Skip to main content

Big City Slashing

Scream 6 is a definite improvement over last years weak entry in the franchise. In fact Scream 2022 now feels like a modestly budgeted water tester, putting the stabers out to see if there was appetite for a proper sequel.

Things start with a bang, the introduction being the most interesting flip on the  standard opening kill to date and from there its clear there is a cleqr sense of ambition about preceedings. Relocating to New York gives everything a fresh feel and a sense of scope that the last entry lacked with the film making good use of the opportunity to see a Ghostface acting differently. Rather than lurk in the shadows the killer can now hide in plain site and this iteration of the stabby Munch fan has some great dialogue and physicality. They also deliver some of the most graphic slayings a Scream outing has seen. Melissa Barrera and Jenna Ortega return as the Carpenter sisters and put in good performances even if the tension between them feels forced.

There are issues, mostly regarding some franchise tropes that have overstayed their welcome. The "these are the rules" chat has gone beyond self referential meta commentary and is so clunky and forced here that it is far more likely to illicit an eye roll than an appreciative nod. People shrugging off obviously fatal stab wounds may be a Scream staple but it is out of control this time round to the point it feels like proceedings are robbed of any real stakes. The killer reveal also feels like a bit of a let down as the movie flirts with far more interesting possibilities. Depending on your point of view the fact that these possibilities may well be followed up on in another instalment is either a tantalising possibility or the kind of annoying idea stretching all too common in modern franchise movie making.

Scream 6 brings back the gloss and ups the gore. Its far from the pinnacle of the series but deserves to sit in the knife block.

7 legacy masks out of 10 halloween costumes.

Comments

Popular posts from this blog

Welcome to Earth

Early on in Disclosure Day a character is told not to, under any circumstances, release the world changing information he has on the internet. For the masses to accept the truth, the reveal must be a carefully orchestrated, communal event. That's because this alien conspiracy thriller is a film about how important it is to tell a story the right way. There aren't many people more qualified to  make such a statement than Steven Spielberg.  Josh O'Connor plays Daniel Kellner, a cybersecurity expert who has stolen evidence of alien visitation from his employers and is trying to get it into the hands of his colleague, Coleman Domingo's Hugo so they can blow the doors off years of cover ups. Meanwhile, TV meteorologist Margaret Fairchild (Emily Blunt) is finding she can speak multiple languages, including one that seems to be non-human, and finds herself compelled to find Daniel. Chasing after them is shady suit Noah Scanion (Colin Firth) and his security team. These event...

Rushed Girl

Supergirl is the second film in Warner Bros' relaunched DCU. After the previous iteration fizzled out like a damp firework James Gunn was brought in to oversee a new dawn that promised to focus on quality over quantity and compelling scripts over corporate deadlines. Unfortunately, two films and less than a year in and we already have a movie that has clearly been made to fit a schedule rather than because anyone had a great idea for the character.  Milly Alcock plays the titular Kryptonian, or Kara to her friends (not that she has any). Still mourning the loss of her home and family, and disillusioned with life on Earth, she is celebrating her birthday alone on a planet with a red sun. The lack of yellow sunlight hampers her superpowers meaning she can get drunk, but it also means she unable to stop her beloved dog Krypto from being poisoned when bad guy Krem (Matthias Schoenaerts) turns up to steal her ship. With three days to get the antidote she embarks on a mission to hunt do...

Sick Burn

The Evil Dead is horror's most consistent brand, with six films spanning over forty years and not a dud in sight. With Evil Dead Burn, French director Sébastien Vanicek keeps the streak alive, even if he doesn't quite manage to nail the unique feel of earlier entries. Souheila Yacoub plays Alice, whose husband dies in a Deadite (person possessed by a demon) induced car crash. A very tense post funeral get together with her in-laws goes from grim to apocalyptic when the dead arrive looking for a dagger that is capable of sending them back to hell. This is a slight change-up to the usual Evil Dead formula. Normally some fool reads from the Book of the Dead and the Deadites show up to torment and kill people with gleeful abandon. What distinguishes the undead nasties from those in other films is the fun they take in the mayhem. They are neither mindless monsters nor serious soldiers of Satan. They are just here for the love of the game. This somewhat softens the gore and allows ...

He-Management

A  second  Masters of the Universe  movie (after the 1987 Dolph Lundgren vehicle) has been on the docket for a long time, with directors from John Woo to Jon M. Chu attached and rights bouncing around various studios. The success of Barbie (another Mattel property) is likely the reason this iteration of the project has finally made it to screens. While a look at what constitutes modern masculinity means it does share a little in common with its pink dappled cousin, it mostly just contents itself with being the most sincerely dumb summer blockbuster you can imagine.  Nicholas Galitzine plays Adam, the Prince of Eternia, sent to Earth as a child to escape the skull-faced villain Skeletor (Jared Leto) who has conquered our hero's homeland. Fast forward fifteen years, and Adam is now a friendly Human Resources worker freaking out potential dates by telling them he is the long lost prince to a land of magic and wonder. Finally finding the "Sword of Power" he dropped on hi...

Van Afterlife

Passenger  director Andrè Øverdal has some impressive credits under his belt, including his Norwegian language breakout hit Trollhunter and chilling haunted corpse movie The Autopsy of Jane Doe. That explains why this mediocre horror has a couple of well crafted set-piece scares, but he is saddled with a bland script that is content to tick familiar genre boxes. Things start promisingly with the titular "Passenger" (a highway stalking demonic entity) dispatching a pair of nighttime travellers. We are then introduced to young couple Maddie (Lou Llobell) and Tyler (Jacob Scipio) who are about to abandon the city for a life on the road in their swanky van. Tyler is all in (to an obnoxious degree) but Maddie is hiding some reservations and things get spooky when they are marked by the walking metaphor for the dangers of travel. The first issue the movie runs into is the confusing nature of the entity itself. Why does it mess around with our leads for days when it kills everyone ...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...

Tune In, Cop Out

Tuner lead character Nikki (Leo Woodall) hasn't had much luck. His parents aren't around and  H yperacusis (an extreme sensitivity to noise) put an end to his piano  playing days. Now he puts his enhanced sense to use as a piano tuner, working for mentor and father figure Harry (Dustin Hoffman). When Harry falls ill and into debt, Nikki takes on a sideline in safe cracking for shady security boss Uri (Lori Raz). All is well at first, but as time goes on it becomes increasingly hard for Nikki to juggle his day job, lucrative but dangerous side hustle and a blossoming romance with musical student Ruthie (Havana Rose Liu). The set up may make you think you are in for a slick crime caper, but that's not really what this film is. Director Daniel Roher made his name in documentaries and Tuner has a very naturalistic feel. The city is vibrant and busy while close up shots show the intricacy of the pianos and locks Nikki has mastery over. We are following characters (mainly Nikki)...

Killing in the Name of

Mortal Kombat II is, unsurprisingly, a sequel to 2021's Mortal Kombat and the latest attempt to adapt the long running fighting game franchise for the big screen. There has been a bit of a shift in Hollywood over the five years since the last instalment and this film has a very different attitude. Gone is the attempt to "serious-up" the material as MKII fully embraces its dumb video game roots. It still isn't exactly good, but at least this time round it's bad in an enjoyable way. For those unfamiliar with the games, they are based around a fighting tournament that decides if an evil empire from another dimension, or "realm",  gets to take over Earth. Think "Enter the Dragon" with superpowers and a hefty dose of inspiration from "Big Trouble in Little China".  In terms of this movie, eight people from Earth take turns fighting eight people from "Outworld". Sounds simple enough but the script makes no attempt to create any s...

The Old Man vs The Sea

 The Odyssey represents something of an epic journey for director Christopher Nolan himself. Back in 2004 he came close to directing sword and sandals epic Troy before eventually being passed over in favour of the then far more renowned Wolfgang Petersen. Now, an entire Odysseus away from Ithaca length of time later, he brings us his uniquely Nolan take on the next part of Homer's epic works. It's worth the wait as he crams everything he has learned and refined over the last twenty-odd years into his most ambitious project yet.  Spoiler for a 3,000 year old poem but the combined Greek army win the Trojan war after a decade long siege thanks to Odysseus (Matt Damon) tricking the Trojans with the famous wooden horse. A series of catastrophes befall him and his crew on the way back to his kingdom of Ithaca, meaning the journey takes him another ten years. Meanwhile his queen, Penelope (Anne Hathaway) and son Thelemachus (Tom Holland) have to deal with an army of suitors, led by ...

The Grey Advert

 This Russo's action flick has all the ingredients of a top tier spy thriller but will leave you feeling like you've just watched an extended trailer for other films they want to make in the world of the "Grey Man".  Ryan Gosling plays Sierra 6 (yes the Sierras are basically 00 agents with the twist they all used to  be criminals) and is ideal casting as the sort of ass kicking man of few words this type of film is built around. All the archetypes you would expect are also present and played well by a stellar cast. Chris Evans is unhinged antagonist, Billy Bob Thornton is retired mentor, Rege-Jean Page is crooked politicain and Ana De Armas is the good agent caught in the middle. The plot is just as cookie cutter, involving Gossling being hunted by the people he used to work, computer files nobody was meant to see and hostages needing rescued.  Of course, all these things are tropes for a reason and done well (like they are here) equal an enjoyable movie. And the Gre...