Skip to main content

2022 Ranked

The definitive ranking list that no one else is qualified to make, mainly because its a list of all the movies I saw in the cinema. To make the ranking I need to have seen the film on the big screen and for the first time, rereleases don't count. 


39. The Matrix Resurrection 

Empty follow up starts out like it might have something interesting to say but soon settles into the cynical, corporate mandated sequel it mocks in its first act. You'll be begging for it to end long before the drawn out finale reaches its conclusion.


38. Jurassic World Dominion

A plodding script and phoned in performances from the returning cast make this a limp end (please) to the franchise. Had it trimmed down its unnecessary length it might have been worth checking out, for dino fans at least, but at two and a half hours plus there is zero chance you can't find something better to do with your time. 


37. The 355

Too stupid to be a serious spy thriller, too boring to be a fun romp. Also, for a film that is supposed to be about agents from different countries coming together, an abundance of lazy stereotypes give it a low key racist vibe. If you are looking for a fun female ensemble action movie check out 2019's Charlies Angels reboot instead.  


36. Halloween Ends

Takes a left turn after the over the top carnage of Halloween Kills and seems like it might have something new and interesting to say about the evil stalking Hadenfield. The filmmakers (or executives) lose their nerve half way through though and serve up a limp retread of an ending. 


35. Morbius

The good thing about Morbius is that Sony know its a waste of your time so have hacked it down to a slim ninety minutes. The bad thing is they forgot to leave in any character, worthwhile stakes or anything else to care about. Shame as the superhero/horror combo had potential.


34. Scream

Nowhere near enough new ideas to justify dusting off this usually inventive film series. Has a couple of fun moments but making fun of bad modern movie tropes doesn't give you a pass to put them in your movie, it just makes it seem you are making fun of me for watching. 


33. The Railway Children Return

Unnecessary update to the beloved childrens film. Charming enough but no real plot as things meander along before an abrupt conclusion. Brownie points for touching on the racism American WWII soldiers faced from their own side but only does it in the "few bad apples" way. 


32. Where the Crawdads Sing

2/3s slice of life 1/3 courtroom drama looks great, probably a little too good for a film about a girl raising herself in a swamp. Decent melodrama but commits the adaptation sin of leaving the viewer feeling they need to read the book for the whole story. 



31. Death on the Nile

Once Brannagh's Poirot gets into mystery solving mode it's pretty entertaining but some distracting casting and crap CGI representations of places they could have just filmed at for real detract from the atmosphere. Doesn't reach the heights of 2017's Murder on the Orient Express 



30. Don't Worry Darling

Atmospheric and stylish thriller with a powerhouse performance from Florence Pugh. Unfortunately its saddled with an abysmal third act with a reveal that is both boring and nonsensical. 


29. Black Panther : Wakanda Forever 

Packs an emotional punch following the sad passing of Chadwick Boseman but the shameless plugging of future MCU projects throughout the film make it feel more like another cog in the money machine than a loving tribute. Some great performances are undermined by lack of focus and a plot that spends too much time on all the wrong things. 



28. Moonfall

Roland Emmerich, the king of over the top 90's disaster movies, returns with basically an over the top 90's disaster movie. Science and logic go out the window in favour of spectacle and melodrama. Dumb fun if you don't mind your ability to suspend disbelief being stretched to the limit. 


27. Ambulance

Two brothers trapped in an ambulance after a heist gone wrong sounds like the set up for a tight low key thriller. For Michael Bay it's a signal to blow more stuff up. It's one of his most entertaining films in years but drags on as it misses about three opertunities to end better than it does.


26. Dr Strange in the Multiverse of Madness

Or Dr Strange and the multiverse of mostly the same. Sam Rami adds plenty of flourishes and wisely avoids the movie becoming the rumoured cameo fest. Underneath its still fairly standard Marvel fair though and thats becoming harder to recommend. 



25. Thor Love and Thunder

Best MCU film of the year but a long way short of the vikings last solo outing Ragnarock, despite some nice visuals and a satisfying ending to Thor's story. The problems come from trying to tonally marry non stop jokes and death via cancer. Christian Bale puts in a herculean effort to make a compelling villian out of minimum screen time. 



24. Ticket to Paradise 

Heavy hitters Julia Roberts and George Clooney team up for old school rom com. Not reinventing the wheel but if beautiful people in beautiful locations is your brand of escapism then this cant miss. 



23. Beast

Man vs animal film requires the usual people acting stupid to make the plot happen and has the customary annoying kids. That doesn't really matter though when you get to see A list star Idris Elba face off against a lion that is one of the most realistic pieces of CGI ever put on film. 


22. The Black Phone 

Decent thriller that manages to take its time without dragging on and has some excellent performances. Unfortunately, if you have seen the trailer you know pretty much everything the film has in store. Still worth checking out for a couple of breakout child actor performances and Ethan Hawk's creepy serial killer. 


21. Dragon Ball Super: Superhero 

So super they named it twice. Right in the middle since if you like, or have nostalgia for, Dragonball this is more of that with a super clean 2.5D animation style. If you don't like Dragonball (or haven't ever seen it) there is nothing for you here. 


20. Avatar the Way of Water

Immersion is the name of the game here rather than narrative efficiency but its hard to argue James Cameron couldn't have chopped 40-60 minutes off this bladder buster. During its best bits though the blockbuster filmaking is on anothet level. 


19. Black Adam

Nearly a decade after signing on, The Rock finally gets Black Adam to the big screen. Its about as generic as superhero movies get but the costumes are cool and the action is more over the top than the competition. If you like you comic book movies big and dumb (and why wouldn't you?) its a good time. 


18. Uncharted

First of two decent video game adaptations this year, who'd have thought. Tom Holland continues his journey to full on leading man status and Mark Wahlberg is a good foil as his older, more cynical mentor. It might be an inferior Indiana Jones knock off but there isn't much wrong with that. 


17. Sonic the Hedgehog 2

 Goofy humour for the kids, old video game references for the adults, Jim Carrey for everybody. Not every gag or story beat lands but its refreshing to see an action film aimed squarely at kids with none of the snark and cynicism of a Marvel movie. You'd need to be pretty miserable not to find any of this fun. 


16. Men

Alex Garland swaps sci fi for folklore in an atmospheric tale of male hostility. Great performances and inventive body horror more than make up for the feeling what your watching is lot more style than substance 


15. Nope

Never going to be as iconic as Get Out and doesn't get under the skin like Us but this may be the Jordan Peele film that most rewards a rewatch, even if metaphor does occasionally get in the way of story. Jean Jacket is a unique threat and who'd have thought the most terrifying shot of the year would simply be a chimp staring at the camera. 


14. Elvis

Outstanding performance from Austin Butler as The King anchors the film and allows Baz Luhrmann to Baz Luhrmann up everything else. Tom Hanks performance is divisive but playing the repulsive Colonel Parker as a pantomime villain makes the character watchable. 


13. Violent Night

What if Die Hard starred Santa Clause? Apparently it would be an absurdly entertaining (and violent) festive treat. The hilarious Mortal Kombatesque ways baddies are dispatched makes it easy to overlook the odd misfiring gag. 


12. X

Essentially a 70's grindhouse flick with arthouse sensibilities. Might be a bit slow to get going for some fright fans and too gruesome for those who like more subtle horror but if you stick with it you'll see one of the best and most unique slasher films of recent years. 


11. Bullet Train

Starts like a Guy Ritchie film, ends like a Fast and Furious movie. Snappy dialogue and the breezy charisma of everyone on screen makes this possibly the most pure "fun" flick of the year. 


10. Crimes of the Future 

The most "Chrononberg" film David has made for decades. Body mutilation, metamorphosis, ideological clashes and pretty much every other recurring theme of his career is here. Plot is minimal but thats not really the point. 


9. The Batman 

By not shying away from the problems posed by a rich guy who thinks beating up the desperate is the best way to stop crime Matt Reeves and Robert Pattinson manage to find a new take on the titular character, an impressive feat in 2022. Its long but unlike most lengthy blockbusters the third act doesn't suck so you don't feel your time has been wasted. 


8. Top Gun Maverick 

80's classics getting dusted off for a modern retread don't have a great record and the chest thumping triumphalism of Top Gun should make it one of the hardest to bring up to date. Incredibly Maverick manages to nail the spirit of the original while adding just enough modern sensibilities and the necessary drop of melancholy. Better than it has any right to be. 


7. Glass Onion: A Knives out Mystery 

Unwieldy title aside this slick mystery doesn't put a foot wrong. Different tone, setting and almost genre than the first film but the same level of quality. Hopefully many more of these to come. 


6. The Unbearable Weight of Massive Talent

Nic Cage. 


5. The Menu

Deliciously macabre satire about cult of personality and exploitation of workers and art. Dark and hilarious with Ralph Fiennes giving one of the turns of the year as mad chef Slowik. 



4. The Northman

What do you get when you give $90 million to a history and folklore obsessed autuer indy director? Apparently the answer is a blood soaked epic revenge tale based on a pre-Shakespearian Norse legend. It can be grim at times but is outstandingly shot and acted by people at the top of their game. Director River Eggers apparently disliked how much the studio interfered but the result is his most accessible (although not best) film to date.  


3. I Nightmare Alley

Bradley Cooper should be too old to play an upstart con man just beginning to try his luck as a carny but he has enough charisma that it doesn't matter and turns in his best ever performance. Del Toro's vision turns what could almost be a TV movie plot into an atmospheric must see. When you have the like of Toni Collette ane Willem Dafoe in supporting roles you know you have quality on your hands. 


2. The Banshees of Inasherin 

14 years on from "In Brugge" McDonagh, Farell and Gleeson strike an even richer vein of gold. As funny as it is bleak and every acting performance is award worthy, it even features the best animal performance of the year from Jenny the donkey. Rich in character and themes, there is probably even more to be appreciated if you have an understanding of Irish history. A coin toss between this and the next film for no 1.


1. Everything Everywhere all at Once

Michelle Yeoh must deal with a tax inspection, build bridges with family members and save all of existence. You don't want to know any more than that before you watch one of the outstanding cin ematic achievements of recent years. You'll gasp, you'll laugh, you'll cry. If you only watch one multiverse movie this year (or possibly ever) make sure it's this one. 



Comments

Popular posts from this blog

Killing in the Name of

Mortal Kombat II is, unsurprisingly, a sequel to 2021's Mortal Kombat and the latest attempt to adapt the long running fighting game franchise for the big screen. There has been a bit of a shift in Hollywood over the five years since the last instalment and this film has a very different attitude. Gone is the attempt to "serious-up" the material as MKII fully embraces its dumb video game roots. It still isn't exactly good, but at least this time round it's bad in an enjoyable way. For those unfamiliar with the games, they are based around a fighting tournament that decides if an evil empire from another dimension, or "realm",  gets to take over Earth. Think "Enter the Dragon" with superpowers and a hefty dose of inspiration from "Big Trouble in Little China".  In terms of this movie, eight people from Earth take turns fighting eight people from "Outworld". Sounds simple enough but the script makes no attempt to create any s...

Star Scuffle

Star Wars: The Mandalorian and Grogu is perhaps the purest distillation of a problem the franchise has had ever since the end of the original trilogy. The inability to expand the scope of its story. Commercially, it became a world devouring behemoth, but in terms of narrative it has never moved past (on the big screen anyway) those first films. George Lucas delivered a prequel trilogy that showed us how we got to his 1977 original. Disney's new trio of movies ended up amounting to little more than bringing the gang back and adding some new faces to the hamster wheel. They also gave us a couple of spin-off films dedicated to filling in unimportant details of the classic adventures. Eventually, a sprawling galaxy far, far away starts to look pretty small. Now their return to cinemas after a (much needed) seven year break is a lengthened episode of a TV show that exists because one of the characters in the original films looked pretty cool.  With a laboured structure (there are three...

Tune In, Cop Out

Tuner lead character Nikki (Leo Woodall) hasn't had much luck. His parents aren't around and  H yperacusis (an extreme sensitivity to noise) put an end to his piano  playing days. Now he puts his enhanced sense to use as a piano tuner, working for mentor and father figure Harry (Dustin Hoffman). When Harry falls ill and into debt, Nikki takes on a sideline in safe cracking for shady security boss Uri (Lori Raz). All is well at first, but as time goes on it becomes increasingly hard for Nikki to juggle his day job, lucrative but dangerous side hustle and a blossoming romance with musical student Ruthie (Havana Rose Liu). The set up may make you think you are in for a slick crime caper, but that's not really what this film is. Director Daniel Roher made his name in documentaries and Tuner has a very naturalistic feel. The city is vibrant and busy while close up shots show the intricacy of the pianos and locks Nikki has mastery over. We are following characters (mainly Nikki)...

Listening to the Sounds in Silence

The tagline for breakout indie horror hit Undertone is, "The Scariest Movie You'll Ever Hear". This declaration sets out the film's stall as a uniquely audio based horror, and that is exactly what it delivers. The result is something that will chill some people to the bone and leave others falling asleep in their seats.  Originally made for a meagre $500,000, the film takes place entirely in one location (director Ian Tuason's childhood home) and centres on podcaster Ivy, played with impressive range by Nina Kiri. Ivy is caring for her dying mother (the only other person who appears onscreen) so has to wait until the early hours of the morning to record her paranormal podcast with friend Justin (the voice of Adam DiMarco). She plays the role of sceptic to Justin's believer but her rationality is tested when her cohost begins playing some eerie audio files he received from an anonymous listener. Although Undertone isn't a found footage film, it very much t...

Van Afterlife

Passenger  director Andrè Øverdal has some impressive credits under his belt, including his Norwegian language breakout hit Trollhunter and chilling haunted corpse movie The Autopsy of Jane Doe. That explains why this mediocre horror has a couple of well crafted set-piece scares, but he is saddled with a bland script that is content to tick familiar genre boxes. Things start promisingly with the titular "Passenger" (a highway stalking demonic entity) dispatching a pair of nighttime travellers. We are then introduced to young couple Maddie (Lou Llobell) and Tyler (Jacob Scipio) who are about to abandon the city for a life on the road in their swanky van. Tyler is all in (to an obnoxious degree) but Maddie is hiding some reservations and things get spooky when they are marked by the walking metaphor for the dangers of travel. The first issue the movie runs into is the confusing nature of the entity itself. Why does it mess around with our leads for days when it kills everyone ...

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

Rooms Got Back

Backrooms was never likely to struggle financially. The last couple of years have taught us that if you can turn Gen Z out, box office success tends to follow. Given the viral subject matter (more on that later) a younger audience were always likely to show up in more than enough numbers to turn a profit on a moderately budgeted horror film. The question facing studio A24 and 20 year old (yes that's right, 20 year old) director Kane Parsons was what to do with the free hit. Do you double down on the premise in order to satiate the TikTok crowd? Or do you layer on the themes and character in order to create an "elevated" horror more in keeping with the A24 brand? It seems they were never quite able to commit to one approach or the other and the final product falls unsatisfyingly in between. For those unaware of the Backrooms phenomenon, it began life as a creepypasta, modern folklore where people share an unsettling picture online and create stories around it. The idea wi...

Talking 'Bout My Girl

In addition to already being the name of a dozen or so movies,  Obsession is a horrendously dull film title. It conjures up images of dated romantic thrillers or bargain basement serial killer flicks. This is a long-winded way of saying this darkly humorous relationship nightmare deserves a better name, as it's anything but stale. Barron "Bear" Bailey (Michael Johnston), Nikki (Inde Navarrette), Ian (Cooper Tomlinson) and Sarah (Megan Lawless) are longtime friends and work colleagues. Bear has long harboured feelings for Nikki and is determined to confess his love, despite warnings from Ian to bide his time and the fact Sarah might be the one who is actually interested in a romantic relationship. After chickening out of an ideal opportunity to tell Nikki how he feels he uses a cheap novelty collectible called a "One Wish Willow" to wish his crush was hopelessly in love with him. Turns out the tacky toy is legit and ties him into a "The Substance" styl...

Husband and Strife

If the purpose of cinema is to make the audience feel something, then few films succeed as completely as The Drama. The fact that said feeling is one of wanting to curl up and die of awkwardness shouldn't even be taken as a warning. Like a masochist munching down on a giant bowl of ghost peppers, you will likely find every bite delicious.  Robert Pattinson and Zendaya play soon to be married couple Charlie and Emma. They have the picture perfect relationship. They have successful jobs, a beautiful Boston apartment and look like Zendaya and Robert Pattinson. Little differences in their attitudes toward a wedding dance rehearsal and their potentially drug smoking DJ hint they may not be completely on the same page, and when a drunken game leads to Emma disclosing something from her past, their relationship experiences some severe turbulence.  It's tricky to fully discuss The Drama without spoiling Emma's revelation (and it absolutely should not be spoiled), but it points to ...

The Bourne IT

The set up for The Amateur is a well worn one, a man loses his wife in a terrorist attack and goes on a mission of revenge. The twist is, that while Rami Malek does play a man with a particular set of skills, they aren't the ones you would expect. Charlie Heller is a socially awkward CIA cryptographer with precisely zero fighting ability and no experience using firearms. He is though, a technological genious who invented half the agencies cyber security and can track and predict patterns like a computer. When his blatantly shady boss, played with smug glee by Holt Mccallany, refuses to act on Charlie's info about the killers he blackmails him for some training and the green light to pursue the perpetrators himself. The two main questions are, can the mild mannered tech guy thrive in the field and is this twist on the formulae enough to carry a fairly by the numbers espionage thriller? The answer to both is, pretty much, yes. Malek is tailor made for roles like this and it'...