Skip to main content

The Bourne IT

The set up for The Amateur is a well worn one, a man loses his wife in a terrorist attack and goes on a mission of revenge. The twist is, that while Rami Malek does play a man with a particular set of skills, they aren't the ones you would expect. Charlie Heller is a socially awkward CIA cryptographer with precisely zero fighting ability and no experience using firearms. He is though, a technological genious who invented half the agencies cyber security and can track and predict patterns like a computer. When his blatantly shady boss, played with smug glee by Holt Mccallany, refuses to act on Charlie's info about the killers he blackmails him for some training and the green light to pursue the perpetrators himself. The two main questions are, can the mild mannered tech guy thrive in the field and is this twist on the formulae enough to carry a fairly by the numbers espionage thriller? The answer to both is, pretty much, yes.

Malek is tailor made for roles like this and it's hard to imagine anyone else playing the character this way. You don't really get a sense of his loss but this clearly isn't  a person who processes emotion very well and the former Mr Robot is very good at portraying characters that are heavily implied to be on the autism spectrum without descending into insulting parody. He is backed up by a solid supporting cast, including Lawrence Fishburne who really turns up as Charlie's trainer come cat and mouse advisory. Jon Bernthal appears as a field spy and "the deadliest man in the building" with about five minutes screen time that must be designed to set up a spin off/ sequel/ crossover. Sadly, the female characters fare less well. Rachel Bresnahan does well with what she gets as Charlie's wife but its precious little and she is one of two women the lead knows who gets fridged. Julianne Nicholson is the new CIA Director who is out to clean up the agency but is also barely featured.

 As befitting an analyst rather than an action man, the film moves at a deliberate pace rather than lurch from one action set piece to another. Apart from the odd scene it also skips over how Charlie sets up his elaborate villain traps, opting for the viewer to see fruits of his labour at the same time as his victims rather than get into far fetched explanations of how he is able to construct a device that "constricts" metre thick glass. We don't even know where he is pulling all these electronics from as he travel the globe. It is good that the script spends the layering up the follow me, follow you, shenanigans rather than waste time on unsatisfying explanations. At one point Charlie is tracking his targets while  being tracked by his unscrupulous superiors while they are in turn being tracked by their boss. This is as a good espionage thriller should be, though it never threatens to turn into anything spectacular or particularly clever. The same can be said of the final showdown, which does play it a little differently but ultimately boils down to the same "we ain't so different you and I" chat you've heard many a time before.

That is really the story of The Amateur, it's a fairly generic but well executed thriller with a kooky  rather than suave leading man who disposes of his opposition in unconventional ways. Nothing wrong with that.

7 underestimated individuals out of 10. 

Comments

Popular posts from this blog

Predator Chadlands

After revitalising the Predator franchise with 2022's Prey, director Dan Trachtenberg brings us a very different take on the extraterrestrial big game hunter. In Predator: Badlands , the titular monster is the main character. Considering how terrible that premise could have been, we actually end up with a decent action adventure movie. Our protagonist is Dek, a Yautja (the species name of the Predators) who is considered something of a runt. Such a runt in fact, that his dad wants to kill him for being a pitiful disgrace to the clan. After his brother saves him, he makes his way to "the Death Planet" Genna to hunt a supposedly unkillable monster in order to show his father who is boss and force the rest of the clan to put some respect on his name. When he gets there he discovers that, not only is all the wildlife deadly, but Weyland-Yutani ( yes, the evil corporation from Alien) have sent a bunch of synths there to collect and weaponise his prospective trophy. He forms an...

Guns and Cardio

The Running Man is a remake of the 1987's Arnold Schwarzenegger vehicle. Except it isn't really. It's actually a different, far more faithful, interpretation of the Stephen King story. That said, it's exactly what you would expect from a modern adaptation of an '80s cult classic; slicker, with more emphasis on the message, but much less personality and therefore destined to be forgotten far quicker. Written under the pseudonym Richard Bachman, King's 1982 novel is set in a dystopian 2025 where "The Network" is not just in charge of TV, but essentially run the United States and have turned the country into an authoritarian surveillance state where a small percentage of people are uber-wealthy, and everyone else struggles to afford even basic medicine. The film does away with the year, since the idea of people living like that in 2025 is so ridiculous.  Enter Glenn Powell as family man Ben Richards. He may live in a hellscape but old Ben doesn't do ...

Raising the Roof?

Roofman is the media given name of real-life army veteran and serial McDonald's robber, Jeffrey Manchester, played here by Channing Tatum. Using his special talent for noticing patterns and routine, he burgled over 40 of the fast food chain's restaurants while gaining a reputation for being a polite thief. In an early scene we see him give a store manager his coat as he apologetically forces the staff into a freezer. Gentleman criminal or not, he stole a lot of corporate money, so when the police finally finger him for a single job he is sent down for forty-five years on trumped up kidnapping charges. In prison, his skills kick into gear again and he escapes on a delivery truck. Needing to lie low until his buddy can sort him out with a fake passport, he takes up residence in a Toys "R" Us for six months. Despite warnings he can't help but get involved in the lives of the people he watches on CCTV, particularly good-hearted single mum Leigh (Kirsten Dunst). To be...

The Truth is Down There

  Bugonia is the fourth (fifth if you count 2022 short film Bleat) collaboration between director Yorgos Lanthimos and star Emma Stone. It's unlikely to trouble the Oscars in the way The Favourite or Poor Things did, but we still have an entertainingly unhinged fable on our hands. Stone plays Michelle Fuller, CEO of pharmaceutical company Auxolith. Shortly after the title card, we see her continually fluff a video she is recording on corporate inclusivity, bristling at the continued use of the word "diversity". She then instructs her assistant to draft an e-mail telling employees they are no longer required to remain in the office beyond 5.30. Unless they have work to do. Unbelievably, this pesticide-spreading, corporate lip-service-paying, business shark will soon cut a sympathetic figure. That's because she is about to be abducted and held captive by conspiracy nut Teddy Katz (Jessie Plemons) and his intellectually disabled cousin Don (Aidan Delbis). We have alread...

I Hate You So Much Right Now

  Die My Love opens with a fixed camera observing a couple exploring their new house. This voyeuristic introduction sets up the isolated home as a character in its own right and gives the impression you are about to watch a horror film. In a way, you are. The couple are new mum Grace, played by Jennifer Lawrence, and her partner Jackson (Robert Pattinson), who inherited the house from his late uncle. Although they are playful with each other while checking out their new home, once they move in it becomes clear they have some major problems. Grace stalks through the grass on all fours, hiding from Jackson and a star gazing session foreshadows a fundamental difference in the way they feel about life and their situation. The cosmos makes her feel insignificant while he is thrilled at the thought of being part of something larger. As time goes on, Grace feels more and more isolated, while Jackson is either physically or emotionally absent, and her behaviour becomes increasingly erratic...

From Little Acorns

 Shelby Oaks is the result of the most successful ever horror movie Kickstarter campaign. Helmed by popular YouTube critic Chris Stuckmann, it is positioned as a fright flick "for fans, by fans".  While it isn't the obnoxious disaster such a mission statement could have led to, and actually shows a fair amount of promise, it does end up feeling like an homage to better films. The film opens as a mockumentary detailing the disappearance of a group of ghost hunting YouTubers called the Paranormal Paranoids. It then appears we are dealing with a found footage movie when, twelve years on from the disappearance, Mia (Camille Sullivan) watches creepy footage of her sister Riley (Sarah Durn) who was the Paranoids' on camera psychic. Turns out the film is neither of these things but more of an occult mystery as Mia follows the clues to find her missing sister whom she is sure is still alive. As you can imagine, a film that begins with two fake out beginnings is a little mudd...

I Dunno Boss

Despite his enduring fame, Bruce Springsteen is not an obvious choice for a biopic subject. A lack of any outward demons means the usual life story treatment might have been a bit of Sunday morning stroll. The solution Springsteen: Deliver Me From Nowhere comes up with is to focus in a particular point in his life in 1981, when, on the verge of mega stardom, he has to reckon with creative and mental health struggles. It's fitting that we focus on a point in his life when Bruce is trying to find who he wants to be, as the film itself is pretty indecisive.  Coming off a successful tour, Bruce (Jeremy Allen White) struggles to adjust to the downtime. When neither a return to his humble hometown nor the purchase of a fancy new car making him feel any better, he gets back to making music, using a four-track recorder to turn his bedroom into a makeshift studio. The music he makes eventually becomes the album "Nebraska", a tonal shift he is determined to pursue, even as his man...

Econ Air

  Single location thriller Flight Risk is the latest film to suffer from an "over eager" trailer. That is to say, the trailer covers pretty much everything that happens in the movie, more or less in the exact order it occurs. On the plus side, it isn't a film that was ever going to keep any secrets so it doesn't suffer as much as some others have. FBI agent Madelyn Harris (Michelle Dockery) takes a flight with informant Winston (Topher Grace) but a short way into their journey they discover the pilot, played by Mark Wahlberg, is actually a mob hitman there to end them both before Winston can squeal. There is a brief opening at an Alaskan cabin and the finale is on a runway, but for the most part it's just the three of them in the cabin of a small plain. Events unfold almost like a theatrical play as the three talk and argue with intermittent attempts at murder.  The main thing to know about Flight Risk is that it is ridiculous. The decisions the characters make a...

There Can Only be One

Trailers for Him had Jordan Peele's name slapped all over them, which is understandable from a marketing point of view. In reality it is simply produced by the"Get Out" directors company, Monkeypaw Productions. It is actually directed by Justin Tipping, from a script he co-wrote with Skip Bronkie and Zak Akers. The prevalence of Peele's name in the advertising means the film is bound to draw unflattering comparisons with his own work, which is a shame as the film has its own merits. Cameron "Cam" Cade (Tyriq Withers) grew up idolising Isaiah White (Marlon Wayans), star quarterback of the San Antonio Saviours. When White suffers a grisly injury during the Super Bowl, Cade's father tells the young fan that real men like his idol make sacrifices for greatness. Fast forward about a decade and a half and Cam is about to be drafted to the NFL, where he is tipped as a potential challenger to White's "Greatest Of All Time" status. When a mascot in ...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...