Its Blue (Da Ba Dee)

The Way of Water begins 14 years after the events of Avatar, long enough for Jake Sully and Neytiri to be raising a family and for the humans to have made the journey back to Earth and returned in force. In the real world nearly the same amount of time has passed, long enough for James Cameron to have done a bunch of deep sea exploring and come up with a whole host of new filming technology and techniques.

Does this technical advancement make the film a must see? Yes. Sort of. Maybe. At its best, Way of Water is blockbuster filmaking of the highest level with visual effects and attention to detail that put the CGI in other films to shame. The underwater scenes on something like Wakanda Forever are down right laughable compared to what you see here. It also manages to shake the full on cartoon feel of its predecessor and you can almost believe you are watching a real alien landscape.

Story wise you get very earnest filmaking with a hugely on the nose environmental message, blunt commentary on colonistion and the abuse of indigenous peoples and plenty of sentimentality. This isn't a problem itself but it does sow the seeds of some of Way of Water's biggest flaws. Like the first film the humans are comically evil. There is an attempt to add some nuance to their goals with a line referencing a dying Earth but they are soon back to bullying and butchering the local fauna for profit. The Sully family clan are also a bit one dimensional. The children consist of the dutiful son, the rebellious one and an adopted daughter born of Sigourney Weaver's avatar whose father is unknown (tiresome Jesus allegory incoming) with Jake the loving but overbearing father. Zoe Saldana's Netiri is sidelined to pretty unforgivable degree, in a film with focus on family she spends most of her time commitmenting on Jake's parenting rather than doing any herself and as the family attempt to fit in with the water tribe Na'vi we see none of her journey. Maybe the aim is to give her and a practically unused Kate Winslet more to do in the upcoming sequels.

The best character, once again, is Colonel Quaritch. Killed off in the first film he returns in Avatar form with Stephen Lang managing to keep the same anger and menace despise the transition to CG. He is involved in the best scenes and the showdown involving his blued up marine team, a whaling ship, a bunch of Na'vi and some pissed off sea creatures is oustanding.

Indeed most of action set pieces are spectacular, its the stuff in between that drags and at over three hours it can be a bit of a chore to sit through the less riveting sections. Cameron's aim is obviously immersion rather than narrative efficiency but its hard to believe the movie wouldn't have benifeted from shaving 30-40 minutes off. Overall enjoyment of Way of Water really depends on your willingness to forgive some shortcomings (or longcomings) and let yourself be transported to stunning, if overly blue, alien world.

7 "get the f**k out my offices out of 10 execs trying to tell James Cameron the film is too long.

Comments

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

Hell to Pay

They Will Kill You begins with a soaking wet Zazie Beetz waiting to start her maid job at swanky apartment building, The Virgil. Her character Asia is a former convict who has no idea her new employers are devil worshipers who sacrifice their staff to Lucifer. The building residents have no idea that Asia is actually there for reasons other than a steady paycheque and is not about to go gently into that good night. The touch paper is soon lit on a relentless blend of slapstick horror action that leaves little room for you to catch your breath across its ninety minute odd runtime. The most obvious comparison here is to 2019's Ready or Not and its sequel (which coincidentally released one week before this film), where an unsuspecting bride is left fighting for her life when her wealthy in-laws opt to make her a human sacrifice. While They Will Kill You shares that movie's comedic spirit we are much deeper into supernatural territory here. The grand old building and seemingly ...

You Screen, I Scream

The worst thing about Scream 7 isn't actually the film itself. It's the at best cowardly, actions of production company Spyglass Media who fired the star of the previous two films, Melissa Barrera, for daring to have an opinion on genocide. In addition to leaving an icky taste in the mouth, this move cost them fellow star Jenna Ortega and the guy who was supposed to direct the seventh instalment Christopher Landon, resulting in a return to the drawing board to completely rework the film. The only actually good thing about Scream 7 is also nothing to do with the actual film. Series mainstay Neve Campbell missed the previous instalment after producers lowballed her, but the production chaos of their own making means they've had to go crawling back. So Neve returns with a reported $7 million payday, a producer credit and a story based solely around how legendary her character Sydney is. Go her. The actual film doesn't warrant much discussion at all, given it does little mo...

Fifty Shades of Chrononberg

If you've been missing pure David Chrononberg then Crimes of the Future has you covered. It has the lot; body mutilation, main character undergoing a metamorphosis, questions about what defines being human, integrity of the mind, the collision of different world views and pretty much every other recurring theme of his is present and correct. So needless to say, it isn't for everyone. The film takes place in the (possibly near) future, when most humans have evolved to no longer feel pain and in some cases grow mysterious new organs. Viggo Maortensen and Lea Seydoux play a pair of performance artists whose act revolves around removing Mortensen's excess organs in front of a live crowd. Fittingly, given its focus on artits, the film takes place in the orbit of the protagonists with little shown of the world at large. Everything is dingy and grimey, hinting things aren't going swimmingly, and there are vaugue hints at ecological disaster but the characters are all far mor...

There Can Only be One

Trailers for Him had Jordan Peele's name slapped all over them, which is understandable from a marketing point of view. In reality it is simply produced by the"Get Out" directors company, Monkeypaw Productions. It is actually directed by Justin Tipping, from a script he co-wrote with Skip Bronkie and Zak Akers. The prevalence of Peele's name in the advertising means the film is bound to draw unflattering comparisons with his own work, which is a shame as the film has its own merits. Cameron "Cam" Cade (Tyriq Withers) grew up idolising Isaiah White (Marlon Wayans), star quarterback of the San Antonio Saviours. When White suffers a grisly injury during the Super Bowl, Cade's father tells the young fan that real men like his idol make sacrifices for greatness. Fast forward about a decade and a half and Cam is about to be drafted to the NFL, where he is tipped as a potential challenger to White's "Greatest Of All Time" status. When a mascot in ...

Spooky Tresspaser

The Women In The Yard marks the return of director Jaume Collet-Serra to his horror roots after years in the big budget action space. He puts some scary images together and gives a good cast a chance to shine but is let down by a fairly weak script. The film begins with struggling mum Ramona (Danielle Deadwyler) watching a video of her deceased husband. Struggling may be a bit of an understatement, the crash that took her husband also left her with a badly broken leg and she is stuck in a pit of despair so deep it has rendered her almost non-existent as a parent. Her son Taylor has essentially taken over looking after his little sister Annie, the food is running out and when the electricity goes off they have no means of contacting anyone. With tensions already frayed, things take a sinister turn as a mysterious and threatening figure in black appears in the garden, creeping slowly closer as the day drags on. The titular woman in the yard is played with equal grace and mena...

Gimme Shelter

The start of another year means it's time for the annual "Jason Statham is a retired killing machine trying to live a quiet life but being forced to start stacking obituaries" movie. The typically nondescript title of this year's offering is Shelter and Stath's former special forces badass is called Michael Mason. When the British government agency that he used to drop bodies for comes calling at his remote Scottish lighthouse he is forced to take action, something that is complicated by the presence of a young orphan girl named Jessie (Bodhi Rae Breathnach). While our protagonist and his reluctant charge tear across the countryside, Naomi Ackie (criminally underused here) and Bill Nighy (putting in just enough effort to get by) scheme against each other at Spy HQ. Jason Statham movies can essentially be judged on three criteria; Does he get to do cool action? Are the bad guys formidable enough? Is the plot and dialogue entertainingly cheesy rather than just e...

Nope Place Like Home

For his third featue Jordan Peele turns his attention to the art of filmaking itself and the explotation of those involved. Its unlikely he will ever blow people away like he did with Get Out again (you can only come out of nowhere once) and whether or not this effort is better than Us is a matter of taste, but he's still managing to flip expectations third time round. The film revolves around brother and sister duo OJ (his infamous real life namesake is mentioned) and Keke. OJ is professional and hardworking, desperate to keep their late fathers business going but lacks the people skills to get ahead. Keke is charismatic and would be the perfect foil to OJ but prefers self promotion to helping a family business she was never really made to feel part of. The business in question is providing horses for filming and the use (or misuse) of animals is a recurring theme, including a genuinely harrowing scene involving a sitcom chimp. Scenes like this confirm Peel's ability to make ...

Econ Air

Single location thriller Flight Risk is the latest film to suffer from an "over eager" trailer. That is to say, the trailer covers pretty much everything that happens in the movie, more or less in the exact order it occurs. On the plus side, it isn't a film that was ever going to keep any secrets so it doesn't suffer as much as some others have. FBI agent Madelyn Harris (Michelle Dockery) takes a flight with informant Winston (Topher Grace) but a short way into their journey they discover the pilot, played by Mark Wahlberg, is actually a mob hitman there to end them both before Winston can squeal. There is a brief opening at an Alaskan cabin and the finale is on a runway, but for the most part it's just the three of them in the cabin of a small plane. Events unfold almost like a theatrical play as the three talk and argue with intermittent attempts at murder. The main thing to know about Flight Risk is that it is ridiculous. The decisions the characters make a...

No Plane No Gain

In many ways Plane is the most generic action movie you could imagine. A former military man who is now a civilian pilot (played, of course, by Gerard Butler) crashes on a rebel malitia held island and must rescue his passangers from the local warlord. Some aspects are a somewhat different to the norm however, making the film a little different, if not necessarily better, than the premise suggests. Firstly, the focus really is on the plane and the ability of Captain Broddie Torrance (classic name for a Butler character) to fly it. This gives the proceedings a disaster movie feel for larges stretches. The titular plane is very much of the plot driving (or flying) variety, able to withstand hails of bullets while being the only airliner not capable of shrugging off a lightning strike. Butler's Captain Torrence is a little different than you might be expecting also. He isn't an ass kicking kill machine but rather just a very good pilot with a "no man left behind" atti...

Dan Says its Alright

Search This Blog