Skip to main content

2023 So Far

 Loose ranking of everything I saw in the cinema during the first 6 months of 2023. Let's just pretend it isn't a month late. 


23. The Enforcer

Antonio Banderas does little enforcing in this weak thriller. One dimensional characters, laughable dialogue and an aimless plot make this a waste of everyone's time. May The Enforcer not be with you.


22. John Wick Chapter 4

Features another great physical performance from Keanu Reeves but not even he can overcome the twin threats of bloated runtime and expanded universe nonsense. There's the odd fun set piece but people rolling around shooting guns doesn't need to last nearly 3 hours.


21. Transformers : Rise of the Beasts

After the clean slate of 2018's Bumblebee, Rise of the Beasts takes a u-turn back towards the motorway pile up of the Micheal Bay days. Not as much of a mess As "Rise of the Extinction Samurai Knight Moon" (I'm sure that was the name of one of them), since you can actually follow the action scenes, but when the plot isn't explaining macguffin nonsense it's taking wild emotional swings that fall laughably flat.


20. The Flash

Put through the grinder and stitched back together so many times during a near decade long development that it's no surprise this empty husk of a movie is all that's left. There are flashes (ha) of a fun film here bit it feels like a waste of time by the end, especially when the final act renders the whole plot kind of pointless. Waste of a returning Micheal Keaton and a cool new Supergirl.

 

19. Plane

Gérard Butler is the pilot of the only commercial plane that can't withstand being struck by lightning (but can withstand hails of bullets apparently) leading to a crash that puts him and his passengers at the mercy of a local warlord. Butler is a natural in this kind of film but it's all a bit, well, plain.


18. Scream 6

A step up from last year's weak part 5. Things are reinvigorated by the move to the big city and it has one of the series best opening sequences of any Scream movie. The problem is that proceedings lack impact due to every character's ability to shrug of clearly fatal stab wounds, meaning you can watch someone's guts fall out only to be told half an hour later by the cinematic equivalent of VAR that it was ruled no death and they're still alive.

 

17. Ant-Man and The Wasp : Quantumania

Previous Ant-Man films have acted as fun little palette cleansers after big Avengers movies but this time the scale is ramped up to mixed results. There are some great high concept sci-fi visuals but the adventure is never given time to breathe and, despite the movies best attempts at grandeur, everything feels pretty lightweight. 

 

16. The Super Mario Bros. Movie

The minute it was announced that Illumination were going to make a Mario movie everyone new what to expect; a by the numbers family pleaser with emphasis on obvious gags and merchandising opportunities. This is exactly that, but at least it's a good version of that.

 

15. Beau is Afraid

Possibly criminal that this is so far down the list as its easily the most ambitious and original thing on here, but constant shifts in tone and a five (at least) act structure make  Beau's journey to see his mother a three hour endurance test. Darkly funny, superbly acted and has plenty to say but any real meaning remains tantalizingly out of reach. Something to be admired rather than enjoyed.

 

14. M3gan

The titular murder doll is more modern Frankenstein than Chucky, killing as a result of slapdash AI parameters rather than psychotic blood lust. Flimsy concept but the uncanny valley effect adds to the creepiness and a decent dose of humour helps things along.


13. Renfield

 How can you make a film with Nic Cage hamming it up as Dracula and limbs flying everywhere be just OK? Simple, fill the rest of the runtime with the most basic and boring cops and criminals plot you ever did see. Still, anytime Cage and Nicholas Hoult's Renfield share the screen it's dynamite.

 

12. Fast X

Suffers from the usual Fast and Furious problems of paper thin plot stretched way too long and Vin Deisel insisting his Dominic Toreto character remains the main focus of events , despite the fact he is a charisma vacuum compared to the other stars. Better action scenes and a show stopping performance from Jason Mamoa as a 1960's Batman style villain make this one of the series best entries.

 

11. Cocaine Bear

Drug fuelled bear runs amok in a national park. Delivers on the dumb fun premise with a cast of colorful characters and over the top bear action. Has some feeling in it and avoids overexposing the CGI bear.


10. Champions

On the one hand this Woody Harrelson sports comedy is as generic as it gets but by casting people with real disabilities as the special needs basketball team it's one of the most progressive movies of recent years. Helps that it's actually funny.


9. Infinity Pool

Brandon (son of David) Chronenberg keeps up the family tradition of making strange, metaphor heavy, somewhat gross films. The grotesqueness this time round is more of human nature than body, although there's still some blood and guts. Chronenberg junior isn't as concise as his dad but there's plenty to chew over.

 

8. Knock at the Cabin

Claustrophobic thriller about a family being forced to choose between sacrifice or possibly the end of the world. Say what you want about M. Night Shyamalan and his twist obsessed plots but he knows how to build tension and the single location plays to his strengths. Great work from the cast as well.

 

7. Across the Spider-Verse

Dazzling array of art styles and bags of character make this an insanely unique work of art, distinct even from it's predecessor. Introduces a host of fun new Spider-Men and has some genuine heart behind it. Not so sure it gets away with it's "tune in for part 2" ending, especially when it's on the long side

 

6. Guardians of the Galaxy Volume 3

In the midst of studios firing out disappointing (live action) super hero films left, right and centre, James Gunn returns to show how you actually make one of these things. Laughs, emotional highs and lows, satisfying character arcs and a villain as Shaksperian as he is loathsome make this a worthy conclusion to Marvels best trilogy of films.


5. Dungeons and Dragons : Honor Among Thieves

Takes the tried and tested formula Disney has been using to make Marvel movies for a decade and a half and takes it to the next level by injecting some almost Monty Python level absurd humour, including a supporting character that could have walked straight off the set of The Mighty Boosh. Add in a great cast and some of the best big budget CGI around and you have the most straight up entertaining movie of the year so far.


4. Asteroid city

If you're familiar with Wes Anderson you know the drill here. Unbelievable A-list cast delivering deadpan lines in gorgeously lit, symmetrical shots. This time the cast of off kilter characters are in a small desert town about to visited by an alien, or more accurately they are in a play about a small desert town about to be visited by an alien. Not everyone's cup of whimsical tea but I could drink it all day.


3. Pearl

Technically a prequel to last year's grind house homage X but a very different film. Set in 1918 during the tail end of WW1 and the height of the Spanish Flu, frustrated farm girl Pearl yearns of escaping to Hollywood and is a ticking time bomb as her frustration grows. Pays tribute to golden age classics in the darkest way possible and features a performance from Mia Goth that would have been a shoe in for an Oscar nomination if the Academy paid attention to genre flicks.

 

2. Evil Dead Rise

By far the most personal placement in this list as with gruesome horror and extended scenes of children in danger it won't be for everyone but it's a masterclass in how to properly update a beloved franchise. Claustrophobic and tense but maintaining the dash of slapstick that the series is known for it cements The Evil Dead's place as the best horror series.

 

1. Tar

Meticulous tale of a genius composer's fall from grace. Powered by an outstanding performance from Kate Blanchett it's a complicated look at power dynamics, the changing expectations of being an artist, single mindedness crossing into sociopathic selfishness and flat out abuse. Like its titular character its all about intelligence and precision, not heart. You aren't going to warm to the protagonist here, but you'll be thinking about what you've seen long after the final credits roll. 






.




























 

Comments

Popular posts from this blog

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

More Money More Killing

How to Make a Killing is loosely based on 1949 British crime comedy Kind Hearts and Cornets (which is in turn an adaptation of 1907 novel Israel Rank: The Autobiography of a Criminal). In a world of remakes, reboots and adaptations, that is pretty interesting source material and could almost qualify as an original idea. Unfortunately, the imagination mostly stops there and the film isn't funny or insightful enough to rise above "it's fine" territory. Glenn Powell is Becket Redfellow, a suit salesman who grew up largely in the foster care system as his mother died while he was young. He is heir to the fortune of his mother's estranged family and, in the unlikely event all the other senior Redfellows should perish, he would be a billionaire. A chance encounter with his status obsessed childhood crush Julia (Margaret Qualley) and an unjust demotion at work give him the notion to speed up his inheritance a little. As he arranges "accidents" for his fellow R...

Blow My Whistle

  Whistle is Corin Hardy's third movie, after his 2015 breakout The Hallow and 2018's Conjuring spin-off The Nun. This new horror flick sits halfway between the indie energy of his maiden effort and the box ticking boredom of his big studio follow-up, with self seriousness butting up against dumb fun. The set-up is most reminiscent of Final Destination, with added high school slasher vibes. Chrys (Dafne Keen) moves in with her cousin Rel's (Sky Yang) family following the death of her father. Within about ten minutes of attending her high school she becomes besotted with Sophie Nellisse's Ellie, ends up in detention after a confrontation with loudmouth basketball player Dean (Jhaleil Swaby) and finds an Aztec death whistle in her new locker. Naturally, the teens end up blowing the death whistle which causes them all to be stalked by their future deaths. This manifests as a ghostly apparition of your dead future self who causes you to suffer said death as soon as they to...

Stars and Their Cars

Crime 101 is named for the California freeway one of the characters commits all his robberies along. It also doubles as describing his MO, he is successful because he makes sure he gets the fundamentals right every time.  It can also describe the film itself, which nails the basics of making a slick crime thriller better than just about any other movie has in quite some time. The professional thief is Mike Davis (Chris Hemsworth), a meticulous planner whose jobs never lead to anyone being hurt and are so well executed that nobody even has any idea they are all the work of one man. Nobody that is, except for Mark Ruffalo's Detective Lou Lubesnick, who is determined to catch the "101 Robber" even though his obsession is starting to lead to him being ostracised in the precinct. Both characters come into contact with high value insurance broker Sharon (Halle Berry) as Mike plans a big score and Lou joins the dots in an attempt to track him down. A potential fly in the ointmen...

You Screen, I Scream

The worst thing about Scream 7 isn't actually the film itself. It's the at best cowardly, actions of production company Spyglass Media who fired the star of the previous two films, Melissa Barrera, for daring to have an opinion on genocide. In addition to leaving an icky taste in the mouth, this move cost them fellow star Jenna Ortega and the guy who was supposed to direct the seventh instalment Christopher Landon, resulting in a return to the drawing board to completely rework the film. The only actually good thing about Scream 7 is also nothing to do with the actual film. Series mainstay Neve Campbell missed the previous instalment after producers lowballed her, but the production chaos of their own making means they've had to go crawling back. So Neve returns with a reported $7 million payday, a producer credit and a story based solely around how legendary her character Sydney is. Go her. The actual film doesn't warrant much discussion at all, given it does little mo...

There Can Only be One

Trailers for Him had Jordan Peele's name slapped all over them, which is understandable from a marketing point of view. In reality it is simply produced by the"Get Out" directors company, Monkeypaw Productions. It is actually directed by Justin Tipping, from a script he co-wrote with Skip Bronkie and Zak Akers. The prevalence of Peele's name in the advertising means the film is bound to draw unflattering comparisons with his own work, which is a shame as the film has its own merits. Cameron "Cam" Cade (Tyriq Withers) grew up idolising Isaiah White (Marlon Wayans), star quarterback of the San Antonio Saviours. When White suffers a grisly injury during the Super Bowl, Cade's father tells the young fan that real men like his idol make sacrifices for greatness. Fast forward about a decade and a half and Cam is about to be drafted to the NFL, where he is tipped as a potential challenger to White's "Greatest Of All Time" status. When a mascot in ...

Fifty Shades of Chrononberg

 If you've been missing pure  David Chrononberg then Crimes of the Future has you covered. It has the lot; body mutilation, main character undergoing a metamorphosis, questions about what defines being human, integrity of the mind, the collision of different world views and pretty much every other recurring theme of his is present and correct. So needless to say, it isn't for everyone. The film takes place in the (possibly near) future, when most humans have evolved to no longer feel pain and in some cases grow mysterious new organs. Viggo Maortensen and Lea Seydoux play a pair of performance artists whose act revolves around removing Mortensen's excess organs in front of a live crowd. Fittingly, given its focus on artits, the film takes place in the orbit of the protagonists with little shown of the world at large. Everything is dingy and grimey, hinting things aren't going swimmingly, and there are vaugue hints at ecological disaster but the characters are all far mor...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...

Fast 10 Your Seat Belts

 Despite suffering from some well established franchise problems Fast X puts it's pedal to the metal to become one of the saga's best entries. No mean feat for a series 10 films and over 20 years in. The set pieces are a tiny bit more grounded than F9 but still ridiculous and a lot more fun. Various members of the crew play live action Rocket League in Rome, drop out of a plane in a "canoe" and engage in a final chase that is much more satisfying than the turn magnet on and off showdown of the previous film. The film also benifits from an increase in star power and better use of its characters. John Cena returns but he plays the character of Jacob Toretto completely differently and is great fun as he embarks on a road trip with his nephew. Jason Statham is back as Decard Shaw, albeit only as a cameo with the promise of more to come. The film really belongs to franchise newcomer Jason Mamoa as Dante Reyes, son of Fast 5 villain Hernan. Leaving his imposing frame to por...

Supoor Things

  Poor Things sees a mad scientist puts the brain of a baby into the body of a fully grown women, creating the insatiably curious Bella Baxter who we follow as she learns about the world through interactions with various memorable characters and lots of "furious jumping." Don't let the simple plot fool you into thinking there isn't much going on, everything is going on. It shares something in common with many of director Yorgos Lanthimos other works, an overbearing father figure (Dogtooth), examination of relationships (The Lobster), period setting (The Favourite) but he and screenwriter Tony McNamara have fashioned something completely unique from Alistair Gray's 1992 novel.  The look of the film is extraordinary, somewhere between Steampunk and a renaissance painting. Each part of the film has it's own distinct look and from bizarre animal hybrids to watercolour skylines there is always something new drawing the eye. Cinematographer Robbie Ryan's visual...