Skip to main content

Evil isn't Dead

 By mixing modern characters with over the top violence that maintains a wicked sense of slapstick, Evil Dead Rise is a blood drenched example of how good an update to a classic franchise can be.

The setting has changed and preceedings centre around a pair of semi estranged sisters and some kids but most other things remain. The feeling of isolation and growing terror is still there, playing a sinister recording you find hidden away is still a terrible idea and a boomstick and chainsaw are still a survivor's best friend.

The change of setting proves no problem as it turns out all you need to recreate the isolation of a log cabin is a high rise apartment with a broken lift and some collapsed stairs. A family home also opens up opportunities for all sorts of home applience nastiness and director Lee Cronin doesn't hold back when it comes to gruesome violence, although those traumatised by the trailer will be relieved to know he stops short of that needle puncturing an eyeball.

2013's Evil Dead had a decent swing at recreating the magic of the original but fell short by failing to implement the humour. What make the series deadites stand out amongst a sea of glassy eyed slashers and brain munching zombies is their sense of chaotic fun. The Necranomicon demons won't just kill you, they'll f**k with you while doing it. Evil Dead Rise is by no means a comedy but that sense of mischievousness is there. This actually adds an extra level of menace given that the central threat of the film is a mother, so often the last line of defence in a horror movie, out to terrorise her own children.

Alyssa Sutherland is oustanding as the possessed matriarch, playing the part with such chilling glee that it makes you fearful for anyone close to her in real life. The two older kids are pretty one note (son likes music, daughter likes protest) but the actors fill the roles well and the the youngest daughter is great and will really have you routing for her survival. Lilly Sullivan plays main protagonist Beth pretty low key to keep the emphasis on scares but there are glimpses that she could "Ash Williams" it up in the future.

Not every stab hits the jugular. A pregnancy subplot aims to bring in a fear of motherhood theme but doesn't really add anything to proceedings and the discovery of the Book of the Dead makes little sense in the new setting. These are minor gripes, there is more than enough tension without another thematic layer and the book itself is the best it's ever been, all sticky pages and genuinely unsettling images.

When the viscera has settled Evil Dead Rise maintains the series run as the most consistent horror franchise around and will leave you eager for the next rev of the chainsaw.

9 flying eyeballs swallowed out of 10





Comments

Popular posts from this blog

More Money More Killing

How to Make a Killing is loosely based on 1949 British crime comedy Kind Hearts and Cornets (which is in turn an adaptation of 1907 novel Israel Rank: The Autobiography of a Criminal). In a world of remakes, reboots and adaptations, that is pretty interesting source material and could almost qualify as an original idea. Unfortunately, the imagination mostly stops there and the film isn't funny or insightful enough to rise above "it's fine" territory. Glenn Powell is Becket Redfellow, a suit salesman who grew up largely in the foster care system as his mother died while he was young. He is heir to the fortune of his mother's estranged family and, in the unlikely event all the other senior Redfellows should perish, he would be a billionaire. A chance encounter with his status obsessed childhood crush Julia (Margaret Qualley) and an unjust demotion at work give him the notion to speed up his inheritance a little. As he arranges "accidents" for his fellow R...

Blow My Whistle

  Whistle is Corin Hardy's third movie, after his 2015 breakout The Hallow and 2018's Conjuring spin-off The Nun. This new horror flick sits halfway between the indie energy of his maiden effort and the box ticking boredom of his big studio follow-up, with self seriousness butting up against dumb fun. The set-up is most reminiscent of Final Destination, with added high school slasher vibes. Chrys (Dafne Keen) moves in with her cousin Rel's (Sky Yang) family following the death of her father. Within about ten minutes of attending her high school she becomes besotted with Sophie Nellisse's Ellie, ends up in detention after a confrontation with loudmouth basketball player Dean (Jhaleil Swaby) and finds an Aztec death whistle in her new locker. Naturally, the teens end up blowing the death whistle which causes them all to be stalked by their future deaths. This manifests as a ghostly apparition of your dead future self who causes you to suffer said death as soon as they to...

Stars and Their Cars

Crime 101 is named for the California freeway one of the characters commits all his robberies along. It also doubles as describing his MO, he is successful because he makes sure he gets the fundamentals right every time.  It can also describe the film itself, which nails the basics of making a slick crime thriller better than just about any other movie has in quite some time. The professional thief is Mike Davis (Chris Hemsworth), a meticulous planner whose jobs never lead to anyone being hurt and are so well executed that nobody even has any idea they are all the work of one man. Nobody that is, except for Mark Ruffalo's Detective Lou Lubesnick, who is determined to catch the "101 Robber" even though his obsession is starting to lead to him being ostracised in the precinct. Both characters come into contact with high value insurance broker Sharon (Halle Berry) as Mike plans a big score and Lou joins the dots in an attempt to track him down. A potential fly in the ointmen...

Please Close This Book

  The Strangers-Chapter 3 brings an end to one of the most puzzlingly pointless trilogies of all time. Shot back to back (although this instalment underwent some sizeable reshoots after the tepid reception to Chapter 1), the three entries encompass scarcely enough content to cover a single film and are devoid of scares or ideas. In fairness, this instalment seems like it almost has the genesis of something to say. Almost. If you were lucky enough to miss the previous instalments it won't take long to get you caught up. In Chapter 1, Maya (Madelaine Petsch) ran around in the woods a bit with her boyfriend before he was killed by some mask wearing locals of the backwater town they were visiting. In Chapter 2, she ran around in the woods on her own a bit before managing to kill one her face hiding pursuers.  Here, we pick up straight after Chapter 2 and, after a brief interlude in a church, Maya is capture by lead "Stranger" Gregory. Meanwhile, Maya's sister Debbie and ...

Wasted Men

From Scum to Starred Up, neither the big nor small screen are short of brutally frank depictions of life behind British bars. Wasteman adds a taut, modern take to the pile and shows that life isn't getting any easier inside. Philip Barantini (creator of Boiling Point and Adolescence) is on board as a producer so you know it's going to feel real and the Safdie brothers were at one point attached to direct, so you know it's going to be gut-clenchingly tense. It doesn't disappoint on either front. David Jonsson plays long term convict Taylor. A timid drug addict, he cuts the hair of the top-dog inmates in return for a regular fix and is existing rather than living as the years of his sentence tick by when he gets some unexpected news. Prison overcrowding means he is up for early release, provided he can keep his nose clean for a couple of weeks, something made increasingly tricky by the arrival of his new cellmate Dee (Tom Blyth). Dee encourages Taylor to make contact wit...

There Can Only be One

Trailers for Him had Jordan Peele's name slapped all over them, which is understandable from a marketing point of view. In reality it is simply produced by the"Get Out" directors company, Monkeypaw Productions. It is actually directed by Justin Tipping, from a script he co-wrote with Skip Bronkie and Zak Akers. The prevalence of Peele's name in the advertising means the film is bound to draw unflattering comparisons with his own work, which is a shame as the film has its own merits. Cameron "Cam" Cade (Tyriq Withers) grew up idolising Isaiah White (Marlon Wayans), star quarterback of the San Antonio Saviours. When White suffers a grisly injury during the Super Bowl, Cade's father tells the young fan that real men like his idol make sacrifices for greatness. Fast forward about a decade and a half and Cam is about to be drafted to the NFL, where he is tipped as a potential challenger to White's "Greatest Of All Time" status. When a mascot in ...

Fast 10 Your Seat Belts

 Despite suffering from some well established franchise problems Fast X puts it's pedal to the metal to become one of the saga's best entries. No mean feat for a series 10 films and over 20 years in. The set pieces are a tiny bit more grounded than F9 but still ridiculous and a lot more fun. Various members of the crew play live action Rocket League in Rome, drop out of a plane in a "canoe" and engage in a final chase that is much more satisfying than the turn magnet on and off showdown of the previous film. The film also benifits from an increase in star power and better use of its characters. John Cena returns but he plays the character of Jacob Toretto completely differently and is great fun as he embarks on a road trip with his nephew. Jason Statham is back as Decard Shaw, albeit only as a cameo with the promise of more to come. The film really belongs to franchise newcomer Jason Mamoa as Dante Reyes, son of Fast 5 villain Hernan. Leaving his imposing frame to por...

Gimme Shelter

  The start of another year means it's time for the annual "Jason Statham is a retired killing machine trying to live a quiet life but being forced to start stacking obituaries" movie. The typically nondescript title of this year's offering is Shelter and Stath's former special forces badass is called Michael Mason. When the British government agency that he used to drop bodies for comes calling at his remote Scottish lighthouse he is forced to take action, something that is complicated by the presence of a young orphan girl named Jessie (Bodhi Rae Breathnach). While our protagonist and his reluctant charge tear across the countryside, Naomi Ackie (criminally underused here) and Bill Nighy (putting in just enough effort to get by) scheme against each other at Spy HQ.  Jason Statham movies can essentially be judged on three criteria; Does he get to do cool action? Are the bad guys formidable enough? Is the plot and dialogue entertainingly cheesy rather than just e...

Summer of Discontent

  Unlike say, Final Destination, I Know What You Did Last Summer is not an idea ripe for remakes and sequels. Once you've told the story of a group of people leaving someone for dead, only to be hunted down a year later in grizzly revenge, there isn't really anywhere else to go while sticking close enough to the formulae to warrant being a successor. Its not a major surprise then that this sequel to the 1997 movie of the same name does little more than tread most of the same water as its precursor while trying to reference and acknowledge the original at every opportunity.  This time round, the central cast are a little older than the high school graduates of 97 but still act like teenagers. Some of the clunkiest exposition dialogue of recent memory attempts to fill out their back stories but you're left with a group of characters you can't wait to watch die. This would be fine if it wasn't for the fact that, for most of the runtime, the inept hook wielding killer ...

Holy Self-Awareness Batman

 Apart from the titular characters overexposure there were two main concerns heading into The Batman; is it too long? Are we supposed to think darker edgier Batman = even cooler Batman? To the first point, yeh probably but in fairnes nothing stands out as obvious filler to be removed and the fact the final act doesn't drag on means you end the film feeling your time has been respected. As for the second concern the answer is fortunately a resounding no. Nobody understands me Batman doesn't even understand himself and is wracked by doubts about his actions and effectiveness. He is (rightly) called out for having a priveledged person's view of crime and the film acknowledges the fact that someone going around beating up street thugs probably wouldn't help a city very much. Despite spending the vast majority of the film under the mask Pattinson manages to convey enough humanity to get across the idea that Bruce is doing his best and isn't just a violent scumbag and the...