The Pope Was Dead to Begin With

Conclave opens with Cardinal-Dean Thomas Lawrence (Ralph Fiennes) arriving at The Vatican following the death of the incumbent Pope. It then falls to him to arrange and administer a papal conclave, summoning the world's cardinals to convene in seclusion and vote on who should become the next Holy Father. The principle runners are Stanley Tucci's Aldo Bellini, who wants to continue the previous Pope's liberal approach to modernising the church, Firebrand traditionalist Goffredo Tedesco (Sergio Castlellitto), conservative contender to be the first African Pope Joshua Adeyemi (Lucian Msamati) and John Lithgow as popular but potentially dodgy Canadian Joseph Tremblay. There is also some intrigue surrounding the arrival of the Archbishop of Kabul, who claims to have been raised to the position in secret by the previous Pope. Shifting alliances and schemes play out as the contenders politic for the top job.

Everything on display in Conclave is as tights and pristine as it gets. Director Edward Berger brings the same meticulous and organised framing he displayed in All Quiet on the Western Front, the adapted script by Peter Straughten is watertight and the cast speaks for itself. The main worry going in was that everything would be very earnest and "Oscary" but a little boring. Fortunately that couldn't be further from the case. Sure, there is plenty of texture here, with rumination on the meaning of faith, moral examinations and a spotlight shone on the current political climate, but none of it gets in the way of delivering a crowd pleasing thriller. Strained alliances, shifting leaders and revelations ensure the two hours fly by.

The script strikes a subtle balance between giving us characters to get behind and leaving in some moral ambiguity. Of course it would be bad if the ultra conservative, roll the years (all the way) back candidate won but where is the line between voting with your conscience and simply being spiteful? What, if any, concessions should you make to win people to your cause? Shouldn't somebody bring some genuine Christian morality into the debate? Fiennes is the objective overseer but how hands on should he be in keeping the competition clean and is there a chance he harbours some ambition of his own? There is also the question of how many dominoes the deceased Pope set up in the awareness of his impending demise.

The film also takes a balanced view to the Catholic faith itself, positioning The Church as like any other profession in that it contains both the good and the bad. It is freely acknowledges that some truly terrible people have held the highest office and cardinals are portrayed as far from squeaky clean. It never descends to religion bashing though and Cardinal Lawrence delivers a Homily for the ages on the value of faith and need to embrace fallibility.

The setting does come with some limitations, chiefly the lack of female representation. Isabella Rossellini is on hand and the script does try to give her an impactful speech but it still feels like a bit of a waste. There is potential terrorist activity afoot outside the conclave that the cardinals are supposed to know as little as possible about (outside events may influence their decision making) but ultimately it ends up feeling a little contrived in order to produce the desired ending. Not that said ending isn't satisfying.

Conclave is slick political thriller first, earnest drama second and all the better for it. Make time for this sermon and you'll be treated to great visuals, a sweeping score, best in Sunday class acting and a truly diabolical vape hit.

9 past indiscretions resurfacing out of 10

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