Abigail sees a bunch of career criminals locked in a mansion and forced to face off against a little girl ballerina who just happens to also be a centuries old vampire. It's ridiculously over the top and seasoned with lashings of gore but is never quite as much fun as you think it should be.
The film begins with the kidnapping of Abigail (Alisha Weir) by a motley crew of crims led by Dan Stevens and consisting of Melissa Barrera (the main protagonist), Angus Cloud (idiot of the group), Kathryn Newton (rich girl here for kicks), Kevin Durand (big guy) and Will Catlett (ex military guy). They take her to a secluded mansion where Giancarlo Esposito tells them to sit tight for 24 hours while he collects a bounty from the girls wealthy father. Turns out the little girl is actually a vampire and the diminutive bloodsucker soon turns their expected pay day into a fight for survival.
It's a pity Abigail was released at a time when trailers feel they have to spell out exactly what a film is about in order to get bums in seats. Obviously vampire ballerina sells more tickets than mysterious crime film about a kidnapping but the advertising has robbed the movie of one of its best tools. The first act focuses on the group slowly realising they have been set up when Abigail reveals her dad is a feared crime lord who there is zero chance of getting a pay out from and when people start dropping dead they first suspect they are being picked off by a legendary hitman in the employ of the girl's father. A paranoia filled 10-15 minutes about which of the crew is working against the rest could have been one of the most fun sections of the film and would have ended in a killer reveal but with everything laid out by the marketing it just feels like needless filler.
The cast of characters themselves are entertaining enough (especially Stevens and Newton) but a problem arrises when you realise they aren't there simply to get pulled apart but you're actually expected to root for at least one of the child snatchers. Note to film makers, simply saying a character is a parent (especially a dead beat one) doesn't instantly excuse their bad actions. In fact, when said bad actions are drugging and abducting someone else's child it actually makes them seem worse. The failed attempt at garnering empathy really comes home to roost in a muddled ending that needlessly attempts to tie up all the guts and silliness in a feel good message about parenting.
There is still plenty of enjoyment to be had with film. As mentioned above, the characters are pretty entertaining and there are some gory and fun set pieces, particularly an early botched attempt at slaying the diminutive bloodsucker. Speaking of which, Alisha Weir is a superstar. About as far removed from her all singing, all dancing (well all singing anyway) performance in Matilda The Musical as you can imagine she is convincing as the scared victim but absolutely revels in her murderous turn, tormenting her captors turned captives with terrifying glee.
So there is fun to be had but Abigail doesn't quite come together to be more than the sum of its parts and some questionable choices keep it from rising above the reasonably entertaining category.
6 levitating pirouettes out 10
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