Skip to main content

A Barbillion Bucks

 Barbie, like The Lego Movie, is a product film based on a product so successful it doesn't need to sell said product and instead uses the guaranteed exposure to tell its own fairly unique story.


Barbies of various type live in "Barbie Land" where every day is pink and perfect (for the Barbies at least) . When generic Barbie begins having thoughts about death and experiencing flat feet she has journey to the real world, accompanied by tag along, wannabe boyfriend Ken. 


Revealing much more of the story would be a bit of a spoiler given how well the marketing has kept the nitty gritty of precedings hidden but it's safe to say the ensuing story is possibly the most meta film ever made. It comments on Barbie's place in the world, some "interesting" missteps Matel has made with the doll, and the irony of the company having an all male board before you even get to the feminist and class culture stuff. Even the movie's casting is meta. Having Margot Robbie, the embodiment of blonde perfection , as Barbie adds an extra layer to the notion of unobtainable beauty and Ryan Gosling is genius casting as Ken, the "sigma male" persona certain corners of the Internet have bestowed upon him being completely flipped on its head. It obviously helps that they are both outstanding actors. The rest of the cast are also great, the denizens of Barbie Land perfectly playing out the ridiculousness of the situation without ever winking at camera and Will Ferrell in one of his best roles in years as the oddball Mattel CEO. 


Director Greta Gerwig performs a miraculous juggling act, balancing some fairly weighty themes with real belly laughs and somehow managing to keep a consistent tone across the most surreal two hours ever to gross over a billion dollars. It does pack a surprising emotional punch in some parts as well. There is one sequence, when they first reach the real world and Ken becomes aware of all the opportunies and positive stereotypes that men see every day, that as the father of a teenage girl was a real gut punch and one of the most subtlety effective depictions of modern day sexism you will see. The only real missteps Barbie makes are when it attempts to be too sentimental, a couple of more schmaltzy scenes feel overdone and the movie makes it's points more than adequately without them. 


Mainly though, the film is just very, very funny, a blast of refreshing pink air into the blockbuster scene and a fun time for everyone.


8 horse out of 10 mojo dojo casa houses. 





Comments

Popular posts from this blog

Trouble in Paradise

Thanks to Evil Dead and Spider-Man, Sam Raimi will forever be associated with horror and superhero movies, but he has actually dipped his toe in many genres, from Westerns to sports movies. Send Help appears to be his twisted take on a rom-com. A good looking guy and an also good looking but awkward woman are stuck getting to know each other in a tropical paradise in a classic romance setup. In a slight break from tradition, proceedings are garnished with buckets of blood and puke and served with a side of black slapstick and maiming. Said couple is Rachel McAdams as super competent, but socially inept business strategist Linda, and Dylan O'Brien as Bradley, Linda's douchebag boss who passes her over for promotion as soon as he inherits daddy's company. When the private jet they are travelling in goes down they find themselves the only survivors as they await rescue from a remote island. Similarly to 2022's Triangle of Sadness, the power dynamics are completely shifted ...

Gimme Shelter

  The start of another year means it's time for the annual "Jason Statham is a retired killing machine trying to live a quiet life but being forced to start stacking obituaries" movie. The typically nondescript title of this year's offering is Shelter and Stath's former special forces badass is called Michael Mason. When the British government agency that he used to drop bodies for comes calling at his remote Scottish lighthouse he is forced to take action, something that is complicated by the presence of a young orphan girl named Jessie (Bodhi Rae Breathnach). While our protagonist and his reluctant charge tear across the countryside, Naomi Ackie (criminally underused here) and Bill Nighy (putting in just enough effort to get by) scheme against each other at Spy HQ.  Jason Statham movies can essentially be judged on three criteria; Does he get to do cool action? Are the bad guys formidable enough? Is the plot and dialogue entertainingly cheesy rather than just e...

More Money More Killing

How to Make a Killing is loosely based on 1949 British crime comedy Kind Hearts and Cornets (which is in turn an adaptation of 1907 novel Israel Rank: The Autobiography of a Criminal). In a world of remakes, reboots and adaptations, that is pretty interesting source material and could almost qualify as an original idea. Unfortunately, the imagination mostly stops there and the film isn't funny or insightful enough to rise above "it's fine" territory. Glenn Powell is Becket Redfellow, a suit salesman who grew up largely in the foster care system as his mother died while he was young. He is heir to the fortune of his mother's estranged family and, in the unlikely event all the other senior Redfellows should perish, he would be a billionaire. A chance encounter with his status obsessed childhood crush Julia (Margaret Qualley) and an unjust demotion at work give him the notion to speed up his inheritance a little. As he arranges "accidents" for his fellow R...

Blow My Whistle

  Whistle is Corin Hardy's third movie, after his 2015 breakout The Hallow and 2018's Conjuring spin-off The Nun. This new horror flick sits halfway between the indie energy of his maiden effort and the box ticking boredom of his big studio follow-up, with self seriousness butting up against dumb fun. The set-up is most reminiscent of Final Destination, with added high school slasher vibes. Chrys (Dafne Keen) moves in with her cousin Rel's (Sky Yang) family following the death of her father. Within about ten minutes of attending her high school she becomes besotted with Sophie Nellisse's Ellie, ends up in detention after a confrontation with loudmouth basketball player Dean (Jhaleil Swaby) and finds an Aztec death whistle in her new locker. Naturally, the teens end up blowing the death whistle which causes them all to be stalked by their future deaths. This manifests as a ghostly apparition of your dead future self who causes you to suffer said death as soon as they to...

Stars and Their Cars

Crime 101 is named for the California freeway one of the characters commits all his robberies along. It also doubles as describing his MO, he is successful because he makes sure he gets the fundamentals right every time.  It can also describe the film itself, which nails the basics of making a slick crime thriller better than just about any other movie has in quite some time. The professional thief is Mike Davis (Chris Hemsworth), a meticulous planner whose jobs never lead to anyone being hurt and are so well executed that nobody even has any idea they are all the work of one man. Nobody that is, except for Mark Ruffalo's Detective Lou Lubesnick, who is determined to catch the "101 Robber" even though his obsession is starting to lead to him being ostracised in the precinct. Both characters come into contact with high value insurance broker Sharon (Halle Berry) as Mike plans a big score and Lou joins the dots in an attempt to track him down. A potential fly in the ointmen...

Please Close This Book

  The Strangers-Chapter 3 brings an end to one of the most puzzlingly pointless trilogies of all time. Shot back to back (although this instalment underwent some sizeable reshoots after the tepid reception to Chapter 1), the three entries encompass scarcely enough content to cover a single film and are devoid of scares or ideas. In fairness, this instalment seems like it almost has the genesis of something to say. Almost. If you were lucky enough to miss the previous instalments it won't take long to get you caught up. In Chapter 1, Maya (Madelaine Petsch) ran around in the woods a bit with her boyfriend before he was killed by some mask wearing locals of the backwater town they were visiting. In Chapter 2, she ran around in the woods on her own a bit before managing to kill one her face hiding pursuers.  Here, we pick up straight after Chapter 2 and, after a brief interlude in a church, Maya is capture by lead "Stranger" Gregory. Meanwhile, Maya's sister Debbie and ...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...

A Family Account

  Considering its lead character is (among many other things) a mathematical genius, it sure took the film makers a long time to crunch the numbers on a sequel to 2016's "The Accountant". Still, better late than never and The Accountant 2 is a blast, even if it is a very different film than its predecessor. Ben Affleck returns as Christian Wolf, an autistic accountant \ one man army who is about the only person more dangerous than the people he cooks the books for. When Raymond King (J.K Simmons) is killed, his successor as Deputy Director of the Treasury Department, Marybeth Medina (Cynthia Addai-Robinson), calls in Wolf to help her crack the case her former boss was working on. It isn't long before Jon Bernthal's Braxton (Christian's estranged brother) joins the party and the trio embark on an absolutely non sensical investigation involving human traffickers and acquired savant syndrome.  The first movie padded out it central story with a side plot of Simmo...

Nope Place Like Home

 For his third featue Jordan Peele turns his attention to the art of filmaking itself and the explotation of those involved. Its unlikely he will ever blow people away like he did with Get Out again (you can only come out of nowhere once) and whether or not this effort is better than Us is a matter of taste, but he's still managing to flip expectations third time round. The film revolves around brother and sister duo OJ (his infamous real life namesake is mentioned) and Keke. OJ is professional and hardworking, desperate to keep their late fathers business going but lacks the people skills to get ahead. Keke is charismatic and would be the perfect foil to OJ but prefers self promotion to helping a family business she was never really made to feel part of. The business in question is providing horses for filming and the use (or misuse) of animals is a recurring theme, including a genuinely harrowing scene involving a sitcom chimp. Scenes like this confirm Peel's ability to make ...

Super Money Brothers

The minute an Illumination Super Mario movie was announced you knew what was on the cards and this is is exactly that, a mostly by the numbers crowd pleaser with a focus on easy laughs and merchandising opportunities. The good news is it's about as good a version of that as we were ever going to get. The story begins with Mario and Luigi (Mario Mario and Luigi Mario to give them there full names) trying to boost their fledgling plumbing business by helping out with a massive flood in downtown Brooklyn. This leads to them being sucked into the Mushroom Kingdom, via a green pipe naturally. The film is full of trappings from the game, with power ups, karts and a Princess obsessed Bowser as the antagonist. It does flip things round with Luigi being the damsel (da man sel?) in distress while Peach is fearless leader, probably a necessary change for 2023 . Other Mario staples like Toad and Shy Guys make an appearance and there is a trip to visit "The King of the Kongs" (Ninten...