Netflix original Mr Harrigan's Phone is a somewhat different film to the one shown in the trailers. While the advertising leant into the notion of a spookfest about a vengeful mentor returned from the grave the actual film is more of an exploration of the grieving process with a heavy dose of "smartphones bad kids". This wouldn't necessarily be a problem but there is a lack of direction in the plot and the passage of time is unclear leading to boredom rather than suspense. The straight out of a kids TV movie idea of having a schools entire social structure based around which phone you own severely undercuts the movies sombre tone and any message the film is trying to impart falls flat
Like Mr Harrigan's Phone, 2019's The Lodge also features IT alumni Jaeden Martell. This time he is one half of a brother and sister duo who are hit with the double whammy of their mum committing suicide and there dad planning to remarry a mysterious cult survivor. The film is shot in a fairly unique style that is somewere between arthouse and the zero budget amateur horror you can find in dark corners of Amazon Prime. It is atmospheric but dour and mean spirited, relying on the "once a victim, always a victim" idea that we really should be past by now.
Halloween H2O is the 1998 sequel marking the 20 year anniversary of the original Halloween. Jamie Lee Curtis returns as Laurie Strode, now living under a new name with her son (a young Josh Hartnet) and running a prestigious bording school. Micheal Myers, of course, returns for revenge around halloween. Its prime nineties slasher with the emphasis on the stalking and chasing rather than the kills, which are pretty lame. Its a passable watch but not much happens for most of the film and the final confrontation is weak. Not one of the best entries.
Anthology horror movie VHS 99 is streaming on Shudder and continues the series track of diminishing returns. Where the found videotape gimmick was once a clever framing device it now feels like its an excuse to cover a low budget and cheap effects. The first story is insufferable and things don't improve much until the final story (of 5) which is, admittedly, great fun and almost worth a recommendation on its own.
Film of the Week: Not exactly a banner crop but Halloween H2O wins for the nostalgia factor. I miss the days when horror films could be well lit and show you whats going on.
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