Blood Spangled Banner

Civil War may be about a war in America but don't be fooled into thinking it's a satire of current US politics. That's not say it has no political opinions, just that they are universal rather than Washington specific. Much as this approach may disappoint people who need to be constantly reassured they are on the right side of the debate it keeps the water clear so we can focus on what the movie is really about, journalism.

The story takes place in the near future where a fascist president is attempting to fight off an uprising led by the combined states of Texas and California (see, no current politics here). With the rebel army getting ready to march on Washington a group of journalists attempt to make the journey down from New York to the capital. What fallows is essentially a road movie that espouses the virtue of impartial journalism and takes a look at the kind of people who happily throw themselves in harms way to secure the big story.

The travellers encompass various stages of a journalism career. There's upstart stowaway Jessie (Cailee Spaeny), nearing the end of the line Sammy (Stephen McKinlay), top of his game Joel (Wagner Moura) and Kirsten Dunst's legendary photographer Lee Smith who has become jaded and is starting to feel the weight of all the horrors she has seen. Civil War may be director Alex Garlands love letter to the stalwart journalists he grew up admiring but it's no fluff piece, the characters are seekers of truth but they come with some pretty major flaws. Gung ho attitudes endanger lives and the desire to witness the action crosses over into outright ghoulishness at some points. The group as a whole are likeable though and the interactions feel real, adding to the tension.

And boy is there tension. This is not a bombastic, all action, conflict movie but a terse and grounded look at the messiness and cruelty of domestic war. The setting makes proceedings feel close to home (even us non Americans are so used to seeing the US on the big screen it's eerily familiar) and Garland shows a deft hand in creating his world. Pockets of normality punctuate the the house to house fighting and militia hotspots, juxtaposing the mundane against the horrifying. The director isn't afraid to let moments of silence linger, particularly during a terrifying encounter with a Jessie Plemons (aka mister Kirsten Dunst) led group of self-styled patriots.

Compared to Garland's other work Civil War does occasionally feel a bit "filmy". The young photographer character feels like a bit of a cypher, although Spaeny does a good job of bringer her to life, and it is fairly obvious where the various character stories are going.

This is a small complaint though when you consider the the craft and urgency of the filmmaking on display. Here's hoping Garland doesn't follow through on his plan to make this his last movie.

8 renegade states out of 10.

Comments

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

More Money More Killing

How to Make a Killing is loosely based on 1949 British crime comedy Kind Hearts and Cornets (which is in turn an adaptation of 1907 novel Israel Rank: The Autobiography of a Criminal). In a world of remakes, reboots and adaptations, that is pretty interesting source material and could almost qualify as an original idea. Unfortunately, the imagination mostly stops there and the film isn't funny or insightful enough to rise above "it's fine" territory. Glenn Powell is Becket Redfellow, a suit salesman who grew up largely in the foster care system as his mother died while he was young. He is heir to the fortune of his mother's estranged family and, in the unlikely event all the other senior Redfellows should perish, he would be a billionaire. A chance encounter with his status obsessed childhood crush Julia (Margaret Qualley) and an unjust demotion at work give him the notion to speed up his inheritance a little. As he arranges "accidents" for his fellow R...

Blow My Whistle

Whistle is Corin Hardy's third movie, after his 2015 breakout The Hallow and 2018's Conjuring spin-off The Nun. This new horror flick sits halfway between the indie energy of his maiden effort and the box ticking boredom of his big studio follow-up, with self seriousness butting up against dumb fun. The set-up is most reminiscent of Final Destination, with added high school slasher vibes. Chrys (Dafne Keen) moves in with her cousin Rel's (Sky Yang) family following the death of her father. Within about ten minutes of attending her high school she becomes besotted with Sophie Nellisse's Ellie, ends up in detention after a confrontation with loudmouth basketball player Dean (Jhaleil Swaby) and finds an Aztec death whistle in her new locker. Naturally, the teens end up blowing the death whistle which causes them all to be stalked by their future deaths. This manifests as a ghostly apparition of your dead future self who causes you to suffer said death as soon as they to...

Stars and Their Cars

Crime 101 is named for the California freeway one of the characters commits all his robberies along. It also doubles as describing his MO, he is successful because he makes sure he gets the fundamentals right every time. It can also describe the film itself, which nails the basics of making a slick crime thriller better than just about any other movie has in quite some time. The professional thief is Mike Davis (Chris Hemsworth), a meticulous planner whose jobs never lead to anyone being hurt and are so well executed that nobody even has any idea they are all the work of one man. Nobody that is, except for Mark Ruffalo's Detective Lou Lubesnick, who is determined to catch the "101 Robber" even though his obsession is starting to lead to him being ostracised in the precinct. Both characters come into contact with high value insurance broker Sharon (Halle Berry) as Mike plans a big score and Lou joins the dots in an attempt to track him down. A potential fly in the ointmen...

You Screen, I Scream

The worst thing about Scream 7 isn't actually the film itself. It's the at best cowardly, actions of production company Spyglass Media who fired the star of the previous two films, Melissa Barrera, for daring to have an opinion on genocide. In addition to leaving an icky taste in the mouth, this move cost them fellow star Jenna Ortega and the guy who was supposed to direct the seventh instalment Christopher Landon, resulting in a return to the drawing board to completely rework the film. The only actually good thing about Scream 7 is also nothing to do with the actual film. Series mainstay Neve Campbell missed the previous instalment after producers lowballed her, but the production chaos of their own making means they've had to go crawling back. So Neve returns with a reported $7 million payday, a producer credit and a story based solely around how legendary her character Sydney is. Go her. The actual film doesn't warrant much discussion at all, given it does little mo...

There Can Only be One

Trailers for Him had Jordan Peele's name slapped all over them, which is understandable from a marketing point of view. In reality it is simply produced by the"Get Out" directors company, Monkeypaw Productions. It is actually directed by Justin Tipping, from a script he co-wrote with Skip Bronkie and Zak Akers. The prevalence of Peele's name in the advertising means the film is bound to draw unflattering comparisons with his own work, which is a shame as the film has its own merits. Cameron "Cam" Cade (Tyriq Withers) grew up idolising Isaiah White (Marlon Wayans), star quarterback of the San Antonio Saviours. When White suffers a grisly injury during the Super Bowl, Cade's father tells the young fan that real men like his idol make sacrifices for greatness. Fast forward about a decade and a half and Cam is about to be drafted to the NFL, where he is tipped as a potential challenger to White's "Greatest Of All Time" status. When a mascot in ...

Fifty Shades of Chrononberg

If you've been missing pure David Chrononberg then Crimes of the Future has you covered. It has the lot; body mutilation, main character undergoing a metamorphosis, questions about what defines being human, integrity of the mind, the collision of different world views and pretty much every other recurring theme of his is present and correct. So needless to say, it isn't for everyone. The film takes place in the (possibly near) future, when most humans have evolved to no longer feel pain and in some cases grow mysterious new organs. Viggo Maortensen and Lea Seydoux play a pair of performance artists whose act revolves around removing Mortensen's excess organs in front of a live crowd. Fittingly, given its focus on artits, the film takes place in the orbit of the protagonists with little shown of the world at large. Everything is dingy and grimey, hinting things aren't going swimmingly, and there are vaugue hints at ecological disaster but the characters are all far mor...

A Family Account

Considering its lead character is (among many other things) a mathematical genius, it sure took the film makers a long time to crunch the numbers on a sequel to 2016's "The Accountant". Still, better late than never and The Accountant 2 is a blast, even if it is a very different film than its predecessor. Ben Affleck returns as Christian Wolf, an autistic accountant \ one man army who is about the only person more dangerous than the people he cooks the books for. When Raymond King (J.K Simmons) is killed, his successor as Deputy Director of the Treasury Department, Marybeth Medina (Cynthia Addai-Robinson), calls in Wolf to help her crack the case her former boss was working on. It isn't long before Jon Bernthal's Braxton (Christian's estranged brother) joins the party and the trio embark on an absolutely non sensical investigation involving human traffickers and acquired savant syndrome. The first movie padded out it central story with a side plot of Simmo...

Spooky Tresspaser

The Women In The Yard marks the return of director Jaume Collet-Serra to his horror roots after years in the big budget action space. He puts some scary images together and gives a good cast a chance to shine but is let down by a fairly weak script. The film begins with struggling mum Ramona (Danielle Deadwyler) watching a video of her deceased husband. Struggling may be a bit of an understatement, the crash that took her husband also left her with a badly broken leg and she is stuck in a pit of despair so deep it has rendered her almost non-existent as a parent. Her son Taylor has essentially taken over looking after his little sister Annie, the food is running out and when the electricity goes off they have no means of contacting anyone. With tensions already frayed, things take a sinister turn as a mysterious and threatening figure in black appears in the garden, creeping slowly closer as the day drags on. The titular woman in the yard is played with equal grace and mena...

Fast 10 Your Seat Belts

Despite suffering from some well established franchise problems Fast X puts it's pedal to the metal to become one of the saga's best entries. No mean feat for a series 10 films and over 20 years in. The set pieces are a tiny bit more grounded than F9 but still ridiculous and a lot more fun. Various members of the crew play live action Rocket League in Rome, drop out of a plane in a "canoe" and engage in a final chase that is much more satisfying than the turn magnet on and off showdown of the previous film. The film also benifits from an increase in star power and better use of its characters. John Cena returns but he plays the character of Jacob Toretto completely differently and is great fun as he embarks on a road trip with his nephew. Jason Statham is back as Decard Shaw, albeit only as a cameo with the promise of more to come. The film really belongs to franchise newcomer Jason Mamoa as Dante Reyes, son of Fast 5 villain Hernan. Leaving his imposing frame to por...

Dan Says its Alright

Search This Blog