Skip to main content

This is how its Gunn

 Guardians of the Galaxy Volume 3, and to some extent the whole trilogy, shows what a Marvel movie can be when it's allowed to be it's own thing and not beholden to furthering other projects. It has its flaws but  the focus on character and satisfying resolutions make this one of the MCU's best efforts in years. In fact, one of its best ever.


The film begins with an attack on The Guardians by Adam Warlock, teased at the end of volume 2 and played brilliantly by Will Poulter as a gold dusted himbo, leading to Rocket being critically injured. This leaves the rest of the team in a race against time to track down a cure and brings them into conflict with the racoon's creator, The High Evolutionary.


They say that if you want the audience to hate a character just show the character kicking a puppy. By that metric The High Evolutionary will go down as one of the most despised villians in cinematic history. He's a full on animal abuser who's frustrations with life's imperfections give him no regard for the suffering of others and have him creating and genociding entire species on a whim. Played with an air of Shakesperian grandeur by Chukwudi Iwuji, The High Evolutionary makes a case for being the MCU's best villian to date. 


Pretty much all the cast get time to shine and develope. Quill and the new (or is it old since she came form the past?) Gamora re develope their relationship but maybe not in  the way you would expect, the change in Nebula over the course of three films is visable and believable, returning the favour from Volume 2 Mantis helps the others see Drax's worth and Kraglin gets his chance to live up to his old boss Yondu. The only one who doesn't see much development is Groot, who is curiously on the periphery of preceedings while his closest companion is in mortal danger. While Rocket is in many ways the main protagonist of the film he mostly appears in flashbacks as a very different character than the smart mouthed rodent we have come to know and his banter with the rest of the team is missed. 


Making the stakes more personal rather than more epic for the conclusion of the trilogy is an unusual move in a genre that tends to favour spectacle but its a fitting send off for a series that has always placed the emphasise on its characters. That's not to say there isn't plenty of bang for your buck, with action scenes aplenty and the traditional drawn out MCU final act that makes the movie longer than it needs to be. It's also, like it's predecessors, actually funny and packs in some of the best gags Marvel has to offer, even if it could be accused of going lowest common denominator a couple of times too often. Its not all laughs though, throwaway jokes and humour filled chats are mixed with some truly dark events. 


Is it too dark? No, but if you have young kids I'd check this out on your own before deciding if they can handle it. James Gunn is a filmmaker who has never been afraid of playing away from the light and on his final hurrah for the mouse house he doesn't hold back. There are multiple scenes of cute things in distress and some visual grotesquery that reminds you that the director of Slither is behind the camera. One shot in particular (you'll know it when you see it) stretches the level of gore you can get away with in a family film to the absolute limit. 


Volume 3 isn't perfectly paced and it may give you tonal whiplash but character and heart make Guardians of the Galaxy Volume 3 a fitting end to the most unique of Marvel trilogies. 

8 fathers out of 10 destroyers




Comments

Popular posts from this blog

2024 at the Cinema

Bye bye 2024, time to put your ducks in a row. If ducks are films I saw in the cinema. As ever, ranking is purely my opinion (although my opinion is obviously correct), a movie needs to have been released in the UK during calendar year 2024 and I have to have seen it on the big screen for it to be eligible.   60. The Strangers: Chapter 1 Unrelentingly tedious reboot of an already mediocre home invasion thriller that ramps up nothing but the banality. If your idea of entertainment is watching an insufferable couple hide while a man and a woman in stupid masks walk about slowly then this is the film for you. Otherwise the only scary thing here is the fact they have already filmed chapters two and three.  59. In a Violent Nature You don't need to make people drink curdled milk to know it would taste awful. Similarly, you shouldn't need to make people watch a slasher film that follows the killer for the whole runtime to know it's a terrible idea. Dialogue is replaced by endless...

Room With a Viewer

  Few directors can release films with same consistency as Steven Soderbergh (he averages over one a year this century), never mind in so many different genres. With Presence, he steps into the world of the supernatural. Don't be fooled by the "presence" of a spirit however, this is not a horror film, more a family drama infused with a sense of doom. The film begins with a family, consisting of domineering mother Rebecca (Lucy Liu), unhappy father Chris (Chris Sullivan), swimming star son Tyler (Eddy Maday) and troubled daughter Chloe (Colina Laing) moving into a new home. Things are far from rosy in the Sullivan household, Rebecca is involved in some unspecified shady work business and dotes on her athlete son (the whole reason for the move is to get him into a premium school) while showing little interest in her daughter, who's best friend recently died. Chris is fed up with his detached wife's favouritism and considering divorce while both the offspring are in ...

Econ Air

  Single location thriller Flight Risk is the latest film to suffer from an "over eager" trailer. That is to say, the trailer covers pretty much everything that happens in the movie, more or less in the exact order it occurs. On the plus side, it isn't a film that was ever going to keep any secrets so it doesn't suffer as much as some others have. FBI agent Madelyn Harris (Michelle Dockery) takes a flight with informant Winston (Topher Grace) but a short way into their journey they discover the pilot, played by Mark Wahlberg, is actually a mob hitman there to end them both before Winston can squeal. There is a brief opening at an Alaskan cabin and the finale is on a runway, but for the most part it's just the three of them in the cabin of a small plain. Events unfold almost like a theatrical play as the three talk and argue with intermittent attempts at murder.  The main thing to know about Flight Risk is that it is ridiculous. The decisions the characters make a...

My Girl 2025

  Companion opens with Iris (Sophie Thatcher) reminiscing on her meet cute with Jack Quaid's Josh before accompanying him to a secluded house for a weekend of partying with his friends. Everything is normal on the surface but there are hints that something else is going on as Iris appears insanely dedicated to her boyfriend's happiness and at least one of his friends are a little off with her. Sure enough, a reveal around a third of the way in switches things up and the film becomes a bungled heist movie leading to a chase through the woods with freedom and lives on the line. If you have seen the final trailer for Companion you already know what the reveal is. I won't spoil it here for those who want to go in blind but it is fair to say this is, partially at least, a sci fi film. You may well spot the twist (especially with the Stepford Wives nod kicking things off) but something so morally abhorrent and potentially dangerous being completely commonplace and having so littl...

Eyes, Eyes Baby

  You would be forgiven for thinking Heart Eyes is a simple holiday themed slasher movie riding the coattails of 2023's Thanksgiving. While it takes place on Valentine's Day and features a killer dispatching people with a cupid themed arsenal of weapons, that is only half the story. What Heart Eyes really is, is a full on rom com with a slasher slapped over the top of it. How does that work? Thanks to a heightened comic tone and some sharp writing, pretty bloody well. Olivia Holt plays Ally, a love cynic who stalks her ex online and whose bitterness has seeped into her work, endangering her job as a marketing agent for a jewellery company. She has a meet cute in a coffee shop with Mason Gooding's Jay, only to later find out he has been hired by her company to fix her campaign and may be a threat to her position. True love sceptic forced to work with a hot new guy (who happens to be a hopeless romantic) under tense circumstances is a classic rom com set up and there is even...