Skip to main content

Horoscopes and Horror Tropes

 


Catching a film like Tarot in the cinema in 2024 is weird. It feels like one of those horror films that just sort of appear on a streaming service. One you find deep in bowels of Amazon Prime, take a chance on and are pleasantly surprised to find is more or less fine. Up on the big screen it's still fine but its shortcomings are made very apparent.

To its credit the film wastes no time in getting to the point. It begins with seven friends in a mansion they rented for one of their birthdays and within the first ten minutes main character Haley has read the group their fortunes from a cursed deck of tarot cards they find in the basement. Once they return home the friends begin to be picked off one by one courtesy of a ghost/monster taking the shape of whichever card was drawn in their reading. Exactly how they kill them is a bit muddled, at first it seems they are scaring their victims into "Final Destination" ing themselves but at other times they become more hands (or saws) on.

This lack of clarity runs throughout the film. Tarot cards are great for ominous sounding names and creepy pictures but beyond that the film makers seem far more interested in zodiac signs so invent a weird mythology where the combination of tarot and horoscope is some sort of super magic. This way they don't have to waste time with character build up and can just assign each character their star sign as personality. Thumbs up for efficiency but it doesn't exactly have you routing for the casts survival, especially with the inane filler dialogue they spout anytime they aren't filling the audience in on exactly what is happening. In fact it's downright disappointing anytime one of them doesn't die. The one exception being Paxton, purely because he is played by Jacob Balton  (Ned in the MCU Spiderman films) and his inherent likability has you wanting him to stick around.

Looking forward to characters dying isn't necessarily an issue for a horror film but there aren't enough kills, and they aren't inventive enough to be enjoyable. Tarot is entry level horror so nothing too scary occurs and there isn't any gore, not a problem in itself but when you have a whole deck of cards to inspire the kills someone running in front of a train doesn't really cut it. The feeling of being underwhelmed is reinforced by an air of cheapness. Apart from a brief chat with a cop the seven characters are completely alone, wandering empty streets and corridors. This could be a stylistic choice but combined with the terminally dull lighting it feels like a budget squeeze.

The good things to say about Tarot are that it's competently made and at close to ninety minutes dead on it doesn't take up too much of your time. Compared to some other bargain bin horror out their that's close to a recommendation but it feels made for TV, not the big screen.

5 "this decks kinda strange"s out of 10. 

 


 

Comments

Popular posts from this blog

Welcome to Earth

Early on in Disclosure Day a character is told not to, under any circumstances, release the world changing information he has on the internet. For the masses to accept the truth, the reveal must be a carefully orchestrated, communal event. That's because this alien conspiracy thriller is a film about how important it is to tell a story the right way. There aren't many people more qualified to  make such a statement than Steven Spielberg.  Josh O'Connor plays Daniel Kellner, a cybersecurity expert who has stolen evidence of alien visitation from his employers and is trying to get it into the hands of his colleague, Coleman Domingo's Hugo so they can blow the doors off years of cover ups. Meanwhile, TV meteorologist Margaret Fairchild (Emily Blunt) is finding she can speak multiple languages, including one that seems to be non-human, and finds herself compelled to find Daniel. Chasing after them is shady suit Noah Scanion (Colin Firth) and his security team. These event...

Rushed Girl

Supergirl is the second film in Warner Bros' relaunched DCU. After the previous iteration fizzled out like a damp firework James Gunn was brought in to oversee a new dawn that promised to focus on quality over quantity and compelling scripts over corporate deadlines. Unfortunately, two films and less than a year in and we already have a movie that has clearly been made to fit a schedule rather than because anyone had a great idea for the character.  Milly Alcock plays the titular Kryptonian, or Kara to her friends (not that she has any). Still mourning the loss of her home and family, and disillusioned with life on Earth, she is celebrating her birthday alone on a planet with a red sun. The lack of yellow sunlight hampers her superpowers meaning she can get drunk, but it also means she unable to stop her beloved dog Krypto from being poisoned when bad guy Krem (Matthias Schoenaerts) turns up to steal her ship. With three days to get the antidote she embarks on a mission to hunt do...

Sick Burn

The Evil Dead is horror's most consistent brand, with six films spanning over forty years and not a dud in sight. With Evil Dead Burn, French director Sébastien Vanicek keeps the streak alive, even if he doesn't quite manage to nail the unique feel of earlier entries. Souheila Yacoub plays Alice, whose husband dies in a Deadite (person possessed by a demon) induced car crash. A very tense post funeral get together with her in-laws goes from grim to apocalyptic when the dead arrive looking for a dagger that is capable of sending them back to hell. This is a slight change-up to the usual Evil Dead formula. Normally some fool reads from the Book of the Dead and the Deadites show up to torment and kill people with gleeful abandon. What distinguishes the undead nasties from those in other films is the fun they take in the mayhem. They are neither mindless monsters nor serious soldiers of Satan. They are just here for the love of the game. This somewhat softens the gore and allows ...

He-Management

A  second  Masters of the Universe  movie (after the 1987 Dolph Lundgren vehicle) has been on the docket for a long time, with directors from John Woo to Jon M. Chu attached and rights bouncing around various studios. The success of Barbie (another Mattel property) is likely the reason this iteration of the project has finally made it to screens. While a look at what constitutes modern masculinity means it does share a little in common with its pink dappled cousin, it mostly just contents itself with being the most sincerely dumb summer blockbuster you can imagine.  Nicholas Galitzine plays Adam, the Prince of Eternia, sent to Earth as a child to escape the skull-faced villain Skeletor (Jared Leto) who has conquered our hero's homeland. Fast forward fifteen years, and Adam is now a friendly Human Resources worker freaking out potential dates by telling them he is the long lost prince to a land of magic and wonder. Finally finding the "Sword of Power" he dropped on hi...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...

Van Afterlife

Passenger  director Andrè Øverdal has some impressive credits under his belt, including his Norwegian language breakout hit Trollhunter and chilling haunted corpse movie The Autopsy of Jane Doe. That explains why this mediocre horror has a couple of well crafted set-piece scares, but he is saddled with a bland script that is content to tick familiar genre boxes. Things start promisingly with the titular "Passenger" (a highway stalking demonic entity) dispatching a pair of nighttime travellers. We are then introduced to young couple Maddie (Lou Llobell) and Tyler (Jacob Scipio) who are about to abandon the city for a life on the road in their swanky van. Tyler is all in (to an obnoxious degree) but Maddie is hiding some reservations and things get spooky when they are marked by the walking metaphor for the dangers of travel. The first issue the movie runs into is the confusing nature of the entity itself. Why does it mess around with our leads for days when it kills everyone ...

2025 Movies Ranked

 Another year in the rear view mirror means another ranking of every new release film I caught in the cinema this year. Despite 75 films making the list there are some fairly big omissions so if your favourite isn't on here, just imagine it up near the top. Also, we are talking UK releases.  75. The Stranger Chapter 2 This lame duck franchise props up the rankings for the second year in a row. A little more happens this time round but there is no jeopardy since we know the protagonist needs to make it to part 3. Also undermines its main premise (people might just decide to murder you for no reason) by giving the masked killers backstory. At least a section with a wild boar trying to gut somebody means the audience aren't the only ones nearly bored to death. 74. Hurry Up Tomorrow When a musician decides to write and star in their own movie the results are often pompus nonsense, so the problem with this effort from Abel "The Weeknd" Tesfaye isn't that its ridiculous...

Tune In, Cop Out

Tuner lead character Nikki (Leo Woodall) hasn't had much luck. His parents aren't around and  H yperacusis (an extreme sensitivity to noise) put an end to his piano  playing days. Now he puts his enhanced sense to use as a piano tuner, working for mentor and father figure Harry (Dustin Hoffman). When Harry falls ill and into debt, Nikki takes on a sideline in safe cracking for shady security boss Uri (Lori Raz). All is well at first, but as time goes on it becomes increasingly hard for Nikki to juggle his day job, lucrative but dangerous side hustle and a blossoming romance with musical student Ruthie (Havana Rose Liu). The set up may make you think you are in for a slick crime caper, but that's not really what this film is. Director Daniel Roher made his name in documentaries and Tuner has a very naturalistic feel. The city is vibrant and busy while close up shots show the intricacy of the pianos and locks Nikki has mastery over. We are following characters (mainly Nikki)...

Weightwatchers Extreme

The Cut is a boxing movie with (apart from a brief opening sequence) no boxing in it. Instead it focuses  on the equally brutal, but less visibly part of the sport, weight loss, as a former contender spirals into madness while trying to shed an insane amount of heft in order to secure a last minute return to the big time. Orlando Bloom is a boxer (he is never named during the film) who lost his one title shot and now runs a gym with his partner and trainer Caitlin (Catriona Balfe). He retains a reputation for being an exciting knockout specialist so when a title contender dies weeks before an upcoming Las Vegas showdown, scary promoter Donny (Gary Beadle) offers him the chance of a glamorous comeback. The catch? He needs to shed thirty two pounds (over two stone or fourteen kilos) in a week. Caitlin agrees to him giving it a go provided they do things by the book, but when traditional methods fail, John Turturro's Boz enters the equation and pushes Bloom way beyond the bounds of w...

Can't Surf On Our Turf

The Surfer is a 70's style,  psychedelic, psychological thriller set entirely on a beach and adjoining car park. Nicholas Cage is the eponymous character who may or may not be losing (or already have lost) his mind. It is simultaneously playfully fun and ickily unpleasant.  Cage (his character is not named) takes his teenage son surfing, his plan being to show off the fancy clifftop pad he is in the process of buying, which also happens to be the house he grew up in. He doesn't get the chance however, as a group of alpha male surf bros have taken over the beach and declared it for local use only. His son returns to school, but Cage stays in the car park, determined to finalise his house deal and find out what is going on with Julian McMahon and his cult like band of beach thugs. Suffering a series of mishaps, he ends up stranded in the car park, and the baking heat, for days and begins to resemble the local hobo more than the successful businessman he began as.  Two thin...