Skip to main content

2023 So Far

 Loose ranking of everything I saw in the cinema during the first 6 months of 2023. Let's just pretend it isn't a month late. 


23. The Enforcer

Antonio Banderas does little enforcing in this weak thriller. One dimensional characters, laughable dialogue and an aimless plot make this a waste of everyone's time. May The Enforcer not be with you.


22. John Wick Chapter 4

Features another great physical performance from Keanu Reeves but not even he can overcome the twin threats of bloated runtime and expanded universe nonsense. There's the odd fun set piece but people rolling around shooting guns doesn't need to last nearly 3 hours.


21. Transformers : Rise of the Beasts

After the clean slate of 2018's Bumblebee, Rise of the Beasts takes a u-turn back towards the motorway pile up of the Micheal Bay days. Not as much of a mess As "Rise of the Extinction Samurai Knight Moon" (I'm sure that was the name of one of them), since you can actually follow the action scenes, but when the plot isn't explaining macguffin nonsense it's taking wild emotional swings that fall laughably flat.


20. The Flash

Put through the grinder and stitched back together so many times during a near decade long development that it's no surprise this empty husk of a movie is all that's left. There are flashes (ha) of a fun film here bit it feels like a waste of time by the end, especially when the final act renders the whole plot kind of pointless. Waste of a returning Micheal Keaton and a cool new Supergirl.

 

19. Plane

Gérard Butler is the pilot of the only commercial plane that can't withstand being struck by lightning (but can withstand hails of bullets apparently) leading to a crash that puts him and his passengers at the mercy of a local warlord. Butler is a natural in this kind of film but it's all a bit, well, plain.


18. Scream 6

A step up from last year's weak part 5. Things are reinvigorated by the move to the big city and it has one of the series best opening sequences of any Scream movie. The problem is that proceedings lack impact due to every character's ability to shrug of clearly fatal stab wounds, meaning you can watch someone's guts fall out only to be told half an hour later by the cinematic equivalent of VAR that it was ruled no death and they're still alive.

 

17. Ant-Man and The Wasp : Quantumania

Previous Ant-Man films have acted as fun little palette cleansers after big Avengers movies but this time the scale is ramped up to mixed results. There are some great high concept sci-fi visuals but the adventure is never given time to breathe and, despite the movies best attempts at grandeur, everything feels pretty lightweight. 

 

16. The Super Mario Bros. Movie

The minute it was announced that Illumination were going to make a Mario movie everyone new what to expect; a by the numbers family pleaser with emphasis on obvious gags and merchandising opportunities. This is exactly that, but at least it's a good version of that.

 

15. Beau is Afraid

Possibly criminal that this is so far down the list as its easily the most ambitious and original thing on here, but constant shifts in tone and a five (at least) act structure make  Beau's journey to see his mother a three hour endurance test. Darkly funny, superbly acted and has plenty to say but any real meaning remains tantalizingly out of reach. Something to be admired rather than enjoyed.

 

14. M3gan

The titular murder doll is more modern Frankenstein than Chucky, killing as a result of slapdash AI parameters rather than psychotic blood lust. Flimsy concept but the uncanny valley effect adds to the creepiness and a decent dose of humour helps things along.


13. Renfield

 How can you make a film with Nic Cage hamming it up as Dracula and limbs flying everywhere be just OK? Simple, fill the rest of the runtime with the most basic and boring cops and criminals plot you ever did see. Still, anytime Cage and Nicholas Hoult's Renfield share the screen it's dynamite.

 

12. Fast X

Suffers from the usual Fast and Furious problems of paper thin plot stretched way too long and Vin Deisel insisting his Dominic Toreto character remains the main focus of events , despite the fact he is a charisma vacuum compared to the other stars. Better action scenes and a show stopping performance from Jason Mamoa as a 1960's Batman style villain make this one of the series best entries.

 

11. Cocaine Bear

Drug fuelled bear runs amok in a national park. Delivers on the dumb fun premise with a cast of colorful characters and over the top bear action. Has some feeling in it and avoids overexposing the CGI bear.


10. Champions

On the one hand this Woody Harrelson sports comedy is as generic as it gets but by casting people with real disabilities as the special needs basketball team it's one of the most progressive movies of recent years. Helps that it's actually funny.


9. Infinity Pool

Brandon (son of David) Chronenberg keeps up the family tradition of making strange, metaphor heavy, somewhat gross films. The grotesqueness this time round is more of human nature than body, although there's still some blood and guts. Chronenberg junior isn't as concise as his dad but there's plenty to chew over.

 

8. Knock at the Cabin

Claustrophobic thriller about a family being forced to choose between sacrifice or possibly the end of the world. Say what you want about M. Night Shyamalan and his twist obsessed plots but he knows how to build tension and the single location plays to his strengths. Great work from the cast as well.

 

7. Across the Spider-Verse

Dazzling array of art styles and bags of character make this an insanely unique work of art, distinct even from it's predecessor. Introduces a host of fun new Spider-Men and has some genuine heart behind it. Not so sure it gets away with it's "tune in for part 2" ending, especially when it's on the long side

 

6. Guardians of the Galaxy Volume 3

In the midst of studios firing out disappointing (live action) super hero films left, right and centre, James Gunn returns to show how you actually make one of these things. Laughs, emotional highs and lows, satisfying character arcs and a villain as Shaksperian as he is loathsome make this a worthy conclusion to Marvels best trilogy of films.


5. Dungeons and Dragons : Honor Among Thieves

Takes the tried and tested formula Disney has been using to make Marvel movies for a decade and a half and takes it to the next level by injecting some almost Monty Python level absurd humour, including a supporting character that could have walked straight off the set of The Mighty Boosh. Add in a great cast and some of the best big budget CGI around and you have the most straight up entertaining movie of the year so far.


4. Asteroid city

If you're familiar with Wes Anderson you know the drill here. Unbelievable A-list cast delivering deadpan lines in gorgeously lit, symmetrical shots. This time the cast of off kilter characters are in a small desert town about to visited by an alien, or more accurately they are in a play about a small desert town about to be visited by an alien. Not everyone's cup of whimsical tea but I could drink it all day.


3. Pearl

Technically a prequel to last year's grind house homage X but a very different film. Set in 1918 during the tail end of WW1 and the height of the Spanish Flu, frustrated farm girl Pearl yearns of escaping to Hollywood and is a ticking time bomb as her frustration grows. Pays tribute to golden age classics in the darkest way possible and features a performance from Mia Goth that would have been a shoe in for an Oscar nomination if the Academy paid attention to genre flicks.

 

2. Evil Dead Rise

By far the most personal placement in this list as with gruesome horror and extended scenes of children in danger it won't be for everyone but it's a masterclass in how to properly update a beloved franchise. Claustrophobic and tense but maintaining the dash of slapstick that the series is known for it cements The Evil Dead's place as the best horror series.

 

1. Tar

Meticulous tale of a genius composer's fall from grace. Powered by an outstanding performance from Kate Blanchett it's a complicated look at power dynamics, the changing expectations of being an artist, single mindedness crossing into sociopathic selfishness and flat out abuse. Like its titular character its all about intelligence and precision, not heart. You aren't going to warm to the protagonist here, but you'll be thinking about what you've seen long after the final credits roll. 






.




























 

Comments

Popular posts from this blog

Sick Burn

The Evil Dead is horror's most consistent brand, with six films spanning over forty years and not a dud in sight. With Evil Dead Burn, French director Sébastien Vanicek keeps the streak alive, even if he doesn't quite manage to nail the unique feel of earlier entries. Souheila Yacoub plays Alice, whose husband dies in a Deadite (person possessed by a demon) induced car crash. A very tense post funeral get together with her in-laws goes from grim to apocalyptic when the dead arrive looking for a dagger that is capable of sending them back to hell. This is a slight change-up to the usual Evil Dead formula. Normally some fool reads from the Book of the Dead and the Deadites show up to torment and kill people with gleeful abandon. What distinguishes the undead nasties from those in other films is the fun they take in the mayhem. They are neither mindless monsters nor serious soldiers of Satan. They are just here for the love of the game. This somewhat softens the gore and allows ...

Rushed Girl

Supergirl is the second film in Warner Bros' relaunched DCU. After the previous iteration fizzled out like a damp firework James Gunn was brought in to oversee a new dawn that promised to focus on quality over quantity and compelling scripts over corporate deadlines. Unfortunately, two films and less than a year in and we already have a movie that has clearly been made to fit a schedule rather than because anyone had a great idea for the character.  Milly Alcock plays the titular Kryptonian, or Kara to her friends (not that she has any). Still mourning the loss of her home and family, and disillusioned with life on Earth, she is celebrating her birthday alone on a planet with a red sun. The lack of yellow sunlight hampers her superpowers meaning she can get drunk, but it also means she unable to stop her beloved dog Krypto from being poisoned when bad guy Krem (Matthias Schoenaerts) turns up to steal her ship. With three days to get the antidote she embarks on a mission to hunt do...

The Old Man vs The Sea

 The Odyssey represents something of an epic journey for director Christopher Nolan himself. Back in 2004 he came close to directing sword and sandals epic Troy before eventually being passed over in favour of the then far more renowned Wolfgang Petersen. Now, an entire Odysseus away from Ithaca length of time later, he brings us his uniquely Nolan take on the next part of Homer's epic works. It's worth the wait as he crams everything he has learned and refined over the last twenty-odd years into his most ambitious project yet.  Spoiler for a 3,000 year old poem but the combined Greek army win the Trojan war after a decade long siege thanks to Odysseus (Matt Damon) tricking the Trojans with the famous wooden horse. A series of catastrophes befall him and his crew on the way back to his kingdom of Ithaca, meaning the journey takes him another ten years. Meanwhile his queen, Penelope (Anne Hathaway) and son Thelemachus (Tom Holland) have to deal with an army of suitors, led by ...

Welcome to Earth

Early on in Disclosure Day a character is told not to, under any circumstances, release the world changing information he has on the internet. For the masses to accept the truth, the reveal must be a carefully orchestrated, communal event. That's because this alien conspiracy thriller is a film about how important it is to tell a story the right way. There aren't many people more qualified to  make such a statement than Steven Spielberg.  Josh O'Connor plays Daniel Kellner, a cybersecurity expert who has stolen evidence of alien visitation from his employers and is trying to get it into the hands of his colleague, Coleman Domingo's Hugo so they can blow the doors off years of cover ups. Meanwhile, TV meteorologist Margaret Fairchild (Emily Blunt) is finding she can speak multiple languages, including one that seems to be non-human, and finds herself compelled to find Daniel. Chasing after them is shady suit Noah Scanion (Colin Firth) and his security team. These event...

Van Afterlife

Passenger  director Andrè Øverdal has some impressive credits under his belt, including his Norwegian language breakout hit Trollhunter and chilling haunted corpse movie The Autopsy of Jane Doe. That explains why this mediocre horror has a couple of well crafted set-piece scares, but he is saddled with a bland script that is content to tick familiar genre boxes. Things start promisingly with the titular "Passenger" (a highway stalking demonic entity) dispatching a pair of nighttime travellers. We are then introduced to young couple Maddie (Lou Llobell) and Tyler (Jacob Scipio) who are about to abandon the city for a life on the road in their swanky van. Tyler is all in (to an obnoxious degree) but Maddie is hiding some reservations and things get spooky when they are marked by the walking metaphor for the dangers of travel. The first issue the movie runs into is the confusing nature of the entity itself. Why does it mess around with our leads for days when it kills everyone ...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...

Star Scuffle

Star Wars: The Mandalorian and Grogu is perhaps the purest distillation of a problem the franchise has had ever since the end of the original trilogy. The inability to expand the scope of its story. Commercially, it became a world devouring behemoth, but in terms of narrative it has never moved past (on the big screen anyway) those first films. George Lucas delivered a prequel trilogy that showed us how we got to his 1977 original. Disney's new trio of movies ended up amounting to little more than bringing the gang back and adding some new faces to the hamster wheel. They also gave us a couple of spin-off films dedicated to filling in unimportant details of the classic adventures. Eventually, a sprawling galaxy far, far away starts to look pretty small. Now their return to cinemas after a (much needed) seven year break is a lengthened episode of a TV show that exists because one of the characters in the original films looked pretty cool.  With a laboured structure (there are three...

The Grey Advert

 This Russo's action flick has all the ingredients of a top tier spy thriller but will leave you feeling like you've just watched an extended trailer for other films they want to make in the world of the "Grey Man".  Ryan Gosling plays Sierra 6 (yes the Sierras are basically 00 agents with the twist they all used to  be criminals) and is ideal casting as the sort of ass kicking man of few words this type of film is built around. All the archetypes you would expect are also present and played well by a stellar cast. Chris Evans is unhinged antagonist, Billy Bob Thornton is retired mentor, Rege-Jean Page is crooked politicain and Ana De Armas is the good agent caught in the middle. The plot is just as cookie cutter, involving Gossling being hunted by the people he used to work, computer files nobody was meant to see and hostages needing rescued.  Of course, all these things are tropes for a reason and done well (like they are here) equal an enjoyable movie. And the Gre...

Smile for the Cameras

  The October horror train continues with Smile 2 , follow up to 2022 breakout hit Smile. Director and writer Parker J. Finn returns with a much more textured character story that is let down by retreading the same beats and half frights as its predecessor. After a brief segment involving Joel from the first movie we focus on pop star Sky Riley (Naomi Scott) as she attempts to mount a comeback a year on from a drug induced car crash that claimed the life of her boyfriend and left her needing extensive surgery. Unable to get strong painkillers due to her addiction problems she visits an old drug dealer friend to procure some Vicodin but when he smashes his own face in with a plate weight she inherits "The Smile" curse. She begins to experience bizarre goings on and people creepily grinning at her as she enters a race against time to discover what's going on and find a way to rid herself of the demon.  By far the strongest element of Smile 2 is the character of Sky and the...

Tune In, Cop Out

Tuner lead character Nikki (Leo Woodall) hasn't had much luck. His parents aren't around and  H yperacusis (an extreme sensitivity to noise) put an end to his piano  playing days. Now he puts his enhanced sense to use as a piano tuner, working for mentor and father figure Harry (Dustin Hoffman). When Harry falls ill and into debt, Nikki takes on a sideline in safe cracking for shady security boss Uri (Lori Raz). All is well at first, but as time goes on it becomes increasingly hard for Nikki to juggle his day job, lucrative but dangerous side hustle and a blossoming romance with musical student Ruthie (Havana Rose Liu). The set up may make you think you are in for a slick crime caper, but that's not really what this film is. Director Daniel Roher made his name in documentaries and Tuner has a very naturalistic feel. The city is vibrant and busy while close up shots show the intricacy of the pianos and locks Nikki has mastery over. We are following characters (mainly Nikki)...