Skip to main content

This Santa Dies Hard

 Possibly the most tedious film question ever asked is, "is Die Hard a Christmas movie?" Violent Night says "what if Die Hard WAS a Christmas movie?"


Its an excellent mix of two genres. First and foremost it's a (very violent) man in a tight spot action movie but hidden beneath is a traditional Christmas story of people becoming believers and a jaded main character getting their feative mojo back. 


The film success is largely down to David Harbour's fantastic turn as a disillusioned St Nick. His ability to project charisma even when appearing tired and fed up carries the day, or in this case, night. He also cleverly avoids the trap of playing Santa too dark, for all his boozing and necessary killing he is still recognisably Father Christmas. The rest of the cast are all decent as well, with John Leguiziamo making a fun villian. Even the child character manages to not be annoying, although some of her dialogue hints that they had originally wanted a younger actress than Leah Brady. 


The other big plus Violent Night has is its, well violence. The set pieces go above and beyond, with villians being impaled, burned and dismembered. Highlights include a Home Alone inspired sequence (turns out the invaders in this film are a lot less durable than Harry and Marv) and a Mortal Kombat worthy finish to the final showdown. There's also a decent vain of comedy even if you won't exactly be guffawing in the aisles. 

 

There are a couple of things that take you out of proceedings, like the bad guys refusal to just shoot their guns and some very generic family interactions, but overall Violent Night is a very fun couple of hours. 


8 lumps of coal for 10 naughty mercenaries. 


Comments

Popular posts from this blog

The Fall and Get Back Up Guy

  The Fall Guy is a is hard movie to slap a genre on. It's an action film. It's a rom-com. It's an old fashioned star vehicle. The result is a very entertaining but niche $130 million love letter to the stunt community that leans hard on two insanely charismatic leads. In fairness, calling  Ryan Gosling and Emily Blunt co leads is a bit of a stretch as it is really the story of Gosling's stunt man Colt Seavers. He begins the film loved up with camera women Jody Moreno (Blunt) before an accident at work causes him to lose confidence in himself and ghost her. Eighteen months later he gets a call asking him to come out of stunt exile to help on Jody's directorial debut but things don't work out as he hoped when Jody doesn't actually want him there and he is roped into tracking down the productions missing leading man, an ab flaunting, obnoxious idiot played by Aaron Taylor-Johnson. Gosling is in full movie star mode here, buffed up and charismatic even though

Horoscopes and Horror Tropes

  Catching a film like Tarot in the cinema in 2024 is weird. It feels like one of those horror films that just sort of appear on a streaming service. One you find deep in bowels of Amazon Prime, take a chance on and are pleasantly surprised to find is more or less fine. Up on the big screen it's still fine but its shortcomings are made very apparent. To its credit the film wastes no time in getting to the point. It begins with seven friends in a mansion they rented for one of their birthdays and within the first ten minutes main character Haley has read the group their fortunes from a cursed deck of tarot cards they find in the basement. Once they return home the friends begin to be picked off one by one courtesy of a ghost/monster taking the shape of whichever card was drawn in their reading. Exactly how they kill them is a bit muddled, at first it seems they are scaring their victims into "Final Destination" ing themselves but at other times they become more hands (or s

The Unbearable Cage of Massive Cage

 Given he has a reputation for being eccentric but, crucially, in no way problematic, Nicolas Cage is in the fairly unique position of being able to star as himself in a film that both has fun with and pays homage to his unique legend. The Unbearable Weight of Massive Talent is a love letter to a one of a kind career stuffed with references (although not particularly deep cuts) and also an accomplish piece of work in its own right. Cage has a blast playing various incarnations of himself and so does Pedro Pascal as his number one fan, wannabe movie maker and potential cartel boss. Pretty much any time the two of them are on screen together is gold, as is any appearance by Cage as "Nicky", an arrogant younger version of the actor unhappy with his older self's lack of movie star cred. On the downside, not every actor gets so much to work with. Sharon Horgan is very much a standard disapproving estranged wife and given his relationship with his family is such a big part of N