Skip to main content

Toxic Shock

 

The Toxic Avenger ambles his way into theatres some two years after the film was first shown at festivals.  Strange that the movie had so much trouble finding a distributor given the presence of major names, relatively mainstream sensibilities (compared to the 80s original anyway) and the fact it's actually quite a bit of fun.

Events take place in a fictional city inside a cartoonish, ultra-capitalist, crime-ridden caricature of 80s America, with locations called things like "Depressing Outskirts" and "Ye Olde Shithead District". Peter Dinklage is down on his luck janitor Winston Gooze, a widower with a step son who attempts to break into the headquarters of the mega-pharmaceutical company he works for when he discovers his gold level insurance doesn't cover treatment for his brain condition. Things go south and he is transformed into The Toxic Avenger, a mutated super human who sets about righting some wrongs in his crime ridden city.

The film attempts to stick as close to the vibe of a Troma film as possible, while still being palatable to the extended audience people like Dinklage, Kevin Bacon and Elijah Wood can bring to the party. This means we get a tonne of ridiculous (and mostly amusing) jokes and references, married to a gory splatter fest that aims to stick to practical effects as much as possible. Despite the film's subtitle being "unrated" the nastier edges of the Troma's 80's output have been sanded off in accordance with modern sensibilities, there is no exploitative nudity or child murder on display here. The result of this update is a movie that plays kind of like a classic Universal monster flick by way of a garishly gory comic book. 

In keeping with the practical effects tradition, the titular avenger is played by Luisa Guerreiro inside a fantastically gross bodysuit with Dinklage providing the voice. Together, they craft a likeable and sympathetic monster. Elijah Wood and Kevin Bacon have fun as a hunchbacked henchman and nefarious businessman, respectively, but the stand out antagonist is Julia Davis as Bacon's unhinged assistant. The prolific Jacob Tremblay notches up another lead kid role as Winston's stepson and is as dependably solid as ever.

Underneath all the humour and mayhem, there is a sense of real injustice about charlatan healthcare practices and the systems that deprive and riddle with debt those who have the temerity to get sick. Obviously, there are innumerable films that point to the evils of paid for healthcare, and it certainly isn't examined in any great detail here, but the sentiment is genuine. As evidenced by the fact the filmmakers spent $5 million paying off real life medical debt rather than marketing the film traditionally. 

Writer/director Macon Blair has done a solid job of capturing the Troma spirit and while the humour may bemuse some, and the splatter put off others, The Toxic Avenger is a fun and spirited hundred odd minutes. It does take a while to get going though. 

7 deadly mops out of 10

Comments

Popular posts from this blog

Eight is the Loneliest Number of Legs

Spider-Man: Brand New Day swings into cinemas to deliver a much needed box office shot in the arm to the once invincible MCU and prove that the wall crawler is Marvel's most enduring hero. It delivers on the Spiderman feeling but loses steam as the 2 hour 20 minute runtime rolls on.  Since everyone he cares about is either dead or has forgotten him after the events of No Way Home, Peter Parker (Tom Holland) has been focusing solely on his Spider-Man duties. As a result, he has more or less eradicated organised crime in New York and is idolised by the city populace. On the downside, he is devoid of real human contact apart from phone calls to a detective and a grudging pseudo-friendship with gun toting vigilante Frank Castle (Jon Bernthal), aka The Punisher. He still pines after his lost relationships with MJ (Zendaya) and Ned (Jacob Batalon) and it seems his isolation is beginning to have a physical effect on him. This couldn't come at a worse time, with a new threat that can s...

The Old Man vs The Sea

 The Odyssey represents something of an epic journey for director Christopher Nolan himself. Back in 2004 he came close to directing sword and sandals epic Troy before eventually being passed over in favour of the then far more renowned Wolfgang Petersen. Now, an entire Odysseus away from Ithaca length of time later, he brings us his uniquely Nolan take on the next part of Homer's epic works. It's worth the wait as he crams everything he has learned and refined over the last twenty-odd years into his most ambitious project yet.  Spoiler for a 3,000 year old poem but the combined Greek army win the Trojan war after a decade long siege thanks to Odysseus (Matt Damon) tricking the Trojans with the famous wooden horse. A series of catastrophes befall him and his crew on the way back to his kingdom of Ithaca, meaning the journey takes him another ten years. Meanwhile his queen, Penelope (Anne Hathaway) and son Thelemachus (Tom Holland) have to deal with an army of suitors, led by ...

Icky Ice Cream

Note before the review: It has emerged that generative AI featured in the making of Ice Cream Man and the filmmakers appear to have been less than 100% honest with how much it was used. I have reviewed the film as I saw it and have not taken the way it was made into account. If you (understandably) want nothing to do with a movie that used generative AI then give this one a miss. "The kids have gone fucking insane" screams a father just before his son and daughter, having already mangled his hand in the garbage disposal, set fire to him. How you feel about the idea of that scene pretty much tells you what you will think about the whole of Ice Cream Man, the latest bloodstained offering from gore hound Eli Roth. The premise is a basic one: a quite overtly sinister ice cream man comes to town and, the day after he hands out his freezer based treats, any child who consumed them turns into little murder bots and begin dismembering the local adults. A couple of kids who didn...

Sick Burn

The Evil Dead is horror's most consistent brand, with six films spanning over forty years and not a dud in sight. With Evil Dead Burn, French director Sébastien Vanicek keeps the streak alive, even if he doesn't quite manage to nail the unique feel of earlier entries. Souheila Yacoub plays Alice, whose husband dies in a Deadite (person possessed by a demon) induced car crash. A very tense post funeral get together with her in-laws goes from grim to apocalyptic when the dead arrive looking for a dagger that is capable of sending them back to hell. This is a slight change-up to the usual Evil Dead formula. Normally some fool reads from the Book of the Dead and the Deadites show up to torment and kill people with gleeful abandon. What distinguishes the undead nasties from those in other films is the fun they take in the mayhem. They are neither mindless monsters nor serious soldiers of Satan. They are just here for the love of the game. This somewhat softens the gore and allows ...

2025 Halfway Ranking

2025 is halfway done so its time to get ranking. Only films I've seen for the first time in the cinema are eligible and we are talking UK releases from 1st January to 30th of June. If your favourite film of the year isn't here, I didn't see it on the big screen. If it is here but low, feel free to tell me how wrong I am.  39.  Hurry Up Tomorrow When a musician decides to write and star in their own movie the results are often pompus nonsense, so the problem with this effort from Abel "The Weeknd" Tesfaye isn't that its ridiculously self-aggrandizing (although it very much is), its that its unrelentingly dull, hideous to look at and worse to listen to. The star should have just made a concert movie.  38. A Working Man Jason Statham is the perfect Hollywood action man, able to look cool shooting guns, punching people's lights out or driving fast cars. Sadly, the meandering script and piss poor production values on display here give him no chance to shine and...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...

The Grey Advert

 This Russo's action flick has all the ingredients of a top tier spy thriller but will leave you feeling like you've just watched an extended trailer for other films they want to make in the world of the "Grey Man".  Ryan Gosling plays Sierra 6 (yes the Sierras are basically 00 agents with the twist they all used to  be criminals) and is ideal casting as the sort of ass kicking man of few words this type of film is built around. All the archetypes you would expect are also present and played well by a stellar cast. Chris Evans is unhinged antagonist, Billy Bob Thornton is retired mentor, Rege-Jean Page is crooked politicain and Ana De Armas is the good agent caught in the middle. The plot is just as cookie cutter, involving Gossling being hunted by the people he used to work, computer files nobody was meant to see and hostages needing rescued.  Of course, all these things are tropes for a reason and done well (like they are here) equal an enjoyable movie. And the Gre...

More Money More Killing

How to Make a Killing is loosely based on 1949 British crime comedy Kind Hearts and Cornets (which is in turn an adaptation of 1907 novel Israel Rank: The Autobiography of a Criminal). In a world of remakes, reboots and adaptations, that is pretty interesting source material and could almost qualify as an original idea. Unfortunately, the imagination mostly stops there and the film isn't funny or insightful enough to rise above "it's fine" territory. Glenn Powell is Becket Redfellow, a suit salesman who grew up largely in the foster care system as his mother died while he was young. He is heir to the fortune of his mother's estranged family and, in the unlikely event all the other senior Redfellows should perish, he would be a billionaire. A chance encounter with his status obsessed childhood crush Julia (Margaret Qualley) and an unjust demotion at work give him the notion to speed up his inheritance a little. As he arranges "accidents" for his fellow R...

Smile for the Cameras

  The October horror train continues with Smile 2 , follow up to 2022 breakout hit Smile. Director and writer Parker J. Finn returns with a much more textured character story that is let down by retreading the same beats and half frights as its predecessor. After a brief segment involving Joel from the first movie we focus on pop star Sky Riley (Naomi Scott) as she attempts to mount a comeback a year on from a drug induced car crash that claimed the life of her boyfriend and left her needing extensive surgery. Unable to get strong painkillers due to her addiction problems she visits an old drug dealer friend to procure some Vicodin but when he smashes his own face in with a plate weight she inherits "The Smile" curse. She begins to experience bizarre goings on and people creepily grinning at her as she enters a race against time to discover what's going on and find a way to rid herself of the demon.  By far the strongest element of Smile 2 is the character of Sky and the...

Van Afterlife

Passenger  director Andrè Øverdal has some impressive credits under his belt, including his Norwegian language breakout hit Trollhunter and chilling haunted corpse movie The Autopsy of Jane Doe. That explains why this mediocre horror has a couple of well crafted set-piece scares, but he is saddled with a bland script that is content to tick familiar genre boxes. Things start promisingly with the titular "Passenger" (a highway stalking demonic entity) dispatching a pair of nighttime travellers. We are then introduced to young couple Maddie (Lou Llobell) and Tyler (Jacob Scipio) who are about to abandon the city for a life on the road in their swanky van. Tyler is all in (to an obnoxious degree) but Maddie is hiding some reservations and things get spooky when they are marked by the walking metaphor for the dangers of travel. The first issue the movie runs into is the confusing nature of the entity itself. Why does it mess around with our leads for days when it kills everyone ...