Skip to main content

Marvel-Less

 


The Marvels marks the first time people who don't keep up with the deluge of Marvel TV shows will feel properly out of the loop. More worrying it feels more like one of the shows than a tent pole movie. 

The plot follows Captain Marvel/Carol Danvers, Miss Marvel/Kamala Kahn and Monica Rambo as they try to stop new leader of the Kree Empire, Dar-Benn from destroying various planets to fix her own. The McGuffin trinket that allows the villain to do this also leads to the three heroes switching location whenever they use their powers, forcing them to stay together and work as a team.

The dynamics of the group are fun with Ms Marvel actress Iman Vellani easily the best thing about the film. Hopefully she stays on the big screen going forward and isn't wasted in more Disney + mediocrity. Brie Larson does her best as Captain Marvel but the "I tried to help but it didn't work out" colonial guilt storyline doesn't really work on a character you are trying to portray as an out and out hero. Teyonah Parris' has the least to do as Monica Rambo and often feels as if she is just there to make up the numbers. 

The Marvel, like much of the MCU, works best in its light hearted moments. Sam Jackson once again decides Nick Fury is going to be a completely different character and is consistently funny. Anytime him or Kamala Kahn's non plussed family are on screen is a good time. There is also a fun section on a planet where the inhabitants only understand words when they are sung although it all gets a lot more generic once the fighting starts. 

That really is the story of The Marvels, any creativity is buried under a tonne of MCUness. Director Nia DaCosta has said its more a Kevin Feige movie than hers and it really shows. From the focus on TV characters to the limited story it feels like a movie made to fill a hole in the schedule. Antagonist Dar-Benn is a prime contender for most forgettable Marvel villain and let's be honest, there is some stiff competition for that role. Again actress Zawe Ashton does her best but a wannabe Khaleese who speaks like she has too many teeth and reuses a weapon an already pretty boring villain previously wielded isn't enough to create a compelling threat. It was always going to be hard to create a decent bad guy with three leads and a side plot vying for screen time in a 90 odd minute movie. I'm sure it's just a coincidence that it took a female ensemble outing for Marvel to suddenly remember you can edit a movie to under two hours. 

There is also an inherent problem with having these three characters team up. It works great from a character point of view but requires the audience to turn a blind eye to story consistency in order for the three to be considered somewhat equals. Captain Marvel flew across the galaxy in minutes and overpowered  Thanos but hereshe struggles in scraps with a couple of goons. She is also seems no more effective at fighting the main villain than the other two leads who really aren't in her weight class. It's mentioned at one point that she has the power to restart a sun so why is she struggling to dispatch this B-Tech Ronin the Accuser?

The brief running time and humorous moments mean The Marvels isn't an avoid at all costs proposition but it adds to the sense the MCU in general is becoming a bit of a  pointless time sink. Less Marvellous and more less Marvel please. 

5 planets that haven't had their atmosphere sucked out of them out of 10.



Comments

Popular posts from this blog

Killing in the Name of

Mortal Kombat II is, unsurprisingly, a sequel to 2021's Mortal Kombat and the latest attempt to adapt the long running fighting game franchise for the big screen. There has been a bit of a shift in Hollywood over the five years since the last instalment and this film has a very different attitude. Gone is the attempt to "serious-up" the material as MKII fully embraces its dumb its video game roots. It still isn't exactly good, but at least this time round it's bad in an enjoyable way. For those unfamiliar with the games, they are based around a fighting tournament that decides if an evil empire from another dimension, or "realm",  gets to take over Earth. Think "Enter the Dragon" with superpowers and a hefty dose of inspiration from "Big Trouble in Little China".  In terms of this movie, eight people from Earth take turns fighting eight people from "Outworld". Sounds simple enough but the script makes no attempt to create a...

Tune In, Cop Out

Tuner lead character Nikki (Leo Woodall) hasn't had much luck. His parents aren't around and  H yperacusis (an extreme sensitivity to noise) put an end to his piano  playing days. Now he puts his enhanced sense to use as a piano tuner, working for mentor and father figure Harry (Dustin Hoffman). When Harry falls ill and into debt, Nikki takes on a sideline in safe cracking for shady security boss Uri (Lori Raz). All is well at first, but as time goes on it becomes increasingly hard for Nikki to juggle his day job, lucrative but dangerous side hustle and a blossoming romance with musical student Ruthie (Havana Rose Liu). The set up may make you think you are in for a slick crime caper, but that's not really what this film is. Director Daniel Roher made his name in documentaries and Tuner has a very naturalistic feel. The city is vibrant and busy while close up shots show the intricacy of the pianos and locks Nikki has mastery over. We are following characters (mainly Nikki)...

Talking 'Bout My Girl

In addition to already being the name of a dozen or so movies,  Obsession is a horrendously dull film title. It conjures up images of dated romantic thrillers or bargain basement serial killer flicks. This is a long-winded way of saying this darkly humorous relationship nightmare deserves a better name, as it's anything but stale. Barron "Bear" Bailey (Michael Johnston), Nikki (Inde Navarrette), Ian (Cooper Tomlinson) and Sarah (Megan Lawless) are longtime friends and work colleagues. Bear has long harboured feelings for Nikki and is determined to confess his love, despite warnings from Ian to bide his time and the fact Sarah might be the one who is actually interested in a romantic relationship. After chickening out of an ideal opportunity to tell Nikki how he feels he uses a cheap novelty collectible called a "One Wish Willow" to wish his crush was hopelessly in love with him. Turns out the tacky toy is legit and ties him into a "The Substance" styl...

Listening to the Sounds in Silence

The tagline for breakout indie horror hit Undertone is, "The Scariest Movie You'll Ever Hear". This declaration sets out the film's stall as a uniquely audio based horror, and that is exactly what it delivers. The result is something that will chill some people to the bone and leave others falling asleep in their seats.  Originally made for a meagre $500,000, the film takes place entirely in one location (director Ian Tuason's childhood home) and centres on podcaster Ivy, played with impressive range by Nina Kiri. Ivy is caring for her dying mother (the only other person who appears onscreen) so has to wait until the early hours of the morning to record her paranormal podcast with friend Justin (the voice of Adam DiMarco). She plays the role of sceptic to Justin's believer but her rationality is tested when her cohost begins playing some eerie audio files he received from an anonymous listener. Although Undertone isn't a found footage film, it very much t...

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

Van Afterlife

Passenger  director Andrè Øverdal has some impressive credits under his belt, including his Norwegian language breakout hit Trollhunter and chilling haunted corpse movie The Autopsy of Jane Doe. That explains why this mediocre horror has a couple of well crafted set-piece scares, but he is saddled with a bland script that is content to tick familiar genre boxes. Things start promisingly with the titular "Passenger" (a highway stalking demonic entity) dispatching a pair of nighttime travellers. We are then introduced to young couple Maddie (Lou Llobell) and Tyler (Jacob Scipio) who are about to abandon the city for a life on the road in their swanky van. Tyler is all in (to an obnoxious degree) but Maddie is hiding some reservations and things get spooky when they are marked by the walking metaphor for the dangers of travel. The first issue the movie runs into is the confusing nature of the entity itself. Why does it mess around with our leads for days when it kills everyone ...

Hell to Pay

  They Will Kill You  begins with a soaking wet Zazie Beetz waiting to start her maid job at swanky apartment building, The Virgil. Her character Asia is a former convict who has no idea her new employers are devil worshipers who sacrifice their staff to Lucifer. The building residents have no idea that Asia is actually there for reasons other than a steady paycheque and is not about to go gently into that good night. The touch paper is soon lit on a relentless blend of slapstick horror action that leaves little room for you to catch your breath across its ninety minute odd runtime. The most obvious comparison here is to 2019's Ready or Not and its sequel (which coincidentally released one week before this film), where an unsuspecting bride is left fighting for her life when her wealthy in-laws opt to make her a human sacrifice. While They Will Kill You shares that movie's comedic spirit we are much deeper into supernatural territory here. The grand old building and seemingly ...

Whisky in the Jar

Glenrothan has been sold as "a love letter to Scotland" and given that it features two of Scotland's most accomplished actors, whisky, folk music and stunning landscape shots, it's hard to argue. Is it anything more than that? Not really, but maybe that's OK.  Alan Cumming and Brian Cox (who also directs) are Donal and Sandy Nairn, estranged brothers and heirs to a beloved whisky distillery. Growing up, big brother Sandy was desperate to leave their idyllic village and its distillery behind, while Donal wanted to be nowhere else. Family issues resulted in them both leading the life that the other used to dream of, as Donal left for America and Sandy took over the family business when their father's health began to fail. When his blues bar burns down, Donal makes his first trip back to Scotland in forty years, accompanying his daughter and granddaughter to visit his ailing brother. A quick look at the trailer tells you everything you need to know about Glenroth...

You Screen, I Scream

The worst thing about Scream 7 isn't actually the film itself. It's the at best cowardly, actions of production company Spyglass Media who fired the star of the previous two films, Melissa Barrera, for daring to have an opinion on genocide. In addition to leaving an icky taste in the mouth, this move cost them fellow star Jenna Ortega and the guy who was supposed to direct the seventh instalment Christopher Landon, resulting in a return to the drawing board to completely rework the film. The only actually good thing about Scream 7 is also nothing to do with the actual film. Series mainstay Neve Campbell missed the previous instalment after producers lowballed her, but the production chaos of their own making means they've had to go crawling back. So Neve returns with a reported $7 million payday, a producer credit and a story based solely around how legendary her character Sydney is. Go her. The actual film doesn't warrant much discussion at all, given it does little mo...

The Bourne IT

The set up for The Amateur is a well worn one, a man loses his wife in a terrorist attack and goes on a mission of revenge. The twist is, that while Rami Malek does play a man with a particular set of skills, they aren't the ones you would expect. Charlie Heller is a socially awkward CIA cryptographer with precisely zero fighting ability and no experience using firearms. He is though, a technological genious who invented half the agencies cyber security and can track and predict patterns like a computer. When his blatantly shady boss, played with smug glee by Holt Mccallany, refuses to act on Charlie's info about the killers he blackmails him for some training and the green light to pursue the perpetrators himself. The two main questions are, can the mild mannered tech guy thrive in the field and is this twist on the formulae enough to carry a fairly by the numbers espionage thriller? The answer to both is, pretty much, yes. Malek is tailor made for roles like this and it'...