Skip to main content

Thunderbolts and Lightning, Mental Health is Frightening*

 Thunderbolts* takes a bunch of relatively minor MCU characters and scoops them up into a "Suicide Squad" type adventure where they face off against insurmountable odds. Given most of the characters have appeared in TV shows, there is a distinct whiff of Disney+ about proceedings but it is also one of the most solid films Marvel has put out in years. The execs must have known they had something decent on their hands as they waited until a whole weekend after release to spoil the end twist with marketing, as appose to doing it in the trailers. 

The titular Thunderbolts are : New Black Widow, Yelena Belova (Florence Pugh), failed Captain America replacement John Walker (Wyatt Russell), former Winter Soldier turned congressman Bucky Barnes (Sebastian Stan), Russian super soldier and Yelena's adoptive father Red Guardian (David Harbour), Ant Man 2 alumni Ghost (Hannah John-Kamen) and maybe mysterious newcomer Bob (Lewis Pullman). If you follow MCU events you will recognise most of them from past projects (mainly 2021's Black Widow) but no need to worry if you don't, there is some clunky exposition dialogue to catch you up on everyone's story. Events take place over a night and day as Yelena, Walker and Ghost (along with Taskmaster, another Black Widow legacy) are individually sent by sketchy CIA director Valentina (Julia Louis-Dreyfus) to clean up an off the books warehouse that is tied to a congressional hearing. After a brief tussle they realise they themselves are considered loose ends to be disposed of and end up on a collision course with Valentina's super hero experiment "Sentry".

So the characters aren't exactly household names but the film turns that to its advantage. Without a ton of baggage, Eric Pearson and Joanna Calo's script is able to mould the characters to fit the story. Harbour is funny as the over enthusiastic father figure, Russell is both smug and fragile and Stan is the cool uncle everybody wants to be. Ghost is probably least well served as the outsider looking for somewhere to belong while Yelana is the closest thing to a main character. If you are going to pick someone to hang your movie on, Florence Pugh is a solid shout and it's good to see her take centre stage after her underwhelming appearance in the Hawkeye TV show. 

The round pegs in round wholes philosophy extends to the production, with Jake Schreier turning out to be a smart choice for directing duty. He may only have two films under his belt but he has done plenty of TV and the ability to come on board an existing property and get the job done pays dividends. With a background in music videos he clearly has an eye for style and the film looks great, marrying a grounded, fairly real looking aesthetic with a nice colour palette. We also get a cool looking superhero fight and the final big bad is visualised in a unique and thematically sinister way.

The story isn't anything spectacular and Red Guardian could drive an armoured limo through the plot holes, but having everything play out consecutively over a short space of time gives it a nice pace and sense of urgency. For a lot of the runtime it plays out like a child friendly(ish) version of Amazon show "The Boys", before ending on a finale that is basically a visual representation of battling depression. The MCU is often full of snarky and grandstanding main characters so it's a refreshing change to see the day being won by being nice. That said, depending on how you look at it, there are some uncharitable take aways regarding people with mental health issues not being fit for positions of responsibility or power. I'm sure any such message is unintentional and in a movie where a serum can dish out godlike powers, everything should be taken with a pinch of salt, but if you want to touch on such serious subject matter you really need to consider all angles. 

Marvel say this is there first film release under the new "quality over quantity" policy and it shows. It's ironic that the title is Thunderbolts* as it's the first MCU film in while that can be called good without needing to add an asterisk.

7 sponsored Wheaties boxes out of 10.

 

Comments

Popular posts from this blog

Really Kinky Boots

Pillion has been described by one of its stars, Alexander Skarsgård, as a dom-com. What he means by that is that this motorcycle romance ticks plenty of rom-com boxes while sporting a heavy coat of BDSM and graphic sex scenes. This description actually sells the film a little bit short. Harry Melling plays Colin, an openly gay but quiet and reserved young man who lives at home with his father and terminally ill mother, Peggy. After singing in a Christmas barbershop quartet, Harry is spotted by enigmatic and unfeasibly handsome biker Ray (Skarsgard), who identifies him as someone with subservient tendencies. After a Christmas Day hook-up in a high street alleyway, Ray gives Colin the cold shoulder for months before taking him back to his house. Upon arrival, Colin discovers where his place in the household is, somewhere lower than the dog and slightly above the mud off Ray's shoe. He is tasked with completing all the daily chores, as well as anything else his master deems needing d...

Now You Three Me

Now You See Me: Now You Don't is the somewhat surprising third instalment in the Now You See Me franchise. Surprising in that it has been nine years since the last film and it had looked like the magicians had played their last trick. The film itself is about as unsurprising as it gets, playing out exactly as you expect a pseudo-legacy sequel to play out, hitting many of the familiar beats while introducing a new group of characters to carry the torch when the original cast bow out. The Now You See Me films revolve around stage magicians The Four Horsemen using their unique skills to pull off altruistic thefts that stick it to bad corporations and individuals and redistribute the wealth either to the people said evil entity has wronged, or simply to the fans in attendance. Said Four Horsemen are; illusionist J. Atlas (Jesse Eisenberg), mentalist Merritt McKinney (Woody Harrelson), sleight of hand specialist Jack Wilder (Dave Franco) and either Henley Reeves (Isla Fisher) or Lula M...

Econ Air

  Single location thriller Flight Risk is the latest film to suffer from an "over eager" trailer. That is to say, the trailer covers pretty much everything that happens in the movie, more or less in the exact order it occurs. On the plus side, it isn't a film that was ever going to keep any secrets so it doesn't suffer as much as some others have. FBI agent Madelyn Harris (Michelle Dockery) takes a flight with informant Winston (Topher Grace) but a short way into their journey they discover the pilot, played by Mark Wahlberg, is actually a mob hitman there to end them both before Winston can squeal. There is a brief opening at an Alaskan cabin and the finale is on a runway, but for the most part it's just the three of them in the cabin of a small plane. Events unfold almost like a theatrical play as the three talk and argue with intermittent attempts at murder.  The main thing to know about Flight Risk is that it is ridiculous. The decisions the characters make a...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...

This Week at Home

Three films this week. First up is new Amazon Prime comedy Ricky Stanicky . A group of friends blame all their miss adventures on a fictional friend but when their partners become suspicious they hire a boozed up John Cena to play the part of the infamous "Ricky Stanicky". Its stupid and there's no denying the lying bro's deserve more comeuppance than they get but there are some good laughs and an unexpectedly uplifting ending.    Next up Jason Statham kicks all kind of ass as The Beekeeper , a retired uber-badass who rampages from call centres to Washington after his elderly neighbour is scammed to suicide. The Stath spouts some insane dialogue, sometimes in something approximated an American accent while a couple of feds on his tale layer on the bee metaphors. Hits all the punching, kicking, shooting and gruffness you want in a Statham movie.  Last up is The House of the Devil , an early entry in the fascinating horror filmography of Ti West. An homage to the devil ...

The Grey Advert

 This Russo's action flick has all the ingredients of a top tier spy thriller but will leave you feeling like you've just watched an extended trailer for other films they want to make in the world of the "Grey Man".  Ryan Gosling plays Sierra 6 (yes the Sierras are basically 00 agents with the twist they all used to  be criminals) and is ideal casting as the sort of ass kicking man of few words this type of film is built around. All the archetypes you would expect are also present and played well by a stellar cast. Chris Evans is unhinged antagonist, Billy Bob Thornton is retired mentor, Rege-Jean Page is crooked politicain and Ana De Armas is the good agent caught in the middle. The plot is just as cookie cutter, involving Gossling being hunted by the people he used to work, computer files nobody was meant to see and hostages needing rescued.  Of course, all these things are tropes for a reason and done well (like they are here) equal an enjoyable movie. And the Gre...

Smile for the Cameras

  The October horror train continues with Smile 2 , follow up to 2022 breakout hit Smile. Director and writer Parker J. Finn returns with a much more textured character story that is let down by retreading the same beats and half frights as its predecessor. After a brief segment involving Joel from the first movie we focus on pop star Sky Riley (Naomi Scott) as she attempts to mount a comeback a year on from a drug induced car crash that claimed the life of her boyfriend and left her needing extensive surgery. Unable to get strong painkillers due to her addiction problems she visits an old drug dealer friend to procure some Vicodin but when he smashes his own face in with a plate weight she inherits "The Smile" curse. She begins to experience bizarre goings on and people creepily grinning at her as she enters a race against time to discover what's going on and find a way to rid herself of the demon.  By far the strongest element of Smile 2 is the character of Sky and the...

Ain't Got Time For No Monkey Business

  The journey Monkey Man has taken to get the big screen sounds almost as arduous as the revenge quest its title character embarks upon. About to lose funding due to the pandemic, director/writer/star Dev Patel was able to find a hotel on a small Indonesian island that could house the cast and crew. Not being able to bring in new personnel or equipment the story of making the film is one of cameras dangling from string, tables being glued back together so they can be smashed multiple times and crew members standing in for extras. Not to mention Patel himself breaking his hand during filming. Once completed it sat on a shelf with backers Netflix nervous to release it on their platform due to the movies scathing attitude towards right wing Indian politics. Enter Jordan Peele and his Monkey Paw productions who scooped the project up to give it the cinema release it deserves.  The story begins with Patel's unnamed character scraping a living by taking beatings in an underground fi...

Blood, Swearing and Call Backs

  Depending on who you ask, Deadpool and Wolverine is either a glorious, long-awaited team up of two pop culture icons dripping in the best kind of fan service and stuffed with funny gags and uproariously OTT fight sequences or it's a vapid husk of a movie, trading solely on things that have come before mixed with dick jokes that's looking to make a quick buck by pleasing people who care more about the colour of costumes than substance. It's fairly easy to make an argument either way.  There is no doubt the film is absolutely stuffed with references to, and appearances from, all things superhero. Well, Fox superhero anyway. Deadpool and Wolverine is much more love letter to the now defunct Fox iterations of X-men (and many others that would be a crime to spoil) movies than it is attempt to slot Deadpool into the MCU proper. The cameos, or rather appearances (director Shawn Levy says they are too integral to be called cameos) do seem to be there in the spirit of genuine fun...

Vanity Unfair

  One thing The Substance is not, is subtle. It shouts it's themes loudly. It bathes the viewers eyeballs with beauty and then assaults them with grotesque body horror of the highest order. It infests the ears with horrible squelching, popping and cracking. It's quite an experience. Demi Moore plays Oscar winning actress Elizabeth Sparkle, who now hosts a daytime yoga show produced by odious TV exec Dennis Quad. Deemed over the hill on her fiftieth birthday (despite looking like Demi Moore) and let go she turns to a shady procedure that involves injecting herself with "The Substance".  This births the young and pristine Sue (Margaret Qualley) who picks up where Elizabeth thinks her life should be, becoming her own replacement on TV.  The problem is, the two halves need to share, with each being awake for seven days at a time and like feeding your Mogwai after midnight, there are extreme consequences to not respecting the balance. The Substance is a high saturation pa...