Skip to main content

Tiny Flash Gordon

The problem with Marvel trying to widen the scope after the universe effecting events of Thanos and his technicolour dream glove is that the more you explore "different" realms the more obvious it becomes that everything is basically the same. The multiverse of "madness" turned out to be the universe of "quite similar but the traffic lights are upside down" and here the unknowable quantum realm, where physics and time don't exist in any way we understand, is just another alien world.


To be fair, the alien world is a pretty cool one. There are funky creatures and weird characters, giving things a 50's B movie or Flash Gordon vibe, complete with appropriate wacky visuals. Sadly all this stuff is rushed, not really giving the chance to take in the view or enjoy fun moments, including a cameo everyone would surely love to have seen more of. You get the feeling an earlier phase of the MCU would have leaned into the "Lost in Space" of it all a bit more but here we have to move quickly on to the Super High Stakes. These involve Jonathon Major's Kang, played in a reserved style that makes him menacing but a little out of sync with the rest of the movie. Given he is from another dimension that may be the point. Kang's sidekick MODOK is a fun take on a ridiculous villian but the departure may divide comic book fans.


On the hero front its good to see Michelle Pfeiffer given a substantial role and it looks as if a grown up Cassie Lang is intented to be a fixture going forward but Evangeline Lilly has such a reduced role it seems pointless keeping "The Wasp" as part of the title. Micheal Douglas is enjoyable when on screen but kept mostly to the periphery of proceedings and while he is having fun you can tell he isn't exactly massively invested in whats going on. Leading man Paul Rudd is, well, Paul Rudd. He brings the charm and liability to Scott Lang you've come to expect. He manages this despite being stuck with a pretty stupid character arc where he begins the film suddenly averse to helping people for no well defined reason.


This is symptomatic of some fairly lazy writting in parts, with some of the most by the numbers dialogue yet seen in a Marvel movie. Fortunately there is enough visual and stylistic creativity on display to make the film more than watchable, if certainly no  Giant Man of the genre.


7 hyper intelligent insects out of 10 ants. 

Comments

Popular posts from this blog

Space (and Body) Invaders

  With Alien: Romulus , Fede Alvarez becomes the latest director to try and recreate the magic of Alien and/or Aliens. Unsurprisingly he doesn't get close to those two masterpieces but he does serve an atmospheric slice of sci fi horror that may well scratch an itch for those unimpressed with the heavy handed musings of Prometheus and Alien: Covenant. Set in the time period between Alien and Aliens, the story of Romulus is a back to basics haunted house but in space tale about a group of young miners attempting to escape corporate servitude by breaking into a derelict space station and liberating enough fuel to keep them in stasis while they reach another developed planet. Turns out the station is more decimated then decommissioned and they soon find themselves on the bottom of the local food chain. The break in may be a group effort but it's clear from the off that the main focus of the story is Cailee Spaeny's Rain and her "brother" Andy, a salvaged synthetic hu

Stone the Crows

  One thing you can say about The Crow is that is that it has delivered on expectations. They are remaking that crap 90's action film The Crow? Sounds like a bad idea. It's been in development hell for over a decade? It's definitely going to be bad. The Snow White and the Huntsman guy is directing it? His films are quite bad. The trailers out? It looks bad. Film is here? Yeh it's bad.  To call the film a remake is a actually a little unfair, it's really a new adaptation of the graphic novel source material (which sucks to begin with) and directer Rupert Sanders has tried to make the film something more than its 1994 counterpart, he just fails at a very fundamental level. This is still the story of Eric, brought back from the dead to kill those who offed him and his girl but this time we lean more into the romance side of the tale, with his rampage motivated by the idea of saving his loves soul rather than just seeking vengeance. The problem is that there is a compl

It's Always Showtime

  1988's Beetlejuice is unique blend of visual style, humour, lite horror, performance and trappings of the decade. How to recreate this is a question sequel Beetlejuice, Beetlejuice doesn't even try to answer. Instead it throws its weird and wonderful characters into as many chaotic scenarios as Tim Burton and team can think of and do so at such a manic pace that the viewer doesn't have time to think if they are enjoying it as much. Thanks to the amount of talent on display, this method ends up working a treat. The story begins with Winona Ryder's Lydia Deetz, now the star of a TV show where she contacts the dead, receiving the news that her father has died. Consequently, she reunites with step mother Delia (Catherine O'Hara) for a memorial service come art project back at the old family home. Accompanying the returning cast members are Lydia's daughter Jenna Ortega and new partner Justin Theroux. Ghostly couple Gina Davis and Alec Baldwin are no longer in res

No Love Island

 Blink Twice was originally going to be called Pussy Island,  meaning it joins the likes of American Fiction (Fuck) and A Family Affair (Mother Fucker) in adopting a disappointing title downgrade. Fortunately, that's pretty much the only disappointing thing about this stellar directing debut from Zoe Kravitz.  Naomi Ackie plays nail technician Frida who, along with her friend Jess (Alia Shawkat) is whisked away to billionaire Channing Tatum's private island after meeting him at  A function they are working. The partying is more reserved than she was expecting and she is convinced she is having a great time but as the reality of accompanying a bunch of strangers to the middle of nowhere and giving up your means of contacting the outside world starts to creep in, Frida can't shake the feeling things might not be as idyllic as they seem. The film this will be most compared to is Get Out and while it doesn't quite hit those heights it brings the same kind of exuberant ener

Level Down

Borderlands is a strange game to make a film adaptation of. Being a "looter-shooter" it is light on narrative and character with the joy of the game coming from unleashing ludicrous weapons upon hordes of enemies.  In order to succeed the movie really needed to nail the wacky tone and look of the game's world while adding in sufficient story and character to make the audience care about what is going on. You could generously say director Eli Roth succeeds at half of one of these goals. It may be harsh to pin the films shortcomings on Roth as it is unclear how much of this is the movie he signed up to make. Announced in 2015 and in active development since 2020 the script underwent multiple re writes and had Tim Miller come in for weeks of reshoots after Roth departed the project. The horror veteran certainly seems an odd fit for what ended up being a PG13 action comedy. There is defiantly a much better Borderlands movie that could have been made if he'd been allowed