Skip to main content

2023 So Far

 Loose ranking of everything I saw in the cinema during the first 6 months of 2023. Let's just pretend it isn't a month late. 


23. The Enforcer

Antonio Banderas does little enforcing in this weak thriller. One dimensional characters, laughable dialogue and an aimless plot make this a waste of everyone's time. May The Enforcer not be with you.


22. John Wick Chapter 4

Features another great physical performance from Keanu Reeves but not even he can overcome the twin threats of bloated runtime and expanded universe nonsense. There's the odd fun set piece but people rolling around shooting guns doesn't need to last nearly 3 hours.


21. Transformers : Rise of the Beasts

After the clean slate of 2018's Bumblebee, Rise of the Beasts takes a u-turn back towards the motorway pile up of the Micheal Bay days. Not as much of a mess As "Rise of the Extinction Samurai Knight Moon" (I'm sure that was the name of one of them), since you can actually follow the action scenes, but when the plot isn't explaining macguffin nonsense it's taking wild emotional swings that fall laughably flat.


20. The Flash

Put through the grinder and stitched back together so many times during a near decade long development that it's no surprise this empty husk of a movie is all that's left. There are flashes (ha) of a fun film here bit it feels like a waste of time by the end, especially when the final act renders the whole plot kind of pointless. Waste of a returning Micheal Keaton and a cool new Supergirl.

 

19. Plane

Gérard Butler is the pilot of the only commercial plane that can't withstand being struck by lightning (but can withstand hails of bullets apparently) leading to a crash that puts him and his passengers at the mercy of a local warlord. Butler is a natural in this kind of film but it's all a bit, well, plain.


18. Scream 6

A step up from last year's weak part 5. Things are reinvigorated by the move to the big city and it has one of the series best opening sequences of any Scream movie. The problem is that proceedings lack impact due to every character's ability to shrug of clearly fatal stab wounds, meaning you can watch someone's guts fall out only to be told half an hour later by the cinematic equivalent of VAR that it was ruled no death and they're still alive.

 

17. Ant-Man and The Wasp : Quantumania

Previous Ant-Man films have acted as fun little palette cleansers after big Avengers movies but this time the scale is ramped up to mixed results. There are some great high concept sci-fi visuals but the adventure is never given time to breathe and, despite the movies best attempts at grandeur, everything feels pretty lightweight. 

 

16. The Super Mario Bros. Movie

The minute it was announced that Illumination were going to make a Mario movie everyone new what to expect; a by the numbers family pleaser with emphasis on obvious gags and merchandising opportunities. This is exactly that, but at least it's a good version of that.

 

15. Beau is Afraid

Possibly criminal that this is so far down the list as its easily the most ambitious and original thing on here, but constant shifts in tone and a five (at least) act structure make  Beau's journey to see his mother a three hour endurance test. Darkly funny, superbly acted and has plenty to say but any real meaning remains tantalizingly out of reach. Something to be admired rather than enjoyed.

 

14. M3gan

The titular murder doll is more modern Frankenstein than Chucky, killing as a result of slapdash AI parameters rather than psychotic blood lust. Flimsy concept but the uncanny valley effect adds to the creepiness and a decent dose of humour helps things along.


13. Renfield

 How can you make a film with Nic Cage hamming it up as Dracula and limbs flying everywhere be just OK? Simple, fill the rest of the runtime with the most basic and boring cops and criminals plot you ever did see. Still, anytime Cage and Nicholas Hoult's Renfield share the screen it's dynamite.

 

12. Fast X

Suffers from the usual Fast and Furious problems of paper thin plot stretched way too long and Vin Deisel insisting his Dominic Toreto character remains the main focus of events , despite the fact he is a charisma vacuum compared to the other stars. Better action scenes and a show stopping performance from Jason Mamoa as a 1960's Batman style villain make this one of the series best entries.

 

11. Cocaine Bear

Drug fuelled bear runs amok in a national park. Delivers on the dumb fun premise with a cast of colorful characters and over the top bear action. Has some feeling in it and avoids overexposing the CGI bear.


10. Champions

On the one hand this Woody Harrelson sports comedy is as generic as it gets but by casting people with real disabilities as the special needs basketball team it's one of the most progressive movies of recent years. Helps that it's actually funny.


9. Infinity Pool

Brandon (son of David) Chronenberg keeps up the family tradition of making strange, metaphor heavy, somewhat gross films. The grotesqueness this time round is more of human nature than body, although there's still some blood and guts. Chronenberg junior isn't as concise as his dad but there's plenty to chew over.

 

8. Knock at the Cabin

Claustrophobic thriller about a family being forced to choose between sacrifice or possibly the end of the world. Say what you want about M. Night Shyamalan and his twist obsessed plots but he knows how to build tension and the single location plays to his strengths. Great work from the cast as well.

 

7. Across the Spider-Verse

Dazzling array of art styles and bags of character make this an insanely unique work of art, distinct even from it's predecessor. Introduces a host of fun new Spider-Men and has some genuine heart behind it. Not so sure it gets away with it's "tune in for part 2" ending, especially when it's on the long side

 

6. Guardians of the Galaxy Volume 3

In the midst of studios firing out disappointing (live action) super hero films left, right and centre, James Gunn returns to show how you actually make one of these things. Laughs, emotional highs and lows, satisfying character arcs and a villain as Shaksperian as he is loathsome make this a worthy conclusion to Marvels best trilogy of films.


5. Dungeons and Dragons : Honor Among Thieves

Takes the tried and tested formula Disney has been using to make Marvel movies for a decade and a half and takes it to the next level by injecting some almost Monty Python level absurd humour, including a supporting character that could have walked straight off the set of The Mighty Boosh. Add in a great cast and some of the best big budget CGI around and you have the most straight up entertaining movie of the year so far.


4. Asteroid city

If you're familiar with Wes Anderson you know the drill here. Unbelievable A-list cast delivering deadpan lines in gorgeously lit, symmetrical shots. This time the cast of off kilter characters are in a small desert town about to visited by an alien, or more accurately they are in a play about a small desert town about to be visited by an alien. Not everyone's cup of whimsical tea but I could drink it all day.


3. Pearl

Technically a prequel to last year's grind house homage X but a very different film. Set in 1918 during the tail end of WW1 and the height of the Spanish Flu, frustrated farm girl Pearl yearns of escaping to Hollywood and is a ticking time bomb as her frustration grows. Pays tribute to golden age classics in the darkest way possible and features a performance from Mia Goth that would have been a shoe in for an Oscar nomination if the Academy paid attention to genre flicks.

 

2. Evil Dead Rise

By far the most personal placement in this list as with gruesome horror and extended scenes of children in danger it won't be for everyone but it's a masterclass in how to properly update a beloved franchise. Claustrophobic and tense but maintaining the dash of slapstick that the series is known for it cements The Evil Dead's place as the best horror series.

 

1. Tar

Meticulous tale of a genius composer's fall from grace. Powered by an outstanding performance from Kate Blanchett it's a complicated look at power dynamics, the changing expectations of being an artist, single mindedness crossing into sociopathic selfishness and flat out abuse. Like its titular character its all about intelligence and precision, not heart. You aren't going to warm to the protagonist here, but you'll be thinking about what you've seen long after the final credits roll. 






.




























 

Comments

Popular posts from this blog

That Wasn't All Folks

Coyote vs. Acme was originally scheduled for release way back in 2023 (in the theatrical slot that eventually went to Barbie, no less) but a change of leadership at Warner Bros led to them deciding to scrap the film, figuring a tax break was preferable to releasing a complete movie that hundreds of people had worked on. A combination of public outcry and tenacity from independent distributor Ketchup Entertainment has led to the film finally getting its day in cinemas. Congratulations are in order as the live-action/animated combination comedy is one of the most entertaining family movies of the year. After faulty ACME products foil yet another of his attempts to capture Roadrunner, Wile E. Coyote sees an advert on TV by Will Forte's lazy lawyer Kevin in which he promises a payout for faulty ACME goods. In reality Kevin is a bottom feeder who has made a career out of settling lawsuits against the corporate giants for peanuts, but Wile E. forces him to engage in the trial of the cen...

Irreverent Evil

  Despite its singular name, Resident Evil is actually the eighth film to be based on the long running video game franchise. Unlike Paul W.S. Anderson's decade plus running series and 2021's failed reboot, Welcome to Raccoon City, this new effort from Weapons helmer Zach Cregger uses none of the game's characters or plot lines. Ironically, ditching the baggage has allowed Cregger to craft something that comes much closer to matching the camp terror of its source material and is easily the best film to wear the Resident Evil name. The entire film follows medical courier Bryan (Austin Abrams) on the delivery from hell. Despite being in the middle of a phone argument with his pregnant girlfriend, Brian accepts one last job for the day; a drop-off in remote Raccoon City. The icy roads he is ill prepared for turn out to be the least of his worries as something has gone very wrong in the mountain city. After running a woman over in the town outskirts, things quickly escalated and...

Straight Outta The Further

  Insidious has always been a fairly low tier horror franchise. The Conjuring's budget cousin, if you will. If you look at it that way then Insidious: Out of the Further is actually fairly good. It's certainly the most entertaining the series has been since the first instalment. Like that first breakout hit from back in 2010, Out of the Further has a much stronger first half than it does second. We start with a fairly harrowing scene of a young girl named Gemma witnessing the grisly death of her erratically behaving mother. We then fast forward a couple of decades to find the adult Gemma working as a dentist while raising a young girl of her own, yet still living in her childhood home. Spooky things begin to happen as some unfriendly OAPs start stalking the neighbourhood and Gemma tries to keep her daughter safe while worrying she is becoming like her mother. In typical Insidious fashion, things become more silly than scary as the plot is revealed and we build towards a ludicr...

Logan Hood?

Everybody has their own version of Robin Hood, whether it's Errol Flynn, Kevin Costner or a dashing cartoon fox. There have also been attempts at taking the tale in a more grounded direction, most notably from Ridley Scott and Russel Crowe in 2010, but nobody has shot an arrow through the neck of the legend quite like Michael Sarnoski does with The Death of Robin Hood.  The film begins with an ageing Robin (Hugh Jackman) tormented by false stories of his own making and filling up his own personal graveyard with the bodies of would be assassins. When the last surviving member of his outlaw band, Little John (a typically chameleonic Bill Skarsgard) asks for his help in reclaiming a stolen farm, he senses the chance to finally receive his "good" death. Instead, he ends up gravely injured and in the care of Jodie Comer's healing Prioress.  Many films have done "realistic" medical violence but the opening act here is on a whole other level. Within minutes of the ...

Let's Do The Timewarp

The plot of The End of Oak Street sees an early 80s suburban family, and their entire neighbourhood suddenly transported back to prehistoric times. There's some talk of solar flares and time bubbles by way of an explanation but it's all nonsense in service of one central idea: dinosaurs in suburbia. Turns out this idea is so good it not only sustains the film but leaves you wondering why nobody has done it before. The central family consists of Anne Hathaway's frustrated novelist Denise Platt and her pizza delivering husband Greg (Ewan McGregor), along with their children Audrey (Daisy Stella) and Brian (Christian Convery). While Dad and the kids are exactly the type of characters you would have expected to see in an 80s family adventure but Denise is a more modern female lead. She wants to achieve more than simply being a mother and is unhappy with her simple suburban life. Add in the fact she plays the realist when things kick off and her constant negative vibe can mean ...

Thunderbolts and Lightning, Mental Health is Frightening*

  Thunderbolts* takes a bunch of relatively minor MCU characters and scoops them up into a "Suicide Squad" type adventure where they face off against insurmountable odds. Given most of the characters have appeared in TV shows, there is a distinct whiff of Disney+ about proceedings but it is also one of the most solid films Marvel has put out in years. The execs must have known they had something decent on their hands as they waited until a whole weekend after release to spoil the end twist with marketing, as appose to doing it in the trailers.  The titular Thunderbolts are : New Black Widow, Yelena Belova (Florence Pugh), failed Captain America replacement John Walker (Wyatt Russell), former Winter Soldier turned congressman Bucky Barnes (Sebastian Stan), Russian super soldier and Yelena's adoptive father Red Guardian (David Harbour), Ant Man 2 alumni Ghost (Hannah John-Kamen) and maybe mysterious newcomer Bob (Lewis Pullman). If you follow MCU events you will recognise ...

Summer of 75

Tony opens with a quote from the late chef, and subject of this semi-biopic, Anthony Bourdain's memoir. It goes: "I was — to be frank — a spoiled, miserable, narcissistic, self-destructive and thoughtless young lout, and badly in need of a good ass-kicking." He's not wrong. The Tony (he's much too cool to let people call him Anthony) we meet at the beginning of the film is an insufferable blowhard. He tells anyone who'll listen about his great future as a writer, despite seemingly having an aversion to doing any actual writing. He assumes the panel awarding a prestigious scholarship is too stupid to see his pitch is nonsense bravado. He condescendingly explains the meaning of what he thinks are obscure words, despite not always knowing himself. While he does change over the course of the film, it's hard to map an actual character journey. That's because more than a biopic or chef's origin story, Tony is a summer vibes hangout movie. The story take...

Can I Pet That Dog

  Good Boy sees a man called Todd move into his grandfather's old house in the woods to convalesce from a serious lung condition. Unfortunately, his peace is interrupted by a series of creepy events. It is unclear how much of what is happening is due to the supposedly cursed nature of the house and how much is to do with a relapse of his illness. Standard horror stuff, apart from the fact the entire film is told from the point of view of Todd's faithful companion, a Nova Scotia Duck Tolling Retriever named Indy. On paper, a mostly dialogue free horror movie is a risky move, as evidenced by last year's "In a Violent Nature" (a slasher movie shown from the point of view of the wordless killer). Good Boy though has one massive advantage over that movie; instead of spending an hour odd staring at someone's back, we are looking at an adorable dog.  And debut director Ben Leonberg really makes the most of his star attraction, who just so happens to be his own real ...

2025 Movies Ranked

 Another year in the rear view mirror means another ranking of every new release film I caught in the cinema this year. Despite 75 films making the list there are some fairly big omissions so if your favourite isn't on here, just imagine it up near the top. Also, we are talking UK releases.  75. The Stranger Chapter 2 This lame duck franchise props up the rankings for the second year in a row. A little more happens this time round but there is no jeopardy since we know the protagonist needs to make it to part 3. Also undermines its main premise (people might just decide to murder you for no reason) by giving the masked killers backstory. At least a section with a wild boar trying to gut somebody means the audience aren't the only ones nearly bored to death. 74. Hurry Up Tomorrow When a musician decides to write and star in their own movie the results are often pompus nonsense, so the problem with this effort from Abel "The Weeknd" Tesfaye isn't that its ridiculous...

Eight is the Loneliest Number of Legs

Spider-Man: Brand New Day swings into cinemas to deliver a much needed box office shot in the arm to the once invincible MCU and prove that the wall crawler is Marvel's most enduring hero. It delivers on the Spiderman feeling but loses steam as the 2 hour 20 minute runtime rolls on.  Since everyone he cares about is either dead or has forgotten him after the events of No Way Home, Peter Parker (Tom Holland) has been focusing solely on his Spider-Man duties. As a result, he has more or less eradicated organised crime in New York and is idolised by the city populace. On the downside, he is devoid of real human contact apart from phone calls to a detective and a grudging pseudo-friendship with gun toting vigilante Frank Castle (Jon Bernthal), aka The Punisher. He still pines after his lost relationships with MJ (Zendaya) and Ned (Jacob Batalon) and it seems his isolation is beginning to have a physical effect on him. This couldn't come at a worse time, with a new threat that can s...