Skip to main content

The Devil is in the Pigtails


Whatever your opinion of David Gordon Green's Halloween trilogy its hard to deny he took a big swing at it and The Exorcist: Believer has a lot in common with the director's 2018 revitalisation of that franchise. Like Halloween 2018 this film ignores every previous sequel and is a direct follow up to the original Exorcist. Like Halloween 2018 this film sticks pretty closely to beats of the original but with heightened stakes (more kills for Halloween, twice the number of possessed kids here). Unlike Halloween 2018 this film isn't a complete success.

Not that The Exorcist: Believer is a write off by any means. Having two friends be possessed is a nice way of distinguishing proceedings from the sea of other possession films we have seen over the last few years and adds an extra layer to dealing with the situation, not only does the worried father need to deal with what is happening to his daughter but also with another family and their beliefs on what should be done. The possessed kids are suitably creepy and the film has an interesting take on the notion of an exorcism and faith. Rather than the strictly Christian depiction of the 70's original, Believer references the fact that some sort of demonic possession is present in many belief systems and the faith required to battle such things isn't tied to any particular religion, hinting at interesting directions the series could take going forward. The film's biggest selling point is an outstanding performance from Leslie Odom Jr. as single father Victor. His emotion and believability really sell proceedings and leave the viewer hoping things work out for him and his daughter.

Unfortunately, Believer drops the ball in two crucial areas. Firstly, the pacing of the movie leading up to the exorcism is too slow. There is a section where the two girls are missing that is dragged out to the point it feels the film is going to be a missing person drama. This falls flat as there are zero stakes, we know the girls are going to turn up. Later in the film a legacy character turns up what could have been a cool cameo but ends up turning the film into a sideshow. The other problem it has is in portraying the events of the Exorcism itself. Things are tense but it's unclear the procedure is actually progressing. Are all the things they are trying failing or are the setbacks just part of every exorcism? Is this a particularly hard to expel demon or is everything going as planned?  It's harder to buy into the drama without having any idea how close success or failure is.

So what the film does well is mostly undermined, leaving it with only its famous name to really distinguish it from all the other possession flicks out there. Still, if you're a fan of the genre you'll probably find yourself entertained.

6 people saved from 10 "you can save your daughter or your wife" situations. 

Comments

Popular posts from this blog

Trouble in Paradise

Thanks to Evil Dead and Spider-Man, Sam Raimi will forever be associated with horror and superhero movies, but he has actually dipped his toe in many genres, from Westerns to sports movies. Send Help appears to be his twisted take on a rom-com. A good looking guy and an also good looking but awkward woman are stuck getting to know each other in a tropical paradise in a classic romance setup. In a slight break from tradition, proceedings are garnished with buckets of blood and puke and served with a side of black slapstick and maiming. Said couple is Rachel McAdams as super competent, but socially inept business strategist Linda, and Dylan O'Brien as Bradley, Linda's douchebag boss who passes her over for promotion as soon as he inherits daddy's company. When the private jet they are travelling in goes down they find themselves the only survivors as they await rescue from a remote island. Similarly to 2022's Triangle of Sadness, the power dynamics are completely shifted ...

Gimme Shelter

  The start of another year means it's time for the annual "Jason Statham is a retired killing machine trying to live a quiet life but being forced to start stacking obituaries" movie. The typically nondescript title of this year's offering is Shelter and Stath's former special forces badass is called Michael Mason. When the British government agency that he used to drop bodies for comes calling at his remote Scottish lighthouse he is forced to take action, something that is complicated by the presence of a young orphan girl named Jessie (Bodhi Rae Breathnach). While our protagonist and his reluctant charge tear across the countryside, Naomi Ackie (criminally underused here) and Bill Nighy (putting in just enough effort to get by) scheme against each other at Spy HQ.  Jason Statham movies can essentially be judged on three criteria; Does he get to do cool action? Are the bad guys formidable enough? Is the plot and dialogue entertainingly cheesy rather than just e...

Blow My Whistle

  Whistle is Corin Hardy's third movie, after his 2015 breakout The Hallow and 2018's Conjuring spin-off The Nun. This new horror flick sits halfway between the indie energy of his maiden effort and the box ticking boredom of his big studio follow-up, with self seriousness butting up against dumb fun. The set-up is most reminiscent of Final Destination, with added high school slasher vibes. Chrys (Dafne Keen) moves in with her cousin Rel's (Sky Yang) family following the death of her father. Within about ten minutes of attending her high school she becomes besotted with Sophie Nellisse's Ellie, ends up in detention after a confrontation with loudmouth basketball player Dean (Jhaleil Swaby) and finds an Aztec death whistle in her new locker. Naturally, the teens end up blowing the death whistle which causes them all to be stalked by their future deaths. This manifests as a ghostly apparition of your dead future self who causes you to suffer said death as soon as they to...

Stars and Their Cars

Crime 101 is named for the California freeway one of the characters commits all his robberies along. It also doubles as describing his MO, he is successful because he makes sure he gets the fundamentals right every time.  It can also describe the film itself, which nails the basics of making a slick crime thriller better than just about any other movie has in quite some time. The professional thief is Mike Davis (Chris Hemsworth), a meticulous planner whose jobs never lead to anyone being hurt and are so well executed that nobody even has any idea they are all the work of one man. Nobody that is, except for Mark Ruffalo's Detective Lou Lubesnick, who is determined to catch the "101 Robber" even though his obsession is starting to lead to him being ostracised in the precinct. Both characters come into contact with high value insurance broker Sharon (Halle Berry) as Mike plans a big score and Lou joins the dots in an attempt to track him down. A potential fly in the ointmen...

Lungbuster

With Iron Lung, YouTuber Markiplier, real name Mark Fischbach, becomes the latest content creator to dip his toe into the world of feature film production. His effort is not as accomplished as the work of the Philippou Brothers (creators of Talk to Me and Bring Her Back) but it's a lot more striking and original than last year's Shelby Oaks (directed by YouTube film critic Chris Stuckmann).  The film is based on a relatively niche video game of the same name, which was made by solo developer David Szymanski (who helped with the film's screenplay) and is set inside a submarine exploring an ocean of blood. We follow exactly the same premise here as our protagonist, a convict named Simon, spends the entire runtime welded into a decrepit submersible on a distant moon trying to earn his freedom. What his superiors are specifically looking for is unclear but he is told the blood ocean holds resources vital to the survival of mankind, who has been pushed to the brink of extinctio...

Please Close This Book

  The Strangers-Chapter 3 brings an end to one of the most puzzlingly pointless trilogies of all time. Shot back to back (although this instalment underwent some sizeable reshoots after the tepid reception to Chapter 1), the three entries encompass scarcely enough content to cover a single film and are devoid of scares or ideas. In fairness, this instalment seems like it almost has the genesis of something to say. Almost. If you were lucky enough to miss the previous instalments it won't take long to get you caught up. In Chapter 1, Maya (Madelaine Petsch) ran around in the woods a bit with her boyfriend before he was killed by some mask wearing locals of the backwater town they were visiting. In Chapter 2, she ran around in the woods on her own a bit before managing to kill one her face hiding pursuers.  Here, we pick up straight after Chapter 2 and, after a brief interlude in a church, Maya is capture by lead "Stranger" Gregory. Meanwhile, Maya's sister Debbie and ...

It Sure Does

 Love Hurts is Ke Huy Quan's first ever lead role. After decades out the game and struggling to keep his insurance prior to his Oscar winning turn in "Everything Everywhere, All At Once", you can hardly blame him for taking the chance to front a movie. Unfortunately, in Jonathan Eusabio's directorial debut, he has landed in a misfire. Quan plays Marvin Gable, a cheery real estate agent living his best life as he crushes the sales game and keeps everyone in the office (except for his depressed assistant) happy with his home baking. Unbeknownst to his colleagues he used to be a gangland hitman for his mob boss brother "Knuckles" and when the mysterious Rose, who Marvin was supposed to have killed, remerges, big brother dispatches the goons to get some answers from him. Cue high jinks as Marvin battles henchmen kung fu style while trying to keep his current and past lives from colliding. It's a fun idea but nothing quite comes together in the execution. Th...

Stand-Up and Deliver

Is This Thing On ? is inspired by the story of English comedian John Bishop, who attended a comedy open mic night while going through a divorce and went on to become a successful comedian and regular fixture on British television. The focus here, however, is not on an emerging comedy career but on the way finding a creative outlet gives the central character an injection of life and a new perspective on, and possibly a chance to save, his broken marriage. The premise is well executed but there isn't enough insight to prop up the threadbare story. Based on a UK comedian they may be, but events here are transported to New York. The film opens with Alex Novak (Will Arnett) looking lost at his kid's assembly before we witness him and wife Tess (Laura Dern) calmly decide to call time on their marriage. Feeling lonely (and broke) Alex signs up for an open mic spot in order to avoid paying the entrance and ends up diving headlong into the world of stand-up comedy, which ends up servin...

There Can Only be One

Trailers for Him had Jordan Peele's name slapped all over them, which is understandable from a marketing point of view. In reality it is simply produced by the"Get Out" directors company, Monkeypaw Productions. It is actually directed by Justin Tipping, from a script he co-wrote with Skip Bronkie and Zak Akers. The prevalence of Peele's name in the advertising means the film is bound to draw unflattering comparisons with his own work, which is a shame as the film has its own merits. Cameron "Cam" Cade (Tyriq Withers) grew up idolising Isaiah White (Marlon Wayans), star quarterback of the San Antonio Saviours. When White suffers a grisly injury during the Super Bowl, Cade's father tells the young fan that real men like his idol make sacrifices for greatness. Fast forward about a decade and a half and Cam is about to be drafted to the NFL, where he is tipped as a potential challenger to White's "Greatest Of All Time" status. When a mascot in ...

Super Money Brothers

The minute an Illumination Super Mario movie was announced you knew what was on the cards and this is is exactly that, a mostly by the numbers crowd pleaser with a focus on easy laughs and merchandising opportunities. The good news is it's about as good a version of that as we were ever going to get. The story begins with Mario and Luigi (Mario Mario and Luigi Mario to give them there full names) trying to boost their fledgling plumbing business by helping out with a massive flood in downtown Brooklyn. This leads to them being sucked into the Mushroom Kingdom, via a green pipe naturally. The film is full of trappings from the game, with power ups, karts and a Princess obsessed Bowser as the antagonist. It does flip things round with Luigi being the damsel (da man sel?) in distress while Peach is fearless leader, probably a necessary change for 2023 . Other Mario staples like Toad and Shy Guys make an appearance and there is a trip to visit "The King of the Kongs" (Ninten...