfortunately, his peace is interrupted by a series of creepy events. It is unclear how much of what is happening is due to the supposedly cursed nature of the house and how much is to do with a relapse of his illness. Standard horror stuff, apart from the fact the entire film is told from the point of view of Todd's faithful companion, a Nova Scotia Duck Tolling Retriever named Indy. On paper, a mostly dialogue free horror movie is a risky move, as evidenced by last year's "In a Violent Nature" (a slasher movie shown from the point of view of the wordless killer). Good Boy though has one massive advantage over that movie; instead of spending an hour odd staring at someone's back, we are looking at an adorable dog.  And debut director Ben Leonberg really makes the most of his star attraction, who just so happens to be his own real ...

Talking 'Bout My Girl

In addition to already being the name of a dozen or so movies,  Obsession is a horrendously dull film title. It conjures up images of dated romantic thrillers or bargain basement serial killer flicks. This is a long-winded way of saying this darkly humorous relationship nightmare deserves a better name, as it's anything but stale. Barron "Bear" Bailey (Michael Johnston), Nikki (Inde Navarrette), Ian (Cooper Tomlinson) and Sarah (Megan Lawless) are longtime friends and work colleagues. Bear has long harboured feelings for Nikki and is determined to confess his love, despite warnings from Ian to bide his time and the fact Sarah might be the one who is actually interested in a romantic relationship. After chickening out of an ideal opportunity to tell Nikki how he feels he uses a cheap novelty collectible called a "One Wish Willow" to wish his crush was hopelessly in love with him. Turns out the tacky toy is legit and ties him into a "The Substance" styl...

Smile for the Cameras

  The October horror train continues with Smile 2 , follow up to 2022 breakout hit Smile. Director and writer Parker J. Finn returns with a much more textured character story that is let down by retreading the same beats and half frights as its predecessor. After a brief segment involving Joel from the first movie we focus on pop star Sky Riley (Naomi Scott) as she attempts to mount a comeback a year on from a drug induced car crash that claimed the life of her boyfriend and left her needing extensive surgery. Unable to get strong painkillers due to her addiction problems she visits an old drug dealer friend to procure some Vicodin but when he smashes his own face in with a plate weight she inherits "The Smile" curse. She begins to experience bizarre goings on and people creepily grinning at her as she enters a race against time to discover what's going on and find a way to rid herself of the demon.  By far the strongest element of Smile 2 is the character of Sky and the...