The Pope Was Dead to Begin With

Conclave opens with Cardinal-Dean Thomas Lawrence (Ralph Fiennes) arriving at The Vatican following the death of the incumbent Pope. It then falls to him to arrange and administer a papal conclave, summoning the world's cardinals to convene in seclusion and vote on who should become the next Holy Father. The principle runners are Stanley Tucci's Aldo Bellini, who wants to continue the previous Pope's liberal approach to modernising the church, Firebrand traditionalist Goffredo Tedesco (Sergio Castlellitto), conservative contender to be the first African Pope Joshua Adeyemi (Lucian Msamati) and John Lithgow as popular but potentially dodgy Canadian Joseph Tremblay. There is also some intrigue surrounding the arrival of the Archbishop of Kabul, who claims to have been raised to the position in secret by the previous Pope. Shifting alliances and schemes play out as the contenders politic for the top job.

Everything on display in Conclave is as tights and pristine as it gets. Director Edward Berger brings the same meticulous and organised framing he displayed in All Quiet on the Western Front, the adapted script by Peter Straughten is watertight and the cast speaks for itself. The main worry going in was that everything would be very earnest and "Oscary" but a little boring. Fortunately that couldn't be further from the case. Sure, there is plenty of texture here, with rumination on the meaning of faith, moral examinations and a spotlight shone on the current political climate, but none of it gets in the way of delivering a crowd pleasing thriller. Strained alliances, shifting leaders and revelations ensure the two hours fly by.

The script strikes a subtle balance between giving us characters to get behind and leaving in some moral ambiguity. Of course it would be bad if the ultra conservative, roll the years (all the way) back candidate won but where is the line between voting with your conscience and simply being spiteful? What, if any, concessions should you make to win people to your cause? Shouldn't somebody bring some genuine Christian morality into the debate? Fiennes is the objective overseer but how hands on should he be in keeping the competition clean and is there a chance he harbours some ambition of his own? There is also the question of how many dominoes the deceased Pope set up in the awareness of his impending demise.

The film also takes a balanced view to the Catholic faith itself, positioning The Church as like any other profession in that it contains both the good and the bad. It is freely acknowledges that some truly terrible people have held the highest office and cardinals are portrayed as far from squeaky clean. It never descends to religion bashing though and Cardinal Lawrence delivers a Homily for the ages on the value of faith and need to embrace fallibility.

The setting does come with some limitations, chiefly the lack of female representation. Isabella Rossellini is on hand and the script does try to give her an impactful speech but it still feels like a bit of a waste. There is potential terrorist activity afoot outside the conclave that the cardinals are supposed to know as little as possible about (outside events may influence their decision making) but ultimately it ends up feeling a little contrived in order to produce the desired ending. Not that said ending isn't satisfying.

Conclave is slick political thriller first, earnest drama second and all the better for it. Make time for this sermon and you'll be treated to great visuals, a sweeping score, best in Sunday class acting and a truly diabolical vape hit.

9 past indiscretions resurfacing out of 10

Comments

Whisky in the Jar

Glenrothan has been sold as "a love letter to Scotland" and given that it features two of Scotland's most accomplished actors, whisky, folk music and stunning landscape shots, it's hard to argue. Is it anything more than that? Not really, but maybe that's OK. Alan Cumming and Brian Cox (who also directs) are Donal and Sandy Nairn, estranged brothers and heirs to a beloved whisky distillery. Growing up, big brother Sandy was desperate to leave their idyllic village and its distillery behind, while Donal wanted to be nowhere else. Family issues resulted in them both leading the life that the other used to dream of, as Donal left for America and Sandy took over the family business when their father's health began to fail. When his blues bar burns down, Donal makes his first trip back to Scotland in forty years, accompanying his daughter and granddaughter to visit his ailing brother. A quick look at the trailer tells you everything you need to know about Glenroth...

Killing in the Name of

Mortal Kombat II is, unsurprisingly, a sequel to 2021's Mortal Kombat and the latest attempt to adapt the long running fighting game franchise for the big screen. There has been a bit of a shift in Hollywood over the five years since the last instalment and this film has a very different attitude. Gone is the attempt to "serious-up" the material as MKII fully embraces its dumb its video game roots. It still isn't exactly good, but at least this time round it's bad in an enjoyable way. For those unfamiliar with the games, they are based around a fighting tournament that decides if an evil empire from another dimension, or "realm", gets to take over Earth. Think "Enter the Dragon" with superpowers and a hefty dose of inspiration from "Big Trouble in Little China". In terms of this movie, eight people from Earth take turns fighting eight people from "Outworld". Sounds simple enough but the script makes no attempt to create a...

Tune In, Cop Out

Tuner lead character Nikki (Leo Woodall) hasn't had much luck. His parents aren't around and H yperacusis (an extreme sensitivity to noise) put an end to his piano playing days. Now he puts his enhanced sense to use as a piano tuner, working for mentor and father figure Harry (Dustin Hoffman). When Harry falls ill and into debt, Nikki takes on a sideline in safe cracking for shady security boss Uri (Lori Raz). All is well at first, but as time goes on it becomes increasingly hard for Nikki to juggle his day job, lucrative but dangerous side hustle and a blossoming romance with musical student Ruthie (Havana Rose Liu). The set up may make you think you are in for a slick crime caper, but that's not really what this film is. Director Daniel Roher made his name in documentaries and Tuner has a very naturalistic feel. The city is vibrant and busy while close up shots show the intricacy of the pianos and locks Nikki has mastery over. We are following characters (mainly Nikki)...

Listening to the Sounds in Silence

The tagline for breakout indie horror hit Undertone is, "The Scariest Movie You'll Ever Hear". This declaration sets out the film's stall as a uniquely audio based horror, and that is exactly what it delivers. The result is something that will chill some people to the bone and leave others falling asleep in their seats. Originally made for a meagre $500,000, the film takes place entirely in one location (director Ian Tuason's childhood home) and centres on podcaster Ivy, played with impressive range by Nina Kiri. Ivy is caring for her dying mother (the only other person who appears onscreen) so has to wait until the early hours of the morning to record her paranormal podcast with friend Justin (the voice of Adam DiMarco). She plays the role of sceptic to Justin's believer but her rationality is tested when her cohost begins playing some eerie audio files he received from an anonymous listener. Although Undertone isn't a found footage film, it very much t...

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

Hell to Pay

They Will Kill You begins with a soaking wet Zazie Beetz waiting to start her maid job at swanky apartment building, The Virgil. Her character Asia is a former convict who has no idea her new employers are devil worshipers who sacrifice their staff to Lucifer. The building residents have no idea that Asia is actually there for reasons other than a steady paycheque and is not about to go gently into that good night. The touch paper is soon lit on a relentless blend of slapstick horror action that leaves little room for you to catch your breath across its ninety minute odd runtime. The most obvious comparison here is to 2019's Ready or Not and its sequel (which coincidentally released one week before this film), where an unsuspecting bride is left fighting for her life when her wealthy in-laws opt to make her a human sacrifice. While They Will Kill You shares that movie's comedic spirit we are much deeper into supernatural territory here. The grand old building and seemingly ...

You Screen, I Scream

The worst thing about Scream 7 isn't actually the film itself. It's the at best cowardly, actions of production company Spyglass Media who fired the star of the previous two films, Melissa Barrera, for daring to have an opinion on genocide. In addition to leaving an icky taste in the mouth, this move cost them fellow star Jenna Ortega and the guy who was supposed to direct the seventh instalment Christopher Landon, resulting in a return to the drawing board to completely rework the film. The only actually good thing about Scream 7 is also nothing to do with the actual film. Series mainstay Neve Campbell missed the previous instalment after producers lowballed her, but the production chaos of their own making means they've had to go crawling back. So Neve returns with a reported $7 million payday, a producer credit and a story based solely around how legendary her character Sydney is. Go her. The actual film doesn't warrant much discussion at all, given it does little mo...

Husband and Strife

If the purpose of cinema is to make the audience feel something, then few films succeed as completely as The Drama. The fact that said feeling is one of wanting to curl up and die of awkwardness shouldn't even be taken as a warning. Like a masochist munching down on a giant bowl of ghost peppers, you will likely find every bite delicious. Robert Pattinson and Zendaya play soon to be married couple Charlie and Emma. They have the picture perfect relationship. They have successful jobs, a beautiful Boston apartment and look like Zendaya and Robert Pattinson. Little differences in their attitudes toward a wedding dance rehearsal and their potentially drug smoking DJ hint they may not be completely on the same page, and when a drunken game leads to Emma disclosing something from her past, their relationship experiences some severe turbulence. It's tricky to fully discuss The Drama without spoiling Emma's revelation (and it absolutely should not be spoiled), but it points to ...

Ghostbusted

Ghostbusters : Frozen Empire continues the trend of diminishing returns from Ghostbusters as a franchise. Worse, it's the first time a 'Busters film has fallen into outright bad territory. After the classic 1984 original 1989's sequel was considered a disappointment (although it raked it in at the box office) but still had the charisma of its predecessors iconic cast. The female led reboot in 2016 was fun action comedy but didn't stand up the legendary original. In 2021 they started again with Afterlife, pitching Ghostbusters as Stranger Things in order to move things to a small town and test the water without having to bust the bank. Frozen Empire is a direct sequel to that film (and by extension the first two) but feels like little more than a corporate exercise in mud flinging to see what sticks. We start off with a ghost chase through New York, where Callie Spengler (Carrie Coon), her kids Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace) and Gary Grooberson (Pa...

Talking 'Bout My Girl

In addition to already being the name of a dozen or so movies, Obsession is a horrendously dull film title. It conjures up images of dated romantic thrillers or bargain basement serial killer flicks. This is a long-winded way of saying this darkly humorous relationship nightmare deserves a better name, as it's anything but stale. Barron "Bear" Bailey (Michael Johnston), Nikki (Inde Navarrette), Ian (Cooper Tomlinson) and Sarah (Megan Lawless) are longtime friends and work colleagues. Bear has long harboured feelings for Nikki and is determined to confess his love, despite warnings from Ian to bide his time and the fact Sarah might be the one who is actually interested in a romantic relationship. After chickening out of an ideal opportunity to tell Nikki how he feels he uses a cheap novelty collectible called a "One Wish Willow" to wish his crush was hopelessly in love with him. Turns out the tacky toy is legit and ties him into a "The Substance" styl...

Dan Says its Alright

Search This Blog