Skip to main content

This Week at Home

 1998's Fallen sees Denzel Washington face off against a demonic serial killer. It has a great supporting cast including John Goodman, James Gandolfini and Donald Sutherland but its Denzel's show and he is on top form as both suave supercop and, as the scale of what he up against becomes clear, back to the wall (unconventional) family man. Visually, its peak 90's and benifits from being set in the days before all research was done via internet. The ending is either a fun twist or mean depending on your point of view but either way this is a hidden Denzel gem that should be more remembered.


2017 Netflix film Little Evil takes a more comedic approach to the supernatural, with newly married Adam Scott discovering his step son is the Antichrist. Billed as "The Omen meets Sean of the Dead" the desire to ape the latter is clear from the get go but it falls some way short, the fast edits and musical cues so meticulously executed in Edgar Wright's masterpiece coming across forced and pointless here. Some laughs do land but in placing the emphasis so firmly on the paranoia and awkwardness of becoming a stepfather most of the other characters just come across as annoying.


What Josiah Saw sees Terminator alumni Robert Patrick and Nick Stahl play estranged father and son in a family dealing with the ghost (maybe figurative, maybe literal) of a dead parent. The film is split into three parts as we meet the variously family members on route to them reuniting to deal with an oil companies bid to buy their rundown old farm. The three parts all have their own flavour but share an air of mystery and unease. When the last act unfolds things play out differently than you might expect and help make sure this a film well worth checking out.


Final film of the week is new Netflix release Day Shift, which sees single dad Jamie Fox trying to pay the bills by killing vampires and selling their teeth. Unfortunately for him there is a new big vamp player in town and he manages to piss her off making his job even more dangerous. This action comedy isnt laugh out loud funny from start to finish but Fox is great, even if he is just basically playing Jamie Fox, and supporting players Dave Franco and Snoop Dogg entertain. The films real strength is great action scenes, you may have seen people hunt vampires time and again but not like this and the completely over the top final act is just what you want from a film like this. I can picture the middling reviews the film will receive but you would need to be pretty joyless not have a good time watching. 


Film of the Week: Day Shift. What Josiah Saw is interesting and Fallen an overlooked gem but Day Shift gave me exactly what I was looking for. 

Comments

Popular posts from this blog

Uncomfortably (Ve)Numb

Despite his somehow enduring popularity, Venom is a conceptually rubbish character. He is born of a period in comics when publishers wanted to make their child friendly characters edgy and Spiderman media, be it comics, films, games or whatever else, tends to get worse whenever he shows up. "Kind of like the good guy but bad" is one of the most boring villain types to begin with and no writer has ever come up with anything interesting enough to make him deserve his top billing amongst the wall crawlers stacked rogues gallery. The previous two films managed to (somewhat) sidestep the blandness of the IP by hiring a great actor in Tom Hardy and letting him do Jim Carrey style physical comedy mixed with a heart felt love story between a man and his super powered alien parasite. Given it is the last in last in the trilogy, Venom : The Last Dance really wants to have epic stakes and emotional resonance, leaving little room for the things that made the first two movies watchable. ...

The Pope Was Dead to Begin With

  Conclave opens with Cardinal-Dean Thomas Lawrence (Ralph Fiennes) arriving at The Vatican following the death of the incumbent Pope. It then falls to him to arrange and administer a papal conclave, summoning the world's cardinals to convene in seclusion and vote on who should become the next Holy Father.  The principle runners are Stanley Tucci's Aldo Bellini, who wants to continue the previous Pope's liberal approach to modernising the church, Firebrand traditionalist Goffredo Tedesco (Sergio Castlellitto), conservative contender to be the first African Pope Joshua Adeyemi (Lucian Msamati) and John Lithgow as popular but potentially dodgy Canadian Joseph Tremblay. There is also some intrigue surrounding the arrival of the Archbishop of Kabul, who claims to have been raised to the position in secret by the previous Pope. Shifting alliances and schemes play out as the contenders politic for the top job. Everything on display in Conclave is as tights and pristine as it gets...

Wicked, Wicked..Jungle is Massive

The Wicked musical has grossed a piddly $6 billion since its opening in 2003 so Universal Studios have decided to raise some extra cash with this film adaptation. Well, this and next years next years adaptation since despite no "part 1" in the title we only get half the story here. Duplicitous marketing aside, splitting proceedings in half seems to have been the savvy move. For the uninitiated, Wicked is the story of The Wicked Witch of the West, giving her a backstory and  retelling The Wizard of Oz from her point of view. Here, she is called Elphaba and this first film tells the story of her time at Shiz University, her frosty then friendly relationship with future good witch Glinda and encounter with The Wizard that leads to her being branded a villain. Despite only covering half the material this film is longer than the entire musical but it seems like that couldn't be helped. Movie audiences aren't accustomed to songs driving the plot so connective tissue has to ...

Sex, Dancing and Rubles

 Anora sees writer/director Sean Baker continue his quest to shine a light on the marginalised and in particular, sex workers. It also might be the biggest triumph of his unique blend of realism, playfulness and insight so far.  Mikey Madison plays Anora, or as she prefers to be called Ani, an exotic dancer and escort who is asked to look after 21 year old oligarch's son Ivan (Mark Eydelshteyn) on account of her being able to understand his native Russian. After charming him, she is hired to be his girlfriend for a week which leads to the pair marrying. A win win situation that allows Ivan to obtain a green card, and give the middle finger to his controlling parents, and gives Ani access to a lifestyle she could only have dreamt of weeks before. There is no honeymoon period however, as Ivan's antics make the Russian news and his parents send his godfather and a couple of goons round to "convince" the pair the marriage should be annulled. When a film opens with toples...

Hugh You Gonna Call

 Heretic opens with two young Mormon missionaries talking about penises on a park bench. The light hearted opening is in stark contrast to the tension to come and serves as a fun introduction to two endearing characters. Sister Paxton (Chloe East) has been born and raised in the church, eager and enthusiastic she is desperate to land her first conversion. Sophie Thatcher's Sister Barnes is more experienced and more comfortable in the world at large. We spend some time getting to know them as they make their rounds, hearing about their hopes for a handsome husband and sadness at the way they shunned and considered "weird" by their peers. We are thoroughly on board with them by the time they encounter Hugh Grant's seemingly gregarious Mr Reed. He appears interested in their beliefs and impresses the girls with his religious knowledge but the conversation becomes more testy and they realise they can't leave Reed's house without playing his game. To say Hugh Gran...